The challenge of screenwriting is to say much in little and then take half of that little out and still preserve an effect of leisure and natural movement
All writing is discipline, but screenwriting is a drill sergeant.
Screenwriting is the most prized of all the cinematic arts. Actually, it isn't, but it should be.
Screenwriting is like ironing. You move forward a little bit and go back and smooth things out.
Whatever you do in terms of telling a story, the most important thing that you can define is who you are.
All drama is conflict. Without conflict, there is no action. Without action, there is no character. Without character, there is no story. And without story, there is no screenplay.
You know, my problem with most screenwriting is it is a blueprint. It's like they're afraid to write the damn thing. And I'm a writer. That's what I do. I want it to be written. I want it to work on the page first and foremost. So when I'm writing the script, I'm not thinking about the viewer watching the movie. I'm thinking about the reader reading the script.
Every scene should be able to answer three questions: "Who wants what from whom? What happens if they don't get it? Why now?"
As a writer, I demand the right to write any character in the world that I want to write. I demand the right to be them, I demand the right to think them and I demand the right to tell the truth as I see they are.
Screenwriting is not an artform, it is a punishment from God.
Give me a good script, and I'll be a hundred times better as a director.
I find that screenwriting is at best kind of a hackwork in some ways.
If a story doesn't give you a hard-on in the first couple of scenes, throw it in the goddamned garbage.
The script is what you`ve dreamed up - this is what it should be. The film is what you end up with.
The script, I always believe, is the foundation of everything.
I want to get off with the screenwriting.
A writer is somebody for whom writing is more difficult than it is for other people.
To make a great film you need three things - the script, the script and the script.
A dramatic writer should never tell anything he can show.
A professional writer is an amateur who didn't quit.
Audiences are harder to please if you're just giving them effects, but they're easy to please if it's a good story.
Scripts are what matter... if you get those foundations wrong, then you absolutely don’t stand a shot.
I usually write very few stage directions. I think a lot of that is a waste of time. The art of screenwriting is in its terseness, saying a lot with a little. I have no patience when I read a script where the writer describes this guy and what he's wearing and his glasses and his hair.
I'm very lucky. I actually like screenwriting. I rarely feel a sense of doom going to my desk.
[Screenwriting] is no more complicated than old French torture chambers, I think. It's about as simple as that.
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