G.P.A.’s are worthless as a criteria for hiring, and test scores are worthless. We found that they don’t predict anything.
Experimental music scores are enigmatic, opaque, demanding, irritating, humorous, childlike; the best, like Cardew's Treatise, are also inspiring, giving rise, on occasion, to a music of vitality, intelligence and elegance.
Branding is not merely about differentiating products; it is about striking emotional chords with consumers. It is about cultivating identity, attachment, and trust to inspire customer loyalty. Chinese brands score low on attributes such as “sophisticated,” “desirable,” “innovative,” “friendly,” and “trustworthy.”
I'm the competitor, I'm the one who has to wear the brunt of that being a good or bad score. And I'm not too worried about it. I don't know why so many are to be honest with you.
That's how it is with the English: if you score against them you're a good player; if you don't, you're not.
My acting is a bit like basketball. Most females in my films come off very well. I give great assist. And if I'm lucky, I even score.
Parents are used to being made to feel guilty about...their contribution to the population problem, the school tax burden, and declining test scores. They expect to be blamed by teachers and psychologists, if not by police. And they will be blamed by the children themselves. It is hardy a wonder, then, that they withdraw into what used to be called "permissiveness" but is really neglect.
The score is doing a lot of work. It's like Wagner. It's like a yak carrying people.
For me the best kind of film music is liturgical music. Liturgical music is essentially a million scores for the same film.
I think for what success looks like for me, it is a world in which you can look at the achievement scores, the academic scores, of any school anywhere in this country [the USA], and you wouldn't be able to look at the score and determine what the racial makeup or the socioeconomic makeup of that school is simply because of the academic achievement levels.
It's the vision of the composer that we have to determine, and not the absolute mathematical adherence of the score. In my experience, there have been occasions where I feel that a composer has not notated something as they meant to have it represented.
If you're in poverty and all you have is a debit card or a prepaid card or you pay in cash, it does not report to a credit bureau. If it doesn't report to a credit bureau, it cannot create a credit score for yourself.
If you give Shevchenko half a chance, he'll score two goals. That's how good he is
I'm a strong believer that if you score goals, you win matches.
Money, credit scores, material things don't matter. Life & death, your family & friends, once they're gone it's irreversible. Don't forget.
I used to hate Ian Rush when I was young, because I was a devout Evertonian in those days, and he seemed to score every time Liverpool played against us. It's strange to think he used to support Everton too when he was a kid. He was brilliant to me at Anfield always giving me good advice.
The two biggest things that translate from a pitching mound to hunting and fishing are patience and perseverance. When you're on the mound, you have to take the game one pitch at a time, regardless of the score, and that approach helps when I'm in the woods or out on the water as well.
U.S. wrestling is more of a scrambling style where guys take a lot of risks. You could watch a match in the states and see a score of 18-12. There is going to be a lot of action, transitions and guys going back and forth and trading points.
There are a lot of things that make players really good coaches. Whether you've played in the NBA or not, there are certain things you have to master and be really good at. They just have to be gifted in these areas. You've got to be competent. Secondly, you've got to be able to communicate. You can have a picture in your mind on how to score but if you can't communicate it, if you can't teach it, what good is it? You've got to be brutally honest and be a man of strong character and then you've got to have class. They've got to respect you.
It's irrational to assume you can ever truly evaluate yourself as a good or bad human being. You will never have enough information.That "bad person" at work who torments you might be an excellent father to his kids. That other "bad person" at work who screwed up royally today? That error might later lead to a huge breakthrough. We will never have enough info to holistically evaluate a person and score them in totality as "bad" or "good."
The chamber music repertoire is so vast that if one is genuinely curious about music, the art of listening, understanding and responding to a score, the elementary skills and requirements of chamber works are easily applicable to that of any solo playing.
I always go back to the original material. I want a good connection as the composer and writer of the score to the director and to the source material. It's really important.
I had great inspiration from a Japanese composer named Toru Takemitsu. He wrote over 90 film scores and a lot of concert music, a lot of classical music, and he gave me a lot of inspiration, as well as composers from other countries.
I did some songs for Baz Luhrmann's The Great Gatsby. I had done a jazz album of Roxy songs, and they used bits of it in the film. It would be nice to score a movie one day.
Ours is a youth culture, and like a golf tournament, we honor only low scores.
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