Most managers in the rock n' roll world... don't care so much about who's in the band as long as it's making money.
I'm a hybrid-genre person, which a lot of people find confusing. I grew up listening to American country music and rock n' roll made between 1955 and 1959. The Everly Brothers and Chuck Berry were my first musical loves and are still what I am most moved by. Roy Orbison came a little bit later.
Be who you want to be and not care about what others think." -Andy Sixx Rock n roll isn't meant to be taken so seriously, I think sometimes people forget it's meant to be fun. A rock show is meant to be a time for people to have fun and let go of the drudgeries of life.
It don't spit or swear or sleep around. I've always maintained I'm the most radical rock'n'roll singer Britain has ever seen.
It's hard for me to play seated theaters because people tend to sit down and get a little bit complacent, so it's less energy. It's just very dry and dead. People start to feel like they're watching a movie. The environment when they walk into it, it's not standing room only, smoking and drinking and rock 'n' roll. So it's a little bit dangerous to do that.
Scary rock n' roll bands had all the devilish imagery. But at the same time, it's not because they were devil worshippers, they were saying that society is run by devils. It was human society that created these things, they become the devils. This is what you worship. This money is what you worship. This idea is what you worship.
I came upon a child of god, He was walking along the road And I asked him, where are you going And this he told me: "I'm going on down to Yasgur's farm I'm going to join in a rock 'n' roll band I'm going to camp out on the land, I'm going to try an' get my soul free.
It's interesting that music in this country... we sort of sold something to America with The Beatles and they sold something back. And we've never been afraid to embrace American style rock 'n' roll and make it our own over here.
I hate the solo artist aspect of rock-'n'-roll. I don't have enough personality or charisma to be a solo star.
That was exactly why people didn't want to give us any kind of life, because we were threatening their status quo, and they just didn't want to have room for girls playing rock 'n' roll. It bothered them. First, people just tried to get around it by saying, "Oh, wow, isn't that cute? Girls playing rock 'n' roll!," and when we said, "Yeah, right, this isn't a phase; it's what we want to do with our lives," it became, "Oh! You must be a bunch of sluts. You dykes, you whores." That's what it became. Then it became a name-calling contest.
From the age of 14, 13, I guess I wanted to be a rock 'n' roll star. And that was it. I wanted to make a living playing rock 'n' roll, and it was a ridiculously impossible dream at that time. But it was kind of all I ever wanted to do. It's nice to do it.
I think it's important that all 50 years of rock 'n' roll live in the same place, because it's all connected.
If you're an impressionistic painter and you want to paint expressionism, you've got to change. You've got to figure out a way to do it and do it. If you've been playing jazz all your life and you want to start to play rock n' roll, blues, then do it.
I think of rock 'n' roll as a combination of country blues and swing band music, not Chicago blues, and modern pop.
Wherever there are rock n rollers, well play. Thats what weve been doing for more than 30 years - rock n roll. Its made me everything from an honorary mayor to honorary member of a motorcycle gang.
Back in my day, we called it rock 'n' roll, but then we always reminded listeners that it was no big deal if they didn't like it.
When you grow up, you're told that rock 'n' roll is the only authentic way to express yourself. Live instrumentation, singer, live drums. You're told that's the best medium to communicate.
Aerobics is a really whacked-out way to get going. The loud rock 'n' roll music and the teachers standing before you, doing the exercises and screaming into the microphone, "Go! Go! Go for the burn!"
This year's Hippiefest tour is truly a 'Classic Rock 'n Blues Tour' - a landmark, historic, musical celebration of which my band and I are proud to be a part. It's going to be a Guitar Guru Gala of Gargantuan proportions. For me personally, it will simply be the Greatest! So, see you at one of the dates on the tour. Believe me, this is not one you want to miss. All I can say is Get Ready To Rock'n'Roll!!!
I just got into it like a lot of people through the rock 'n' roll bands in the late '60s that turned to country music, like The Byrds and Buffalo Springfield, but particularly through The Byrds because of Gram Parsons, Roger McGuinn and Chris Hillman (with their 1968 album Sweetheart of the Rodeo). They kind of introduced English kids to Merle Haggard and George Jones and the Louvins (brothers Charlie and Ira).
Harry [Shearer] and I had an idea to do a movie about rock 'n' roll from the roadies' perspective, from backstage. Then Meat Loaf came out with a movie called Roadie and we thought, "Oh, we can't do that now." So we kind of discarded the idea.
Places like Belgium and the south of France, Sweden and Copenhagen are really alive. They really love rock 'n' roll, they really respond.
I'm a rock 'n' roll baby. I was one of the last actually born into rock, in the middle of it. My mother was a promoter, so I grew up with rock stars. When I was little, people like Jimi Hendrix were walking around in the living room.
That's what Tina Turner did, too - sang blues up-tempo - and they called it rock 'n' roll.
Rock 'n' roll and playing live is very addictive. But you have to really be careful, because you don't want to do it all the time. It's like when you are young and you think if you are not having sex you're wasting your time. But as you get older you realise everything has its place. It's the same thing with performing.... Performing is a great thing to do but you don't want to have to be doing it every night.
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