Lungs, they do not like to be messed with. I give pneumonia one star and that's for the silent p.
All too often the worst thing that can happen to the young is to depoliticize them. When that happens, not only are young people told that they do not count – your agency is worthless, your experiences are worthless, and your voice should remain silent – but they are also told that there is no alternative to current state of affairs.
We need a leader who won't be silent - as Barack Obama and Hillary Clinton have been - as millions of Christians are persecuted throughout the Middle East.
When I couldn't speak English, I loved silent films circa 1914-1929, Abel Gance being my favorite director.
I always found Louise Brooks interesting. She was an icon of the silent - film era, and I knew she'd grown up in Kansas, and that she was smart and rebellious and sharp - tongued.
I wasn't that familiar with silent films. I didn't know, for example, how hugely popular silent films were in the 1920s, how people would go to the movies several times a week.
While I was writing the book, I went to see Louise Brooks's most famous film, Pandora's Box, at the Tivoli in Kansas City, and it was a lovely experience. You can watch old silent films on DVD or even on YouTube, but it was a different feeling watching her up on the big screen, seeing the film the way people saw it all those years ago.
I'm in a hard place now. A very silent place. And I'm struggling to either accept this or drag myself out of it.
As an adult I generally feel this pressure to be thin, not from men, but from other women. As a silent or not-so-silent competition, a constant monitoring of who's thinner, comments about it - either compliments or veiled insults doesn't matter - it always drives me nuts.
I feel like there's not this black-and-white division between concert hall music and music that bands play in a bar. I don't know if this was ever truly the case, but I don't feel that I need to decide between playing for a sit-down, totally silent audience and playing for a bunch of noisy, drunk people in a bar. What I do with the group is somewhere in between.
Of course I love when people are quiet, but I also love when people are comfortable. I love when people emote. The flip side of having a totally silent audience is that they're less likely to react to you in the space, and I think that's one of the great things about performing live: you get energy from the audience, and you give energy back to them. There's interaction.
My story follows a very classic tragic paradigm in which you learn things too late for them to be of any use, and by keeping silent about the thing that you're terrified of, you bring it about - and even worse.
I just used to love the sound of especially a female vocal like Ella Fitzgerald for example, it's just that empowering self-control that can make a whole room go silent. I fell in love with that sound.
I actually prefer the silent black and white version of the Wizard Of Oz from the 20's.
My mother died of ovarian cancer; I support organizations that raise awareness of this silent killer. Women's shelters - Jenesse Center in L.A. and the Primo Center in Chicago. Kovler Diabetes Center in Chicago.
In some cases, people are silent; they're being complacent. But we're also seeing people speak out against some of these raids, these arrests. So for example, the Townhouse Gallery - the outreach director gave an interview to Ahram Online, which is a semi-official news agency here. And he sort of dismissed it, played it down. But the publisher from the publishing house - the Merit Publishing House, which was raided - he said this won't scare us; we will continue to dream of a free country, a country with social justice, and this won't silence us.
And what I tell people is this - as a citizen of this country, there are certain rights that are given to you. Officer Encinia's decision to forcibly remove Sandy from her vehicle, which predicated on the fact that he asked her to do something - he did not lawfully order her to do something - to which she responded with a question. And for that - for that - I celebrate her because during a time where so many people would have remained silent she stood up for herself, and she invoked the rights that are due to her, and that is not unlawful.
This [9/11 event] was bloody-minded destruction for no other reason than to do it. Note that there was no claim for these attacks. There were no demands. There were no statements. It was a silent piece of terror. This was part of nothing.
I am the voice of the people in Iran whose voices are silent and whose demands cannot be heard by the rest of the world.
Because of my comedic-influence growing up, Mel Brooks, Jim Carrey, Steve Martin… A lot of Jeff comedic-influences included Charlie Chaplin and physical comedians of the silent-era. What we were able to do together is to show all these major influences but make it into our own comedy. We've seen the stereotypical boy-meets-girl story a hundred thousand times…
There are very few films that I've ever seen in my life that would be as silent or vacant as something like Jeremiah Johnson, and that to me was unbelievably captivating. You can see the same about [The Outlaw] Josey Wales: there's very little dialogue, and yet it contains such a deep, rich story. I've always thought of the western as American storytelling at its best.
One of the first decisions I made, as the director of "Hide and Seek," was that our film would be silent and use underscoring of original music that I was planning on composing. The decision was mostly predicated on knowing how time consuming the editing of dialogue can be and given the various locations we shot in, I didn't want to worry about having to mix room tones in such a short amount of time.
We all have a responsibility, and as Rabbi Heschel, one of my prophets, has put it: "Those who condone, or are silent, in the face of injustice, are more guilty than the perpetrators." And so, to the degree we pretend to be a democracy, we have a corresponding duty to be activist enough to prevent our human rights form being infringed upon.
All reading was done in the early years out loud, there was no such thing as silent reading because you had to read out loud in order to figure out you know, where was a word ending and where is the word beginning.
Although I had good hand-eye coordination, I was so tall and skinny and muscularly weak that I just was not well coordinated. But what I started to do quite early on was watch some of the great old silent comedians, like Laurel and Hardy and Chaplin, and then later on Harold Lloyd and Buster Keaton.
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