I was so frivolous for so many years. It was so much fun, but you feel guilty about the brain energy you use to think about whether some celebrity was sleeping with another celebrity. The conjecture that goes along with that. You feel like your mind has been shot apart.
The life of hope, then, is shot through with social influences at every level. We learn to formulate ideals in tandem with others. We pursue particular hopes, sometimes succeeding and sometimes failing, in the company of those we love. And as we develop habits of hope and the hopefulness which helps us weather our trials, we reach out to others, inspiring them, sharing our own hopes with them, and contributing our abilities as best we can to foster the growth of agency.
Perception is a prism, and reality is like shot silk - depends where the light hits.
We should all believe in something, and I believe it's time for another shot of tequila.
I think if my eight-year-old self could see me at the Royal Albert Hall winning a prize for playing the Doctor on telly, he would need a stiff shot of Irn-Bru.
People's arrest tapes, mug shots, everything is online.
I like working in both movies and television. Television is faster, not very much rehearsal and a lot of material is shot in a day. Big budget movies are luxurious in terms of the schedule. Independent films often shoot fast as well.
I've always done pretty well in auditions. I just go in and give it my best shot.
Boy, you know, it's amazing how your brain can turn into a sieve, and you can literally forget episodes that you have shot.
Christmas turns things tail-end foremost. The day and the spirit of Christmas rearrange the world parade. As the world arranges it, usually there come first in importance -- leading the parade with a big blare of a band -- the Big Shots. Frequently they are also the Stuffed Shirts. That's the first of the parade. Then at the tail end, as of little importance, trudge the weary, the poor, the lame, the halt, and the blind. But in the Christmas spirit, the procession is turned around. Those at the tail end are put first in the arrangement of the Child of Christmas.
I'm a big fan of being able to hold those long shots and use space. I don't know, I think everything's so quick cut these days, as if films are too afraid that the audience is going to get bored instead of relaxing and trusting their work.
I also love the makers of South Park, because they're political, strong, and they're making all of these comments that would get you shot for if you did it in a drama.
Whether I'm acting or making it, at the end of the day it's telling the story; action, drama. You want the audience to feel it - the story, the action, the scene, or a particular shot. I just keep working on crafting my art, on how to make action movies.
I mean, being shot in slow motion doing cocaine by Martin Scorsese is, like, maybe every actor's dream. Nothing will compare to it. Except maybe having kids.
At first, we lived in very, very small places... with my mom cleaning houses and scrounging up just enough to keep us in town with a working car. She introduced me to my first agent, and I started with stand-in work, then eventually commercials and television guest-shots.
I was shot in the wrist when I was a kid. Deliberately.
Luckily I had just finished a Marvel film so I was already in a training mentality and then this movie happened and I was really just trying to focus on like as much cardio as possible because in this film I do a lot of running and a lot of running in 100 degree heat in Austinit was like a sprintit was very much like all one shot running around, sprinting. So I had to build up my cardio to be able to get to that place and also not to like, die.
It didn't take me very long to realize that modeling wasn't very satisfying. I was always asking people, "How are you going to set up this shot? How will it be lit?" And they'd say, "Stop. Just pose." I had a problem with that.
My first break was in a Hong Kong movie that I shot in China - I was going out there and working as a western stunt man, if you like, but at the same time in England I was working in daytime soap stuff. Eventually I put the two together.
The learning curve is 'The Hobbit' is being shot in 3D.
In South America euphemism appears to be the grisly preserve of violent power. 'Liberty' was the name of the biggest prison in Uruguay under the military dictatorship, while in Chile one of the concentration camps was called 'Dignity.' It was the self-styled 'Peace and Justice' paramilitary group in Chiapas [Mexico] that in 1997 shot 45 peasants in the back, nearly all of them women and children, as they prayed in a church. What have the souls of the south done over the past few decades to deserve quite so much liberty and dignity and peace and justice?
I have always used rather large execution squads, since I declined to use men who were specialists for shots in the neck (Genickschussspezialisten). Each squad shot for about one hour and was then replaced. The persons who still had to be shot were assembled near the place of the execution, and were guarded by members of those squads, which at the moment did not take part in the executions.
Maybe it's the remnants of my religious upbringing, but I do try and insert a sense of social justice into the work. For instance, to me, Mansfield Park is a story about servitude and slavery. Other people may have a problem with that, but that's how I read the book and so that's how I shot the movie.
Hitler is a dancing dervish. He must be shot down.
Martina Navratilova said in the early '90s that Seles would inspire the players of the future to also use two-handed forehands. That didn't happen, but she is responsible for the all-out aggression with which most of the top players play. All the low trajectory shots hit with just moderate amounts of spin and traveling into the corners like heat-seeking missiles? You guessed it, Monica's to blame.
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