I've done the Rolling Stones eating each other.
It doesn't really change, actually. I think The Rolling Stones have gotten a lot better. An awful lot better, I think. A lot of people don't, but I think they have, and to me that's gratifying. It's worth it.
When I started Rolling Stone in November 1967, the magazine's initial chapter was to cover rock & roll music with intelligence and respect. Even then, we knew that the fervor sweeping our generation encompassed more than just music.
I think anything that you put your life's energy into becomes part of your identity. It would be difficult for the Rolling Stones to not play rock and roll anymore, because that's their image of themselves. When you've convinced everybody that that's who you are, that's who you are.
Rock & roll mostly is a very butch thing, and it appeals to one hard side of the masculine character. But I don't think the Rolling Stones are only a rock band. They can be other things. They can be very feminine.
If The Beatles represent the most successful version you can be of a thing, then by that definition The Rolling Stones are The Beatles of music, not counting The Beatles. John Lennon is The Beatles of The Beatles.
I think it's really cool that there are people like Adele on the cover of 'Vogue' and 'Rolling Stone,' and like I think it's really important that people are talking about your body, because if they don't, then you'll never be able to break that barrier.
When punk came along, I found my generation's music. I grew up listening to the Beatles and the Rolling Stones and Pink Floyd, 'cause that was what got played in the house. But when I first saw the Stranglers, I thought, 'This is it.'
The very first concert I ever went to on my own was actually Rory Gallagher. In a one-month period in 1973 or '74, I saw him, Thin Lizzy and the Rolling Stones. I wasn't really a big Rory Gallagher fan, but I thought his guitar playing was fabulous. But Thin Lizzy, they were fabulous.
I've built my whole life around loving music. I'm a writer for 'Rolling Stone,' so I am constantly searching for new bands and soaking up new sounds.
I've grown up with my parents' music tastes, listening to Fleetwood Mac and the Rolling Stones.
I achieved everything I wanted to achieve by being in the Rolling Stones and making records.
The Rolling Stones are violence. Their music penetrates the raw nerve endings of their listeners and finds its way into the groove marked 'release of frustration.'
My first ones were The Young Rascals. I made out with Dino Danelli, the drummer, in the alley behind the City Auditorium. Then I met Crosby, Stills, Nash & Young. Mitch Ryder & The Detroit Wheels. This is all way, way back in the day. Later I got in the big leagues, like chasing around The Rolling Stones. And I hid in the bus for Paul Revere & The Raiders. And The Zombies.
Every now and then, I have blissful moments of thanking God for all the amazing things that are happening. When I leave the White House after just meeting Obama or when I see my face on the cover of 'Rolling Stone' or when I meet someone who tells me that their daughter is inspired by me, those are moments that are incredibly joyful.
I'm not into that Keith Richard trip of having all those guitars in different tunings. I never liked the Rolling Stones much anyway.
There are some Rolling Stones songs that are just stunners.
"Like a Rolling Stone" [of Bob Dylan] is a kiss-off song like none before or since.
I remember that, before John Lennon died, everyone was saying that Rolling Stone couldn't do good reporting anymore. But when he died, they wrote this amazing issue, as they should have about Lennon. They did that when Elvis died, too.
When [George W.] Bush was elected, I think they thought I would have some sort of special "in" with that administration, to provide some sort of inside poop. Which is not something I'd be interested in doing, and anyway, I didn't. I actually knew more people in his dad's administration. So it was obviously winding down at Rolling Stone, and they were having financial troubles, too. They weren't getting the advertising, and the issues were getting thin. They fired Bob Love, who'd been my editor there for a long time.
[joking about the length of the Rolling Stones' career] You have the sun, you have the moon, you have the air that you breathe - and you have the Rolling Stones!
Before M2, I really felt self-conscious about some of my choices, and I was slotted into a category. At Rolling Stone, I was the alternative chick, and that was just the way it was. That did break me open a little bit, and that was maybe its legacy. And it's a nice one.
Revenge... is like a rolling stone, which, when a man hath forced up a hill, will return upon him with a greater violence, and break those bones whose sinews gave it motion.
Bob Dylan did the first really long record - Like A Rolling Stone - I think it was four minutes.
Before I joined Kraftwerk in 1971, I played guitar in a band called Spirits of Sound, whose members included (at times) amongst others singer Wolfgang Riechmann (Sky Records released his only solo album Wunderbar shortly after his death in 1978) and drummer Wolfgang Flür (later on Kraftwerk, now solo). The music of S.o.S. in the mid 60's first was the English pop and rock music of the times (Beatles, Kinks, Rolling Stones ).
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