What do I bring to the Democratic National Convention that other reporters don't? Hair.
Did you ever see that painting the Mona Lisa. It always reminds me of a reporter listening to a politician.
There are some movie stars in Hollywood that are so scared, they also tell the reporter that they are recording them, in case there is something wrong with what they wrote about them in the papers.
I don't have any problem with a reporter or a news person who says the President is uninformed on this issue or that issue. I don't think any of us would challenge that. I do have a problem with the singular focus on this, as if that's the only standard by which we ought to judge a president. What we learned in the last administration was how little having an encyclopedic grasp of all the facts has to do with governing.
My grandfather had been a newspaper reporter, as was my uncle. They were pretty good writers and so I thought maybe somewhere down the line I would do some writing.
The point is, the political reporters are the ones who no longer understand the ritual they are covering. They keep searching for political meanings in the tepid events when a convention is now essentially a human drama and only that.
A good reporter remains a skeptic all his life.
Taking pleasure in the dark side may be some sort of occupational hazard for reporters.
Never look for the story in the 'lede.' Reporters are required to put what's happened up top, but the practiced pundit places a nugget of news, even a startling insight, halfway down the column, directed at the politiscenti. When pressed for time, the savvy reader starts there.
It is not entirely true that a TV producer or reporter has complete control over the contents of programs. The interests and inclinations of the audience have as much to do with the what is on television as do the ideas of the producer and reporter.
Forty years ago, we were on the tail of the Front Page era. There was a different point of view. Reporters and editors were more forgiving of public people. They didn't think they had to stick someone in jail to make a career.
A basic rule of life for reporters is that you should spend your time talking with and learning about people who are not sending you press releases, rather than those who are.
Baseball is meant to be fun, and not all the solemn money-men in fur-collared greatcoats, not all the scruffy media cameramen and sour-faced reporters that crowd around the dugouts can quite smother the exhilarating spaciousness and grace of this impudently relaxed sport, a game of innumerable potential redemptions and curious disappointments.
Some folks ask me what the transition was like from NASCAR reporter to political reporter. It's easy. In one, you try to explain to your readers the significance of grown-ups getting paid exorbitant amounts of money to go around in circles indefinitely, always turning left. In the other, you get to interview racecar drivers.
...when a reporter is quoting Sid Blumenthal on president Bush, you know he's scraping the barrel.
It was when reporters became journalists and when objectivity gave way to searching for truth, that an aura of distrust and fear arose around the New Journalist.
I always warn aspiring reporters to observe three basic rules: 1. Never trust an editor. 2. Never trust an editor. 3. Never trust an editor.
The last thing reporters and editors want to be told is what to do and how to write. They don't want to be some politically correct, Orwellian, kind of like "you're telling me how to write about...?"
I used to have trust with reporters. Give them scoops. Those were the old days. It's very strange, when you give a story and it doesn't come out the right way.
I'm unique for a suspense author in that I don't have a specialty background. A lot of suspense writers used to be lawyers or crime beat reporters. I didn't even know a cop when I started out. I finally figured out that I could visit prisons - I just had to be willing to make the phone calls.
My employer was never at any time aware of anything in my past beyond the writing I did, because, frankly, it isn't relevant to the job I was asked to do, which was to be a reporter.
War coverage should be more than a parade of retired generals and retired government flacks posing as reporters.
Well, one of the things I discovered in the course of looking back and writing about what I saw in my memory is that I was a closely observant person long before I became a reporter.
I'm an efficient, good, professional reporter. But I also write. And so what I try to do is write about places that I know that I care about intensely and write about them in a way that conveys the fact that I care.
We have entered an era vibrating with the din of small voices. Every citizen can be a reporter, can take on the powers that be.
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