Passion kept one fully in the present, so that time became a series of mutually exclusive 'nows.'
It's going to sound like the easy answer, but I love them both. I do! I really don't prefer one over the other. With movies, you really dive into a character for two to three months, but then it's gone. With a TV series, you have a constant location you're living in, and you're always working on the same character along with people who are like your own family. I'm lucky to have done both.
The exciting thing about today with the Internet, streaming, and YouTube, is you can just go do it. You can go make a short and put it up, and it, very well, may be seen. You can create your own Internet series and just put it out there. It wasn't like that when I was in my 20s. People weren't doing this sort of thing - now they can and they should try it.
It was hilarious [last scene with Edward Cullen] considering we'd spent the entire series filming in the most miserable conditions, and then we end on the beach in the Caribbean filming for two days in the sea. That was fun. We literally did the last shot as the sun was coming up in St. Thomas in the Virgin Islands. It was a nice way to end it, because they were considering shooting it in the sea in Vancouver, which would not have worked at all.
I think the rapid rate at which people started caring and paying attention, because it's just something that I don't think you can really prepare for - there's no textbook on it. Just the amount of interest that people have in me and Alice and the "Twilight" series and the rest of my cast.
In a one-hour documentary, you can tell maybe ten stories. That's how the documentary is structured. I wrote to forty of the greatest historians of both African and African-American history, and hired them as consultants. I had them submit what they thought were the indispensable stories, the ones they felt this series absolutely had to include.
My earliest childhood memory is of my father going crazy when the Giants won the World Series in 1954. He started whoopin' and hollerin' and jumpin' up and down all around the living room. I started crying because he scared me to death.
[ Angel series] really taught me that acting is not just about being emotionally challenged. It's about being physically challenged. And I enjoyed both aspects of that.
I would say, and as I have said before, the series [Narcos] does not demonstrate real happenings but rather events that the screenwriters, in their own taste, believe depict the way we lived.
I would go to the office to visit my father [Pablo Escobar] and regardless of who he was meeting, he would drop everything to receive me in his office. In the series, the priorities that my father demonstrates are completely inverted and untrue.
Throughout the series [Narcos], I appear younger and younger - I don't know why that is particular to Netflix, to show the evolution of Pablo Escobar's children in that manner.
When Bernard [Leach] wrote his book, he wrote about the fact that even when pots are made in a series, there is a personality to each pot and that the person who made it reflects their personality into the clay.
Five years after Boston 1967, I went to the Munich Olympics. I realized that major sponsorship could help me create the opportunity. I wrote a big proposal to Avon cosmetics on how creating a global series of women's races could lead to getting women in the Olympic marathon. People thought I was smoking poppy at the time. The longest event in the Olympic Games was 800m.
I organized this global series of races. The data from those races, along with the tremendous amount of lobbying and meetings with federations, convinced the IOC. We got the women's marathon in the Olympic Games in 1984. That was my dream.
The back of Donald Trump's head is fantastic and his eyebrows are amazing. His overbite and his series of chins and the color of him and the texture. It's amazing! He's like an artifact. It's an amazing head to draw and I have to think it's got to be part of his success. It's ready-made for public consumption.
I enjoy nothing more than creating new series and watching them grow in front of me month by month. It's a muscle I spent many years developing and it feels good to be using it again.
My coming to faith did not start with a leap but rather a series of staggers from what seemed like one safe place to another. Like lily pads, round and green, these places summoned and then held me up while I grew. Each prepared me for the next leaf on which I would land, and in this way I moved across the swamp of doubt and fear.
Class is considerate of others. It knows that good manners is nothing more than a series of petty sacrifices.
I love my work. I've had three successful series, and I want to find out if I can make a fourth.
I'd love to do another television series. I really love the writing process, and as an actor I really like how much you get to examine in television.
The best thing about series TV is that everyone you work with is hand-picked, as compared to working on a film.
In my experience in series TV if you have a good crew and a great cast it's going to be a great group - similar to the theater where it's a bunch of people who are really talented and go to work each day and challenge each other and if you are lucky enough to get a hit then it's five or six or seven years of this kind of work.
After watching my first World Series in 1977, I wanted to be Reggie Jackson. I bought a big Reggie poster. I ate Reggie candy bars. I entered a phase during which I insisted on having the same style of glasses Reggie had: gold wire frames with the double bar across.
As far as 'Twilight' goes, I'm in love with my character. I'm in love with the whole series. I love doing the fan conventions around the world, I love to travel. So wherever it fits in, I'd love to continue doing that for the rest of my life. Just meeting the fans who made everything possible from around the world.
You know, as I do, actors who, having become worldwide celebrities thanks to a TV series, complain of their lot and declare themselves ready to drop it all.
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