[Jack Nash from The Andromeda Strain] was not in the original film, but he was kind of a Geraldo Rivera almost kind of reporter that had a drug addiction. We start the story in rehab, and then he gets the roots of the story. I loved him.
Look at Donald Trump: He loves to call out individual reporters by name, which leads to major problems in those reporters' lives. I certainly don't want to add to that myself.
I think any reasonable person knows which reporters to eliminate.
The entire report [on Russians hackers attacks] is based on unnamed sources who are perhaps doing something they shouldn't be doing by speaking to reporters or someone talking out of line about something that is absolutely not true.
I developed a reputation as a "hothead" because I got in the face of a lot of reporters and they thought I was just a hotheaded person. What they didn't understand was that I was motivated by love.
[Max Askeli] started this very good magazine [The Reporter]. In fact, Meg Greenfield, who's now the editorial page editor of The Washington Post, was one of the star reporters there.
I was in the back of the book [in the The Reporter] doing music.
I didn't realize what fun it was [ been a reporter].
I figured if I could put together being funny about stuff and actual events, maybe I could do something that wasn't being done much. Because the reporters that I met out there were funny, and they had hilarious stories that just didn't fit in the AP/UPI/New York Times foreign-correspondent style. They couldn't use the things they had. But I could.
[ I'm] humorist, I guess. Or really more of a reporter. A reporter who reports on funny things.
A reporter shoots first, aims later.
Having said that, I`ve got to tell you, looking ahead, it`s like these storms coming in over the pacific that`s we feel in the press corps.Because you look at a campaign, which was a war on the media - that was at the heart of Donald Trump`s campaign, where if he banned certain outlets from coming to news conferences, every day he attacked the dishonest press, he pointed the finger, he called out reporter by name and attacked him.
Investigative journalism and reporting has become much more dangerous. This is especially true for journalists and sources in National Security - but it has been getting pretty bad for beat reporters and small outlets doing local reporting, too.
After all, the reporters are the ones who get to ask the questions.
I was very much against the Vietnam War, and Max Askeli was visiting Lyndon Johnson in the White House cheering him on, writing editorials. And in The Voice one day I once referred to him as Commander Askeli. And I called in to The Reporter to go over the galleys of a music piece I had written, and the editor whispered to me, `It's not gonna run. You're not gonna run. Max Askeli has fired you because of what you said about him.'
A reporter told me it is very rare to see a woman of my age in the movies. Right! In the movies! But they have been for so long in very serious and important positions in life: scientists, prime ministers, candidates to be the president.
That's one thing about my shows. I tell people, I'm not a comedian, I'm just a really funny reporter. I put my life out there and make it entertaining. By putting it out there, it helps me to deal with it, you know, so I don't snap and so I don't go off the handle when I get home.
There can be no better grounding for a lifetime as an author than to see humanity in all its various guises through the lens of the reporter for the town.
I've always just wanted to play ball, that's all. I didn't want to do no interviews, because I didn't want to be bothered with reporters.
I don't talk to reporters, because they're gonna write what they want to write, so let 'em write what they want to write.
Reporters don't know me, because I don't talk to them; I just talk to the players.
Where the differences came in was the patina of ideology which the news media laid over everything. There's certainly a bias, to some degree, in the way the media portrays the military. I'm not saying that's entirely wrong - the Fourth Estate is there to hold generals and colonels accountable for their actions and decisions - but having reporters on the scene, reporting in real time certainly complicates things for the military mission.
I'm not a politician. I'm not a policy wonk. I was a political reporter, but that's not really what turns me on. What turns me on is how people perceive the issue and how people see people like me.
I think that's a really important role that people sometimes forget about, especially with all these newspaper shutting down and having trouble, where are all these stories going to go? I think you have something really great with all those stories waiting to be told, but I just don't know how it shapes up exactly. I don't think there are going to be a lot of newspaper reporters sitting around not writing.
Thinking through how you find that intersection between individual, compelling human narratives and structural, systemic injustices - that's the place that's most interesting to me as a reporter.
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