I will gradually drop this subject of graveyards. I have been trying all I could to get down to the sentimental part of it, but I cannot accomplish it. I think there is no genuinely sentimental part to it. It is all grotesque, ghastly, horrible.
I can see how some people get sentimental about how we used to do things in 'the good old days' but in a way I just think they are being nostalgic for the way they were brought up.
I am not a sentimental or superstitious person, so I don't have any pre-performance rituals. I am a very practical woman. After a performance I am always hopeful that I will lure someone home for a ritual of a more personal nature.
Norman Rockwell spent his career painting pictures that helped people understand their own feelings...pictures that enriched their own experiences and celebrated their own lives. But the art establishment branded him an 'illustrator', a sentimental one at that. Real artists, they said were doing art for art's sake, not for the sake of the bourgeois public. Real artists were putting swiggles, smears or daubs of paint on the canvas. They were doing 'innovative' and 'creative' work. If they were hideous and grotesque; we know that's what life really is!
I was in favour of the death penalty, and disposed to regard abolitionists as people whose hearts were bigger than their heads. Four years of close study of the subject gradually dispelled that feeling. In the end I became convinced that the abolitionists were right in their conclusions...and that far from the sentimental approach leading into their camp and the rational one into that of the supporters, it was the other way about.
Commerce is unexpectedly confident and serene, alert, adventurous, and unwearied. It is very natural in its methods withal, far more so than many fantastic enterprises and sentimental experiments, and hence its singular success.
I have, for my own projected works and ideas, only the silliest and dewiest of hopes; no matter what, I am romantic enough or sentimental enough to wish to contribute something to life's fabric, to the world's beauty.... [S]imply to live does not justify existence, for life is a mere gesture on the surface of the earth, and death a return to that from which we had never been wholly separated; but oh to leave a trace, no matter how faint, of that brief gesture! For someone, some day, may find it beautiful!
Power properly understood is nothing but the ability to achieve purpose... one of the great problems of history is that the concepts of love and power have usually been contrasted as opposites --- polar opposites --- so that love is identified with a resignation of power, and power with a denial of love... What is needed is a realization that power without love is reckless and abusive, and love without power is sentimental and anemic. Power at its best is love implementing the demands of justice, and justice at its best is power correcting everything that stands against love.
I'm not sentimental about war. I see nothing noble in widows.
A good nude photograph can be erotic, but certainly not sentimental or pornographic.
Melancholy is a sensual pleasure that is deliberately provoked. How many people shut themselves away to make themselves sadder, or to weep beside a stream, or choose a sentimental book! We are constantly building and unbuilding ourselves.
I am professional. Hardworking. Committed. Loyal. Also sentimental. But I had changed a little over the years. There was a bit of a heaviness to my soul because of the intensity of my job.
To endure the pain of living, we all drug ourselves more or less with gin, with literature, with superstitions, with romance, with idealism, political, sentimental, and moral, with every possible preparation of that universal hashish: imagination.
I am tired of reading reviews that call A Good Man brutal and sarcastic. The stories are hard but they are hard because there is nothing harder or less sentimental than Christian realism.... when I see these stories described as horror stories I am always amused because the reviewer always has hold of the wrong horror.
A neglect of one's sentimental education early in life could bear the most unfortunate fruit.
Be still, and know that I am God. We must not interpret that 'Be still' in a sentimental manner. Some regard it as a kind of exhortation to us to be silent; but it is nothing of the sort. It means, 'Give up -or 'Give in' and admit I am God'. God is addressing people who are opposed to Him.
The yearning for the common good comes from the refusal to accept that perhaps Americans have very little in common apart from the elements of a sometimes successful civil religion based around a sentimental, indeed sometimes teary-eyed, attachment to the constitution and a belief in the quasi-divine wisdom of the founding fathers.
At a certain point in history monuments became associated with kitsch, (it had never previously been so) and one might well ask why this unforeseen aesthetic and ethnic debasement of their values came about, or why monuments have not adapted to the times. Perhaps, instead of evoking authentic religious, patriotic or mystical sentiments, they evoke only the customary ersatz for these sentiments and have suffered the fate of becoming sentimental.
In my work, and in my psyche, there's some very sentimental, traditional, conventional side that's always in argument with a more radical, sarcastic side. Some of my stories are really sentimental, but they're layered over with weird, satirical stuff.
One of the characteristics of kitsch is precisely the neutralization of 'extreme situations', particularly death, by turning them into some sentimental idyll.
I never had a dog that showed a human fear of death. Death, to a dog, is the final unavoidable compulsion, the least ineluctable scent on a fearsome trail, but they like to face it alone, going out into the woods, among the leaves, if there are any leaves when their time comes, enduring without sentimental human distraction the Last Loneliness, which they are wise enough to know cannot be shared by anyone.
There's really nothing wrong with sentimentality... Nothing I wrote is sentimental.
I think it's doubly important, now that we see so many people failing. When the norm is an anti-hero, there's a serious loss when you cannot portray a decent person on screen without it becoming slightly sentimental or feeling like it's unrealistic.
Sometimes, people end up thankful for what they mourned. You cannot achieve this state by seeking tragedy, but you can keep yourself open more to sorrow's richness than to unmediated despair. Tragedies with happy endings may be sentimental tripe, or they may be the true meaning of love.
The important part of the present development is the anti-capitalist sentiment that is permeating our people.
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