I want to get people to read stone, tree, so forth & so on through the construction of the picture, to lead them to these things exactly as if it were written out on a page. I think it can be done.
Ann Coulter to me is someone who says things that I say all the time, but I say them at three in the morning when I'm drunk as a monkey. She says them at three in the afternoon stone sober in bright daylight.
Develop success from failures. Discouragement and failure are two of the surest stepping stones to success. The successful man will profit from his mistakes and try again in a different way. When you're afraid, keep your mind on what you have to do...if you have been thoroughly prepared, you will not be afraid. We all have possibilities we don't know about. We can do things we don't even dream we can do.
Being a stand-up comic, this isn't a stepping-stone for me; it's what I do, and this is what I'm always going to do. And even if I do a TV show, the only reasons to do a TV show is to get more people to know me to come out to my stand-up shows.
I used to listen a lot to Rolling Stones records and play along with them when I was first starting. It's a good way to learn, jamming around basic music.
You see, we're influenced by whatever's going. Even if we're not influenced, we're all going that way at a certain time. If we played a Stones record now - and a Beatles record - and we've been way apart, you'd find a lot of similarities. We're all heavy. Just heavy.
There is nothing conceptually better than rock 'n' roll. No group, be it Beatles, Dylan or Stones, have ever improved on Whole Lot of Shaking for my money. Or maybe I'm like our parents: that's my period and I dig it and I'll never leave it.
The Moral Law is summarily contained in the Decalogue or Ten Commandments; written by the finger of God on two tablets of stone, and delivered to Moses on Mount Sinai.
A lot of bands have managed to borrow parts of our style for their music. That's fine with me, because we've borrowed from people like the Stones. But we don't want to sound like we're copying anyone, including ourselves, so we're moving on.
As I said before, stones to me is meant things that hurt people, things that cause pain and thats what this song is about.
There's so much around, you don't know what to listen to. All I've got at home is Bo Diddley, some Stones and Beatles stuff, and old jazz records.
Well, I see I am not designed to the finding out the Philosophers Stone, I have been so unlucky in my first attempts in chemistry.
Don't let failure deter you; use it as a stepping-stone and an educational experience towards making your mark on the world.
We can preach the Gospel all day long, but that won't win souls. That won't win the hearts of the people. We can talk, try to theorize, theologize, reason, argue, debate, and spend time trying to prove that Jesus lived, but that won't win a heart. How often do we see the religious mindset that believes that the more Scripture quoting, the more yelling, the more hell fire and brimstone preaching, the greater the chance to win someone over for the Kingdom? Likewise, how often do we see people sitting or standing there listening in stone-cold silence or indifference?
I like The Smiths as well. They took a cue from The Buzzcocks. They have jangly guitars instead of distorted guitars. All the Manchester bands have a character about them. The Stone Roses and The Smiths and all that. Even if you don't like them, they have a certain original sound.
I want to win a Grammy. I want to be on the cover of Rolling Stone. I want to be a musical guest on 'Saturday Night Live.' And I want to play arenas and have tons of people watching me.
Before I joined Kraftwerk in 1971, I played guitar in a band called Spirits of Sound, whose members included (at times) amongst others singer Wolfgang Riechmann (Sky Records released his only solo album Wunderbar shortly after his death in 1978) and drummer Wolfgang Flür (later on Kraftwerk, now solo). The music of S.o.S. in the mid 60's first was the English pop and rock music of the times (Beatles, Kinks, Rolling Stones ).
My parents were real classic rock freaks, so I heard a lot of Zeppelin, Stones, Hendrix stuff. Thankfully, they were also into lots of old soul, too, so we listened to Stevie Wonder, Earth Wind & Fire and War. I was so isolated where I grew up (a small town in Pennsylvania) that there was literally no culture.
At the end of the playback of the take of "Like A Rolling Stone", or actually during the thing, Bob Dylan said to the producer, turn up the organ. And Tom Wilson said, oh man, that guy's not an organ player. And Dylan said, I don't care, turn the organ up, and that's really how I became an organ player.
I think it was Columbia politics, Columbia Records politics that, that, Tom Wilson left [Bob Dylan] after "Like A Rolling Stone".
Rolling Stone hates me. They must have an editorial policy to do me in for many years.
I wanted to be in Rolling Stone number two with a tomorrow feel to it, like an experimental Rolling Stones with Jagger singing.
I think it's kind of written in stone that men are supposed to have strong feelings about age, but I've never really thought about it.
The Stones are not the kind of band that want to get in the details. That's why they have a producer and engineer - to pull the magic out of them and make them sound so great.
I'm in a state of learning, and I don't have any set-in-stone ideas about what shows or even what eras I want to pursue.
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