We try to make the sound hold as much relevance as it does on the record you know, we don't try and interpret it in a different way.
It's part of the strategy to remind people who Hillary Rodham Clinton actually is. If others aren't going to hold her account for her full record, then, yes, we will. And her record includes naming and blaming women who came in contact with her husband, whether it was consensual relationships like Monica Lewinsky, an intern at the White House with him as President, completely debasing the office of the White House - the office of The Presidency - or Jennifer Flowers, 12-year affair while he was Governor of Arkansas.
I hope we [with Patrick Leonard] can come up with something orchestral with some spoken material. And I also, God willing, hope that perhaps another record of songs also might emerge, but one never knows.
In 1996 or 1997, out of nowhere, Fox News comes on and it's on channel 360 on Direct TV, and out of 300 million Americans, on every single night, anywhere from 3 to 5 million watch it, we're talking about at no more than 2 percent of the American public is watching Fox at any given moment. Yet, ABC, CBS, NBC, the New York Times, the institutional left, CNN, MSNBC, the record companies, Hollywood, all seem to be committed towards aligning their minds and their money and their other resources to try to shut up Fox News.
Donald Trump has no credibility to criticize me or my record or anything that I have done. If he had spent a minute in the deserts of Afghanistan or in the deserts of Iraq, I might listen to what he has to say.
In his life, Donald Trump's had a great track record of failure, bankruptcies, running from Vietnam, everything like that.
To be honest, I didn't think I would be here for this album [Give the People What They Want]. I thought I was going to die. When the doctor came in by himself and told me I had cancer, it was frightening. He told me he got it and there would be six months of chemo. I really thought people would be promoting my record without me here to enjoy it. But I'm here.
Record designers marvel on that stuff. They go back and look at old covers, then make new ones.
When you hear the melodic structures of what classical musicians put together and you compare it to that of a rock & roll record, there's a hell of a long way rock & roll has to go.
All empires eventually destroy themselves. That's the record of history.
I'll let the record [Who You Selling For] speak for itself. I don't want to get too in-depth with my personal opinions of it and where the songs came from because I think it messes with the listener to know the inside mindset of the writer. For example, I watched a Pink Floyd documentary the other day, and I learned that "Shine on You Crazy Diamond" was about [frontman] Syd Barrett. I didn't want to know that!
I've talked to dozens of Chicagoans who will only go off the record in talking about the manufactured mythology.
The published record will show that many in Chicago have mixed feedback on the President's [Barack Obama] role as organizer.
As I write in the book, I do not regret either of my votes for President [Barack] Obama, nor my support of him when he ran for the Senate before that. I get excited as I ever did when I see that black man on Air Force One. But I won't settle for symbolism, and our President's record should be open for analysis.
I don't know how many off the record conversations I've had with African-American leaders who would not be quoted and refused to make their sentiments public.
Do you really think I'm going to go on record telling you the craziest thing I've ever done. There's a reel in my brain, and I think I'll keep it there. No regrets, though.
I can go write an absolutely saccharine pop record with a really catchy lyric for another artist that could become a hit without meaning anything to me, but that's more the science laboratory, that's the other thing.
Just wait and see this stuff play out as it does. But if, for example, why would he say some human activity linked to climate change when he has gone on record as saying that he doesn't believe it and we're gonna get people out of the EPA who do and we're gonna stop playing games with this. Why would he say it? [Donald Trump] wants to build a bridge with the opposition. This is why you don't see me at Trump Tower going up and down the elevators.
I most definitely wanted to make a record out of it. Due to the fact of the negativity and things that transitioned over the years, I just wanted to give [Chris Rivers] his space. I had this record "Danger" which Free Smith produced the beat. It was one of the first beats I got when I started recording again and one of the first I sang to.
Did the record [Danger] do well? I believe it did what it should have. It showed the hip hop community that Tony Sunshine is doing well and looking great.
I have over 150 or 200 records recorded. We have so many EP's and LP's. It's just picking the best records to put the best possible album together.
I had a record on the Terror Squad album "My Kinda Girls", and then I had a record on the second Terror Squad album and was featured all over it. I wasn't really introduced into the game until about late 2000 where people got to see where I look like.
All the way from the first thing that I can remember, like our Victrola - a wind-up record player - and my grandfather's crystal radio, and my father's shortwave radio.
One day I decided I would like to put a record into my system. So I picked up a record that was lying on the table, and put it on. I didn't bother to look at what it was because I didn't care, and it turned out to be Madame Butterfly. So I processed the aria from Madame Butterfly in my system and I played with it.
I think that what is always true when you run against an incumbent president is, is that you end up talking more about that president's record than your vision for the future, and I think that the Democrats do have to present a proactive agenda and vision for the country and not simply run against something if they're going to be successful.
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