I can still go grocery shopping and not get mobbed. But when I was in South Africa this summer, I had people asking for autographs, and that scared me.
When the students in the South, the blacks, started demonstrating, that was the beginning of the time of students becoming a social force around the world.
America cannot afford to defend Saudi Arabia, Japan, Germany, South Korea, and many other places.
Japan, Germany, South Korea, these are very rich, powerful countries. Saudi Arabia, nothing but money. We Americans protect Saudi Arabia. Why aren't they paying?
We Americans have to tell Japan in a very nice way, we have to tell Germany, all of these countries, South Korea, we have to say, you have to help us out.
People in apartheid South Africa can tell you that God cursed black people when they cursed Him. And so the hermetic people were condemned to be drawers of water and of wood.
Countries will cooperate with each other, and are more likely to cooperate with each other when they share a common culture, as is most dramatically illustrated in the European Union. But other groupings of countries are emerging in East Asia and in South America. Basically, as I said, these politics will be oriented around, in large part, cultural similarities and cultural antagonism.
The United States has been an immigrant country. The Hispanics who come here are largely from Mexico and South America. They are Catholics, but that is an American religion. One-third of our population is Catholic so that does not have the same impact as Muslims coming into Europe.
The late Nadine Gordimer in South Africa, for example, had a wonderful ability to get her country's injustices and contradictions down on paper. Ditto for her countryman the great playwright Athol Fugard.
I was born in the south of France, I moved to Paris 30 years ago. I was running nightclubs and restaurants, so that was my business - working until six o'clock every morning, and then one day I noticed my wife. We opened the gallery together. She got pregnant, she was 22, I was 35, and it was time for me to change my life, and I decided to wake up early - wake up at the time I used to sleep.
There are a lot of writers from the South who would probably have once figured they needed to go to New York to make it who have stayed closer to home - people like David Joy, Tom Franklin, Sheldon Lee Compton, Wiley Cash, Mark Powell, and Alex Taylor.
I would like to talk about some of the things that happened that made me know that there was something wrong in the south from a child.
Actually, some of the things I experienced as a child still linger on; what the white man has done to the black people in the south!
I usually leave Reykavik for two to three weeks to go to the South Coast of Iceland where I have a small fisherman's hut from the beginning of the last century. That's where I sit down and do the actual writing. I might write for 16 hours a day or something. That's how it happens.
When I think about the auto-industry and how it was one of the industries that brought all of these black men from the South to Michigan and other places to make more money than they could ever make in the cotton fields or the agricultural world of the South... what's happening now is all of that is closing down, and we know that it's going to reopen in Southern places, focusing on Mexican and other migrant workers to come and work cheaply and get none of the benefits.
A child came up to me and asked 'am I dreaming?' I had a similar experience coming to the Art Gallery of South Australia when I was a child. My mum had done a workshop here and it stayed with me. It's an important formative time.
There is a section of our population in South Africa that you can't expect to get integrated in the economy of its own. These are people without skills and that will include young people who might very well have matric certificates, but don't have the skills to be absorbed in the economy. So we need to target people like those in a special way, in a focused way so that they have the skills and the capacity to participate in the economy. That requires special programmes.
The public service needs lots of people, South Africa generally, needs lots of people.
I think anybody who knows anything about South Africa and the South African economy would know that one of the big constraints to growth and development is skills shortages. So all of us, need to come at this thing as vigorously as is possible and, of course, the private sector has the capacity to take it on board.
I think the critical point, really, is that we need to focus black economic empowerment more on the creation of new wealth rather than on these big deals that have been characteristic of this process in the past, of people going to banks, borrowing a lot of money, buying this and when the shares don't perform very well, the shares go back to the banks, because there's other people who own this anyway. I think we need to re-focus it so that it really does impact on growth, new investment, new employment and a general, better spread of wealth in South Africa.
The matter of people being attracted to other countries is a permanent problem in my view, it doesn't only face South Africa. A whole lot of countries in the world are faced with this problem.
Your developed countries are taking teachers from South Africa, they are taking nurses, because people are better paid where they are going.
Doing a movie in Tel Aviv or London or South Africa or Mexico. It's this great second act to my career, and it's a real good time.
It was really John's [Musker] idea to begin with to tell a story set in the world of the South Pacific, Polynesia. He started, he just loved the world and he started reading a lot of mythology, which most people are not that familiar with.
There are stories of Maui everywhere in the South Pacific. They're different. Different areas have different interpretations. But and so we [with John Musker] fashioned, that was kind of the inspiration and we came up with a very simple basic storyline, focusing on Maui.
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