I don't like movies that are shot on green screen much, you know. I mean, I know that's the thing to do, and I know that it's getting. I'll put it this way; David Lean would probably kill himself, you know, again if he knew that people were watching Lawrence of Arabia on a telephone.
Russia tried to introduce beer as kind of the new vodka - and it's working with younger people in major cities - but you can have ten shots of vodka and be perfectly okay. If I had ten beers, I would be liquidated.
In a safe Western world where we're not being shot at and we're not starving, the worst thing that happens to us most days is someone's rude to us, or we accidentally insult someone. Social faux pas is the worst thing that happens to most people, most days, so we've got to concentrate on that, really.
Even just a normal shot I find that much more interesting because of the 3D. It's like a shot of a couple of cars and us walking and it's like, "Oh wow, this is 3D. I've never seen this before!".
He [Mark Webb] is very savvy, technically, he's shot so many videos, he knows how to get what he wants. The surprise, of course, is that he's also an extremely humanistic story-teller. He's obsessed with story and character, and not just making it look right, which is a double-thred that's rare in directors.
One of the things about animation is it's so expensive to do the animation, that you can't produce coverage. You only have one chance to make every shot.
People associate clothes with actual behavior, and it's kind of crazy. If you get shot in some Levi's you don't go after Levi's. It's not the clothes. It's always the people.
The thing that you learn in directing is that when you're on the floor, no matter how complex the shooting is...you have to remain absolutely sensitive to every nuance of the behavior of the people around you. Because, ultimately, if you don't keep in mind the overall humanity, then the machine takes over and suddenly all you have are technically fine shots, technically good performances. The story's being told, but something's lacking, something mysterious, indefinable.
Scripts are what matter... if you get those foundations wrong, then you absolutely don’t stand a shot.
Life’s not a one-shot special. It’s a friggin’ on-going series. Live it!
My grandmother was ill in bed when the Nazis came to her home town ... a German soldier shot her dead in her bed. My grandmother did not die to provide cover for Israeli soldiers murdering Palestinian grandmothers in Gaza. The present Israeli government ruthlessly and cynically exploit the continuing guilt from gentiles over the slaughter of Jews in the Holocaust as justification for their murder of Palestinians.
Our legal system, including the police, is anti-Dalit and anti-poor. The death penalty laws' wrathful majesty, in blood-shot equality, deals the fatal blow on the poor not the rich, the pariah not the brahmin, the black not the white, the underdog not the top dog, the dissenter not the conformist. . . The law barks at all but bites only the poor, the powerless, the illiterate, the ignorant.
It seemed clear to me that life and the world somehow depended upon me now. I may almost say that the world now seemed created for me alone: if I shot myself the world would cease to be at least for me. I say nothing of its being likely that nothing will exist for anyone when I am gone, and that as soon as my consciousness is extinguished the whole world will vanish too and become void like a phantom , as a mere appurtenance of my consciousness, for possibly all this world and all these people are only me myself.
It's the worst kind of bad film: the kind that gets you all worked up and then lets you down, instead of just being lousy from the first shot.
American housewives have not had their brains shot away, nor are they schizophrenic in the clinical sense. But if ... the fundamental human drive is not the urge for pleasure or the satisfaction of biological needs, but the need to grow and to realize one's full potential, their comfortable, empty, purposeless days are indeed cause for a nameless terror.
I never set my sights low. I've always believed most people are ruined by the limitations they put on themselves. I was never afraid to take that step, to see what I was capable of doing. Does luck play a role in success, particularly in a creative field? Sure it does. But if you don't have the balls to give it a shot, you're destined to fail.
If, by some miracle, you're lucky enough to meet the One, whatever you do, don't let them go. Because you don't get another shot at it. Soulmates aren't like buses; there's not going to be another one along in a minute. That's why they're called 'The One'.
You're gonna meet tons of different people throughout your life, and it's totally worth it to stick your neck out a little bit if you like someone. Even when you get shot down, it seems really devastating, but it's not in the long run.
A fooles bolt is soone shot.
If you complain of people being shot down in the streets, of the absence of communication or social responsibility, of the rise of everyday violence which people have become accustomed to, and the dehumanization of feelings, then the ultimate development on an organized social level is the concentration camp... The concentration camp is the final expression of human separateness and its ultimate consequence. It is organized abandonment.
I knew that if I was captured by the Germans I would be shot at once, since I have always been counted as an enemy of Germany because of my play, 'Le Bourgmestre de Stillemonde,' which dealt with the conditions in Belgium during the German Occupation of 1918.
People thought it was asinine for me to change my swing after I won the Masters by 12 shots. ... Why would you want to change that? Well, I thought I could become better. If I play my best, I'm pretty tough to beat. I'd like to play my best more frequently, and that's the whole idea. That's why you make changes. I thought I could become more consistent.
I would be wonderful with a 100-year moratorium on literature talk, if you shut down all literature departments, close the book reviews, ban the critics. The readers should be alone with the books, and if anyone dared to say anything about them, they would be shot or imprisoned right on the spot. Yes, shot. A 100-year moratorium on insufferable literary talk. You should let people fight with the books on their own and rediscover what they are and what they are not. Anything other than this talk.
Directing is a very all-consuming job. What you want to do there, as you're coming down the final road, is to just sit back and enjoy and let the wind flow through your hair. When you're directing, you're sitting there going, "I need to make this shot. How many hours do we have left in the day? How many hours behind are we?" You're just constantly worried about doing the job.
I went hunting, I shot a deer, and it mortified me. I just couldn't do it again.
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