I love jazz music and sad music. I'm a sentimental guy. I'm a romantic guy.
The big occurrences in life, the serious ones, have for me always been nearly impossible to recognize because they never feel big or serious. In the moment, you have to pee, your arm itches, or what people are saying strikes you as melodramatic or sentimental, and it's hard not to smirk. You have a sense of what this type of situation should be like - for one thing, all-consuming - and this isn't it. But then you look back, and it was that; it did happen.
Music has always been a matter of Energy to me, a question of Fuel. Sentimental people call it Inspiration, but what they really mean is Fuel. I have always needed Fuel. I am a serious consumer. On some nights I still believe that a car with the gas needle on empty can run about fifty more miles if you have the right music very loud on the radio.
I mean, I think I'm pretty sentimental.
Every arrangement in life carried with it the sadness, the sentimental shadow, of its not being something else, but only itself.
If ever there is tomorrow when we're not together... there is something you must always remember. You are braver than you believe, stronger than you seem, and smarter than you think. But the most important thing is, even if we're apart... I'll always be with you.
Gay marriage is the last bastion of, to me... as a legal, ceremonial, sentimental and religious side, it's one of the last steps. Retaining your job being one of the earlier steps, like, not getting kicked out of your job because you're gay.
It would no doubt be very sentimental to argue - but I would argue it nevertheless - that the peculiar combination of joy and sadness in bell music - both of clock chimes, and of change-ringing - is very typical of England. It is of a piece with the irony in which English people habitually address one another.
I think it's your mental attitude. So many of us start dreading age in high school and that's a waste of a lovely life. 'Oh... I'm 30, oh, I'm 40, oh, 50.' Make the most of it.
I remember how much - when I was a small boy I was taken to see a version of 'Peter Pan.' I detested it. I mean, the sentimental idea that anybody would want to remain a boy.
Style and Structure are the essence of a book; great ideas are hogwash.
All stories are about wolves. All worth repeating, that is. Anything else is sentimental drivel. ...Think about it. There's escaping from the wolves, fighting the wolves, capturing the wolves, taming the wolves. Being thrown to the wolves, or throwing others to the wolves so the wolves will eat them instead of you. Running with the wolf pack. Turning into a wolf. Best of all, turning into the head wolf. No other decent stories exist.
What are our conductors giving us year after year? Only fresh corpses. Over these beautifully embalmed sonatas, toccatas, symphonies and operas the public dance the jitterbug. Night and day without let the radio drowns us in a hog-wash of the most nauseating, sentimental ditties. From the churches comes the melancholy dirge of the dead Christ, a music which is no more sacred than a rotten turnip.
I get sentimental over the music of the ’90s. Deplorable, really. But I love it all. As far as I’m concerned the ’90s was the best era for music ever, even the stuff that I loathed at the time, even the stuff that gave me stomach cramps.
I'm a sentimental guy.
I love a lot of very sentimental music, but I shouldn't necessarily be the person who makes it.
I’m not sentimental about anything. Life flows by, and you flow with it or you don’t. Move on and move out.
In government offices which are sensitive to the vehemence and passion of mass sentiment public men have no sure tenure. They are in effect perpetual office seekers, always on trial for their political lives, always required to court their restless constituents.
John Candy knew he was going to die. He told me on his 40th birthday. He said, well, Maureen, I'm on borrowed time.
Everybody knows how to raise children, except the people who have them.
I have no idea how to get in touch with anyone anymore. Everyone, it seems, has a home phone, a cell phone, a regular e-mail account, a Facebook account, a Twitter account, and a Web site. Some of them also have a Google Voice number. There are the sentimental few who still have fax machines.
One man's uplift is another man's sentimental hooey.
I'm pretty good at surprising friends and family with gifts. I tend to go towards the more sentimental side of giving.
I think my movies aren't sentimental. I think my movies are funny and sad and realistic. Not realistic in the sense that they're documentaries, but realistic in the sense that they're not idealistic, they're not optimistic, not pessimistic, and not propagandistic. They're an analysis of a situation. I call it as I see it, so to speak.
In love, unlike most other passions, the recollection of what you have had and lost is always better than what you can hope for in the future.
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