Today, look at the blue sky, hear the grass growing beneath your feet, inhale the scent of spring, let the fruits of the earth linger on your tongue, reach out and embrace those you love. Ask Spirit to awaken your awareness to the sacredness of your sensory perceptions.
Physiology, in its analysis of the physiological functions of the sense organs, must use the results of subjective observation of sensations; and psychology, in its turn, needs to know the physiological aspects of sensory function, in order rightly to appreciate the psychological.
There is only one essential difference between consciousness and dreaming, and that is sensory input. Your experience is a dream, so is my experience. This stuff about how the frontal cortext is repressed during dreaming. Lucid dreaming presents an obvious contradiction to it. The only difference is sensory input.
These disturbing phenomena [Extra Sensory Perception] seem to deny all our scientific ideas. How we should like to discredit them! Unfortunately the statistical evidence, at least for telepathy, is overwhelming.
In the new science of the twenty-first century, not physical force but spiritual force will lead the way. Mental and spiritual gifts will be more in demand than gifts of a physical nature. Extrasensory perception will take precedence over sensory perception. And in this sphere woman will again predominate.
I don't think I've ever tried on a corset, though a certain bridesmaid's dress did require a torturous bustier that will stay forever burned in my sensory memory.
The "How to Slowly Kill Yourself and Others" essay was so hard to write because of the memories, the sensory stuff, but also because it didn't follow the form of any essay that I've ever read. And the truth that I was exploring necessitated that obliteration of traditional form, I think.
The problem isn't materialism as such. Rather it is the underlying assumption that full satisfaction can arise from gratifying the senses alone. Unlike animals whose quest for happiness is restricted to survival and to the immediate gratification of sensory desires, we human beings have the capacity to experience happiness at a deeper level which, when achieved, can overwhelm unhappy experiences.
Hayek made a quite fruitful suggestion, made contemporaneously by the psychologist Donald Hebb, that whatever kind of encounter the sensory system has with the world, a corresponding event between a particular cell in the brain and some other cell carrying the information from the outside word must result in reinforcement of the connection between those cells. These day, this is known as a Hebbian synapse, but von Hayek quite independently came upon the idea. I think the essence of his analysis still remains with us.
Aesthetics is not an end in itself. But in our culture, which is becoming more multi-sensory and less respectful of God, we have a responsibility to pay attention to the design of the space where we assemble regularly. In the emerging culture, darkness represents spirituality. We see this in Buddhist temples, as well as Catholic and Orthodox churches. Darkness communicates that something serious is happening.
Confusion conditions activity, which conditions consciousness, which conditions embodied personality, which conditions sensory experiences, which conditions impact, which conditions mood, which conditions craving, which conditions clinging, which conditions becoming, which conditions birth, which conditions aging and death.
Faith is the commitment of one's consciousness to beliefs for which one has no sensory evidence or rational proof. A mystic is a man who treats his feelings as tools of cognition. Faith is the equation of feeling with knowledge.
The task of the architect is to encompass everything about the site, starting from the concrete conditions and the sensory impressions created by those, to memories of the place, through empathy to vision.
We know that sensory phenomena are transcribed in the photographic emulsion in such a way that even if there is a causal link with the real phenomena, the graphic images can be considered as wholly arbitrary with respect to these phenomena.
Basically when it comes to autistic kids and animals there's kind of three ways that they work, some of them are instant best buddies, they understand a cat, they understand a dog - they're best studies with it, they just know how to communicate with it. Then there's other kids that begin with a little bit of fear of the cat or the dog, but then they begin to like it and then there are other kids where you have a sensory problem - the cat meows and it hurts their ears, so they want to stay away from the cat because you never know when he might meow.
What's always struck me is how different the sensory, especially auditory, experience is when you're in the middle of the music with the musicians playing off each other around you. I wanted to find a way to unlock the intensity of that, to recreate that unique perspective, first for the hundreds of people who attended the concert, and eventually for a much larger online audience.
I studied a lot of animal behavior and one of the things I find really interesting is the whole idea that animals are sensory based thinkers and I wrote about this in my book, Animals in Translation. That an animal's memory is not in words, they've got to be in pictures - it's very detailed so let's say the animal gets afraid of something - they'll get afraid of something that they're looking at or hearing, the moment the bad thing happens.
Online marketing rarely is able to appeal to more than two senses - yet offline often (if utilized the right way) represents the option of multi sensory appeals.
An animal’s memory is not in words, they’ve got to be in pictures – it’s very detailed so let’s say the animal gets afraid of something. Like, for example you beat the dog up and they're looking at you and your Nike shoes or any sneaker or anything like a Nike, he's likely to be afraid of that - so anything without that Nike wingtip, he's likely to be fine. If you think about it, that's a different picture, than a Nike type shoe. Its specific because its sensory based.
Here is where I like to burst in as a writer, to take one strong sensory detail or image and instead of enhancing it or directing attention to it by shouting about it, I simply take it away.
I want get people to think about sensory based of thinking.
In Lords of Rainbow I start out by taking away color from the world, and in the process show color's vital place in our lives. At least I hope that by the end of the book it's a portion of what the reader comes away with - a sense of how much color perception enriches our lives and how its lack can make our sensory experience incomplete.
Our world is so bursting-full of natural wonder that we are all experiencing a sensory overload. We are no longer perceiving all of Ú the details, just the ones that immediately interest us.
How do we awaken to this true Self? By going within and putting our attention on the silent presence in our heart - the silent witness that is detached from sensory experience and at the same time enjoys that experience in complete freedom.
In the traditionally taught view of perception, data from the sensorium pours into the brain, works its way up the sensory hierarchy, and makes itself seen, heard, smelled, tasted, felt - "perceived." But a closer examination of the data suggests this is incorrect. The brain is properly thought of as a mostly closed system that runs on its own internally generated activity.
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