But I knew - in the old days, if a song was a good song, I don't care if it was 'Yellow Submarine' or, you know, or 'The Times They Are a-Changin' or 'Don't Be Cruel', you knew it, you know? You heard that song, and you were talking about it, and you knew it.
I'd listen to all the stuff that was going on around me and drift off into my fantasies about it. My fantasies have fuelled all the songs I've ever written.
I think in some ways, it can do a listener a disservice to explain a song. I think I'd rather leave a little room for people to put themselves in it.
A song has a life of its own. It's an autonomous thing, separate from your own experience, almost. And the mere repetition of it means it's subject to change; it means approaching it differently, expressing different emotional aspects of it. It doesn't feel like wallowing.
I wrote 'Actor' all on the computer. I didn't touch any instruments until I was in the studio. So while I had all these ornate arrangements, I didn't have any songs.
When I graduated from college in early 2010, I decided that I needed to create a calling card, some kind of business card that people can link to my name and face. So I did this 'Mad Men Theme Song...With a Twist' music video. I released it just as I moved to L.A.
Why be in music, why write songs, if you can't use them to explore life or an idealized vision of life?
It's cool when your husband starts to sing some old Merle Haggard song and I can pop in with a harmony and it doesn't sound too bad.
Songs are like movies to me, and so you put yourself in the movie. You become a character in the movie.
For me, the most difficult thing is that I am learning melodies on guitar from some songs whose melodies were not meant to be played on guitar. Ever. They were intended mostly for keyboards or melodic percussion.
I mean, no offense, but I don't really see why, like guitar players from Creed, or something like that, are on the cover of guitar magazines. Almost anybody can sit down and learn to play those songs.
I'm totally convinced I can write the perfect pop song.
I don't know why I write really depressing songs. I'm a kind of melancholy guy, I suppose. But I figure I'm about normal.
I'd like to write some songs that are so good that nobody understands them. Not even myself.
I want to sing songs which will touch people's hearts.
I want to do music that holds the heart of five members and send a message to my fans with the song.
Love is a power greater than death, just like the songs and stories told.
No matter what you do for a living you should get paid for your work, whether you're washing dishes or recording songs.
Songs from the wood make you feel much better.
No matter what I do, my songs come out in a certain style, and if that sounds like Dead Kennedys, then there's probably a reason for it. Don't forget, I wrote most of those songs, music and lyrics.
I just get an idea and then all of a sudden I've got a song.
Usually, when you go in to make a record, you have 30 songs, and you record 30 of them, and 12 of them make it to the record.
It's terrifying to play your favorite band's song in front of your favorite band.
There's a reason why the Foo Fighters don't blast out Nirvana songs every night: because we have a lot of respect for them. You know, that's hallowed ground. We have to be careful. We have to tread lightly. We have talked about it before, but the opportunity hasn't really come up, or it just hasn't felt right.
I don't look at myself as a celebrity. People recognize me, but it's all about my music, my songs. It's not like I'm a greater being. I take my kids to school, pick them up, go to the grocery store. I'm a mother, and my kids mean more to me than even being an artist.
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