Jazz took too much discipline. You have to come in at the right place, which is different than me singing the blues, where I can sing, 'Oh, baby,' if there's a pause in the melody. With jazz, you better leave that space open, or put in something real cool.
Look closer and you'll see something extraordinary, mystifying, something real and true. We have never been what we seemed.
Are you looking for something real in this world of illusions? Call me. Casual Flings need not apply. I am looking for Love.
All fiction comes from a little bit of reality, otherwise it would have no relevance. The fun is in innovation, take something real like this fair, and make it something larger than life.
I always felt like if you get to a point where you've got enough money to invest in something real, you gotta invest in anything that's related to a natural resource because that's gonna be here forever - so you might as well invest in something that's gonna be here, rather than invest in something that's gonna wear out.
I'm trying to do something real different; I'm trying to bring the street to real pop. I'm trying to bring the street to pop. Not watering it down, no nothing.
Any perception can connect us to reality, properly and fully. What we see doesn't have to be pretty, particularly; we can appreciate anything that exists. There is some principle of magic in everything, some living quality. Something living, something real, is taking place in everything.
Sometimes the music just has to tell the story without you trying to tell the story. It depends on the type of music you want to make. If it makes you feel good and party then you go with that. If it makes you feel like speaking on something real and doing a story then it's the beat just has to have the story.
I was trying. I was crawling. I was coming into myself. I was trying to in some ways get beyond - what is the word that I'm looking for? - metaphorical language in painting, and to create something that was more indexical. And what I mean by that is that when you go to the library there's an index card that refers to a book that's actual and real in the world. So that index relates to something real.
I really don't want somebody writing something positive about me if they don't believe in it. I'd rather somebody write something real mean. I like reading bad stuff, it gets me excited. In fact, the only reviews I keep are the bad ones 'cause I think they're the cool ones.
It's always considered bad taste to comment on a tragedy right when it's happening, but I love when something is considered too soon to talk about because then you can blast past that social censorship to get into something real.
You can't make money without selling something real. You can't make something real without first imagination manifesting itself in your head. You can't have imagination without surrendering yourself to an idea that you want to create something of value to other human beings.
Why is a picture of something real eventually more exciting than the thing itself?
You turn into this desperate dude looking for a shred of attention when you just had so much. It's like, "I'm just lonely and all I really want is a hug, but I gotta capture that in something real gross." You start to understand why circus clowns are alcoholics.
I detest symbolic protest, as it is an outcry of weak, middle-of-the-road, liberal eunuchs. If an individual feels strongly enough about something to do something about it, then he shouldn't prostitute himself by doing something symbolic. He should get out and do something real.
We're trying to fill something internal with something external. We're trying to fill something real with something illusionary.
Religious life is about something real in human experience that is not constrained by what Wittgenstein called 'all that is the case'. In this sense Heidegger is not simply 'mistaken' - he just asks us, as philosophers mostly do, to think more carefully about what we're saying.
Everybody is trying to make something real, something with a core of substance, and of course, an exciting action movie with a lot of terrific stuff and fantastic visuals and everything, but at the core of it, it's a movie with substance and something that is going to make people think.
I take pop culture really seriously, I think it's really important, and the stuff that I make...I don't want it to be insubstantial, even if it's about something wacky, like sharpening pencils. I feel like I owe it to myself and I owe it to people who are really interested in pencils and I owe it to anybody to do my due diligence and give them something real.
From my studies of old and recent reports, and from direct involvement with several UFO investigations, I have become convinced that there is something real and new behind the UFO phenomenon.
This 'flying saucer' situation is not at all imaginary or seeing too much in some natural phenomena. Something is really flying around. The phenomenon is something real and not visionary or fictitious.
It's the balance between wanting the power of electronics and having something real happening - if you want people to engage in what you're doing, I think that's important. I want to have fun with people, but that's hard to do with a laptop.
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