I make up the characters in my books, but of course my consciousness is filled with every child I've ever known, including my two grandchildren, my own kids (I had four) and especially myself as a child, because that person still lives inside me, too.
The world cannot bury Christ. The earth is not deep enough for His tomb, the clouds are not wide enough for His winding-sheet; He ascends into the heavens, but the heavens cannot contain Him. He still lives--in the church which burns unconsumed with His love; in the truth that reflects His image; in the hearts which burn as He talks with them by the way.
I'm not actually from Compton - I'm from South Central Los Angeles, and my father still lives in the same house I grew up in, so I'm there all the time.
The spirit of Lincoln still lives; that spirit born of the teachings of the Nazarene, who promised mercy to the merciful, who lifted the lowly, strengthened the weak, ate with publicans, and made the captives free. In the light of this divine example, the doctrines of demagogues shiver in their chaff.
I’m amorous but out of reach / A still life drawing of a peach.
Few people know that I grew up in Germany and that my family still lives there.
For me, a few hours ago, this campaign came to an end. For all those whose cares have been our concern, the work goes on, the cause endures, the hope still lives and the dream shall never die.
My brother Mark still lives in the house we grew up in.
My family still lives over there [ in South Africa] .I miss them terribly. I would say that most of my life over there was probably very similar to the sort of life someone would experience growing up somewhere like Australia or in the US.
In fact, I believe to a certain extent a person today who starts with just clay, with no drawing and no painting and no figure drawing, still-life drawing, various things, they miss a great deal.
To someone like Zurbaran, who paints still lifes, lemons and pears are the objects of art. But to the electronics engineer who works on the technologies of virtual reality, the whole reality has become the object of art, with a possibility to substitute the virtual with the real.
In my teens I fancied myself an artist; I hung out with the eccentric art teacher at my high school, painted still lifes and portraits and landscapes in watercolor and acrylics, took private lessons, won some blue ribbons for my earnest renderings. My lack of talent did little to dampen my enthusiasm. In college I thought I'd continue, but, like Salieri, I quickly realized that while I had the ability to appreciate art, I wasn't actually very good.
There's the larger shiny Marvel universe where everybody has new gear and it's all made of chrome and leather. And then there's Deadpool. I think the world that he explores is a much seedier, everyday sort of ordinary type world. But he still lives in that universe. It still has to sit next to all these other films.
Feudal Europe is over, but it found its way into film culture. It found its way into postmodern painting culture, and we're all here talking about it today. It still lives. I don't believe in ghosts, but these are contemporary ghosts.
Picasso and Matisse were the guys I wanted to get away from, and cubism is all still lifes. Their paintings are all closed drawings. And still life is a perfect form for that. By the mid-'50s, I sort of dropped the still life. The large picture was a way of getting around them, too. The abstract expressionists were also into the large form because it was a way of getting around Matisse and Picasso. Picasso can't paint big paintings. Matisse didn't bother after a certain point.
One thing I had on my side when it came to How to Make It in America is that I'm a born-and-raised New Yorker. Filming in New York... I'm so thankful and humbled by the whole experience. A lot of it takes place in old neighborhood; I'm an East Village kid, so I get to see my old friends from the neighborhood, my family still lives there.
I love to work, and to make all kinds of work. But if I work on a fashion story then I work for somebody. If I work for me, for an art project, then I'm not that nervous. It doesn't matter when the photo is done. And if I work on a fashion shoot, then I have access to all these things that I can use later for my art - a still life here or there. I can do all of this while the model is changing.
I love Pittsburgh. Most of my family still lives there and I try to get back a couple of times a year.
I identify myself as a Nigerian because that is where I was born and raised and where my family still lives.
One of Still Lifes many achievements is its paradoxical mix of intensity and stillness. Alexander Longs visions of landscape, identity and "History itself, a joke that no one gets" are simultaneously meditative and alert, restless and focused. This is a smart, compassionate poet. Still Life is a mesmerizing new book.
John Adams and Thomas Jefferson were political enemies, but they became fast friends. And when they passed away on the same day, the last words of one of them was, The country is safe. Jefferson still lives. And the last words of the other was, John Adams will see that things go forward.
Slavery is dead, but the spirit which animated it still lives.
No matter how successful the remake is, it seems to me it's forgotten quickly after and it's the original that still lives on.
Does it matter, when you read, if the person who wrote still lives?
We can talk about corporations all day long but my goal is to help the middle class, somebody who makes too much to be on government assistance but still lives paycheck to paycheck.
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