A song is anything that can walk by itself.
My songs always sound a lot better in person than they do on the record.
You don't write a song to sit there on a page. You write it to sing it.
How many times can a man turn his head, and pretend that he just doesn't see?
There would be brilliant songs, but, as [Bob] Dylan admitted on the recent Martin Scorsese documentary about him (No Direction Home), the specific muse that inspired "It's Alright Ma" would not return.
Heard ten thousand whispering and nobody listening. Heard one person starve, I heard many people laughing. Heard the song of a poet who died in the gutter.
May your heart always be joyful. May your song always be sung.
There's enough songs for people to listen to, if they want to listen to songs. For every man, woman and child on earth, they could be sent, probaby, each of them, a hundred records, and never be repeated. There's enough songs. Unless someone's gonna come along with a pure heart and has something to say. That's a different story.
Don't criticize what you can't understand.
I started writing songs after I heard Hank Williams.
In songs, you have to tell people about something they didn't see and weren't there for, and you have to do it as if you were.
People think they know me from my songs. But my repertoire of songs is so wide-ranging that you'd have to be a madman to figure out the characteristics of the person who wrote all those songs.
I can't see myself singing the same song twice in a row. That's terrible.
Bent out of shape from society's pliers, cares not to come up any higher, but rather get you down in the hole that he's in.
I'm used to writing songs and songs-I can fill em up with symbolism and metaphors. When you write a book (Chronicles, Vol. 1), you gotta tell the truth, and it can't be misinterpreted.
The people in my songs are all me.
My best songs were written very quickly. Just about as much time as it takes to write it down is about as long as it takes to write it...In writing songs I've learned as much from Cezanne as I have from Woody Guthrie...It's not me, it's the songs. I'm just the postman, I deliver the songs...I consider myself a poet first and a musician second. I live like a poet and I'll die like a poet.
If you told the truth, that was all well and good and if you told the un-truth, well, that's still well and good. Folk songs had taught me that.
And I'll know my song well before I start singing
Well, the moral of the story, The moral of this song, Is simply that one should never be Where one does not belong. So when you see your neighbor carryin' somethin', Help him with his load, And don't go mistaking Paradise For that home across the road.
That's another way of writing a song, of course. Just talking to somebody that ain't there. That's the best way. That's the truest way. Then it just becomes a question of how heroic your speech is. To me, it's something to strive after.
You could listen to Woody Guthrie songs and actually learn how to live.
Down the street the dogs are barking And the day is getting dark. As the night comes in a-falling, The dogs´ll lose their bark And the silent night will shatter From the sounds inside my mind, For I´m one to many mornings And a thousand miles behind. From the crossroads of my doorstep, My eyes they start to fade, As I turn my head back to the room Where my love and I have laid.
I gave her my heart but she wanted my soul.
In writing songs, I've learned as much from Cezanne as I have from Woody Guthrie.
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