Hearing Marilyn Crispell play solo piano is like monitoring an active volcano. She is one of a very few pianists who rise to the challenge of free jazz.
Adam Berenson knows how to compose, organize an ensemble, do musical research, play solo and trio piano, write for musical journals, and enlist others to his cause. A very fine musician.
It's the group sound that's important, even when you're playing a solo.
I don’t think the drums are a solo instrument. Drums are there to set the beat for the music.
I wanted all my solos to be something you could sing along with
What I do on my solo stuff is just the most natural version of who I am, and I’m trying to represent the feelings that I’m feeling as purely as possible
A good solo is like a book. It will start out in a phrase, it will go on in paragraphs, and then it will have a great ending.
It really shocked me just to hear of the fans' response to 'St. Anger' not having guitar solos.
With Zeppelin, I tried to play something different every night in my solos. I'd play for 20 minutes but the longest ever was 30 minutes. It's a long time, but whenI was playing it seemed to fly by.
The realization that The Art of Obscurity is my 25th solo album prompted me to do some deep thinking about where I am, where I’m going and what I still want to achieve from this life in music. In my heart I feel vital and passionate about the creative process and that my best work is the next one I finish. It doesn’t necessarily work out that clean, but for me, it can be the only touchstone.
Around New York, our group had become known as 'Dee Dee and her girls' because we were used on everything, so going out on a solo career wasn't as much a big deal to me.
I’m always the same. Whether I’m solo or with Big Bang, the one thing I have to do is sing and dance. I started solo activities with the things I did well with Big Bang, and I’ll show the things I learned while doing solo through Big Bang. Wherever I go and whatever I do, I am Taeyang and Dong Young Bae.
This solo piano exploration (Beyond The Sky) by Rob Schwimmer is full of passion and love...his execution and ideas flow with a beautiful sense of freedom that captures you from his first phrase to the last.
There are producers that have been my friends for many years that I'm still a big fan of, from Boyz Noize to solo acts. Justice. It really varies. All the way to like...sometimes I'll just find some dude out of Chicago that makes a great house song. I'm feeling a lot of the deep house stuff, Jamie Jones.
Punk came along and grunge made guitar solos uncool.
I'm not generally a big solo guy, because I'm not into showing off that way.
I think I'll continue to work as a solo artist.
I'm very honest about the things I struggle with and I need to work on to survive as a solo artist.
People sometimes ask if I want to be a solo artist, but it just wouldn't be any fun being on your own.
In my mind these two instruments speak to me in different ways, and the solo stuff seems to be easier to do on the soprano.
Flying solo, you have a fair workload. I'm not only flying the balloon but doing the navigation, communications, repairing the burners, taking care of the equipment.
I just assumed the world was full of solo percussionists. I couldn't find sticks or music or anything where I was, but that was expected because there was nothing there anyway. And I think that was possibly the greatest asset for me, just not knowing.
Every time I listen back to solos of mine I'll hear something I like and then another phrase that I can't stand. You have to live with what you play. And the recording medium puts that on us. When I play live gigs I don't think so much like that.
You don't make solo albums to have hits.
My favorite puzzle is trying to work out the parts myself, after all it is a solo effort.
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