In the 80s, in the cover band I was in, we'd slip in original material. If you didn't say anything about it, people just didn't care. Sometimes they'd ask where that came from and you'd tell them, but you still had to play a bunch of Willie, Waylon, and Merle.
70 percent of what we do involves staring into space trying to figure out what the hell happens next.
I love the pursuit of songwriting, and I've seen what songs can do in people's lives. Some of the stories that come back from songs flying around the globe are so encouraging.
The music is in the lead here, and a large part of this, I have no idea what I'm doing. I feel a closer bond with the craft of songwriting, stronger than I ever have.
I think Gram did his best work in co-writes. Sometimes when you're working with one other person, it's such a magical thing. You're editing each other and you're trying to create that one spark.
Songwriting and screenwriting aren't that different to me.
There's a lot of really inspiring music coming around the bend - we tend to believe that to sound classic or timeless is to sound vintage or retro. It's a little bit dangerous, because you'll really miss a chance to make your mark as a generation.
I see pictures in my mind and become the character in the song as I'm writing. It's kind of method songwriting, where you're the actor in the song.
'Insatiable', the album, was more of a project, really... it was more like a songwriting excursion and an exclusive deal that hadn't really ever been done that often before... me being like, 'ooh I'm an entrepreneur', rather than 'this is my singing career'.
You can't ask me to explain the lyrics because I won't do it...I always believed that I have something important to say and I said it. That's why I survived because I still believe I've got something to say. ... I don't like overdubs, never liked them. ... The music business doesn't interest me anymore...Don't the people you're around shape the music, is that what you're saying? Everything does. ... I'm not joking around when I've said occasionally, trying to learn how to play a D chord properly has been a very big thing for me.
I always said I would have gone in to psychology, or maybe the FBI. I'm really in to and interested in humans and their minds and emotions. I think that's another reason I like songwriting. It's amazing the stories you can tell about someone, just from a little people watching
I've always been very politically interested from a very young age and I hadn't felt that was something I could begin to bring into my songwriting because I hadn't felt I'd reached the stage, that I had the skill with language enough, yet, to do that.
Maybe I feel like I'm writing songs that don't need to be saved or made more interesting by endless overdubs and studio tricks...maybe - remember, where I am with songwriting I have never been before - sparkly guitars and overdubs I've done (and will do again - see instrumental record in above answer)
I really do love pop. I understand songwriting, I understand the business, and I'm not stuck in any one particular time period.
What I have in mind when I start to write could fit inside an acorn-an acorn, moreover, that rarely if ever grows into an oak. Write fiction and you relinquish reason. You start with an acorn and you end up with a mackerel.
As I started writing about loss and grief, I was taking what felt unmanageable and using my songwriting, my sense of poetry and discipline, to try and make it manageable.
When I wrote the song, I had the sea near Bombay in mind. We stayed at a hotel by the sea, and the fishermen come up at five in the morning and they were all chanting. And we went on the beach and we got chased by a mad dog-big as a donkey. ... I think that songwriting changed when groups started spending more time in the studio. ... I've written so many songs about Englishmen, I have to go elsewhere. ... Our repertoire consisted of rhythm and blues, sort of country rhythm and blues, Sonny Terry things.
Writing is a way of living other lives. It is a way of expanding your life. It's not actually living a different life, it just means that you're hungry for life. There are so many things you want to do.
One night, Don Henley called, and I told him, 'I'm washing dishes and bike shorts.' He said, 'It's in the domestic exercises of life that one will find the biggest inspiration.' And he was right.
Songwriting is my way of channeling my feelings and my thoughts. Not just mine, but the things I see, the people I care about. My head would explode if I didn't get some of that stuff out.
Personally, being somewhat envious of Richard's (Thompson) songwriting and guitar playing, it's somewhat satisfying he's not yet achieved household-name status. It serves him right for being so good.
I studied acting and there's certainly an element of performance. I think that the songs are in many ways written to be performed. I think about what it's going to be like to sing them on stage rather than what it's going to be like to have someone at home listening to them on a CD. I guess in that way there's a connection between my acting experience and the songwriting and the way the songs are written.
A pretty pivotal moment for me was having a songwriting class with Paul McCartney when I was at LIPA, and then being called in a few days later by the headmaster of the school to tell me that Paul McCartney likes what I'm doing.
I write about what I know and what I've experienced. That's the only way it can be real to me. I love songwriting. There is something so satisfying in coming up with an idea and turning it into a song that means something to people.
As time progressed, my songwriting developed out of my bass, because that's all I could do. I decided to take it as far as it could go and to use my skill as a tool.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: