Most of the writing that I do is a complete train of thought process. I'll just be walking down the street or sitting on the toilet or whatever and something will pop into my head and I'll record it on my phone and then over the next little while it'll develop a little more in my head.
Best players I played with? Striker wise, well, I had a great record with Emile Heskey - he would be one of my favourite partnerships because we were so different and worked together so well.
From what I remember, I remember always being a big fan of Kardinal Offishall. He just had that different flow and different flavor. He put himself on the record and that's the type of energy that we love.
Just recently, the administration of Barack Obama, which has broken all sorts of records in regards to deportation, picked up a Guatemalan man living here [in U.S]. I think he had been living here for twenty-five years, had a family, a business, and so on. He had fled from the Mayan region and they picked him up and deported him. To me, that's really sick.
There are very interesting books about these events, for instance one by a very well-known American historian named William R. Polk called Violent Politics. It's a record of what are basically guerrilla wars from the American Revolution right up through the wars in Afghanistan and Iraq.
The thing that I realize about fashion now, fashion and music, now versus back then is that you had to have fresh records and be fresh.
Today I feel like it's about people just looking fresh and their records aren't fresh.
In the last 100 years since the invention of sound reproduction, music has really taken off and it is much more a common language because of records and transportation.
I called the guys from Promise of the Real, whom I've been playing with, and they were all on the road. Right after I hung up the phone, I wrote another song and started writing another, and I'm going, "Hey, I can't wait. I should be doing this now!" My experience tells me that when it's there, it's there, and you can't make it wait. So I got Jimmy Keltner and Paul Bushnell, two good guys, and went in and did this record ["Peace Trail"].
I think the ultimate result of it is you can get inside the record.
Now I'm at a point where I decided I'm going to be in the studio for a while, at least until I finish this record I'm working on now. I should have two, three, four of the sessions that I had that were similar to the sessions for Peace Trail before I have a complete record.
People will always have the desire to make rock and roll records, and they'll always have the desire to sell rock and roll records. Most of the people making these records do it because it is a business, and if someone says, "You can't do this", they won't complain. They'll just keep making records, but they'll get blander and blander. There'll still be rock and roll, but compared to what it really could be or ought to be, I don't think it'll be all that terrific.
Here's the way the licensing works ... If you write a song, nobody can record your song before you do without your permission. But, once the song is recorded, they can get what's called a 'compulsory license', and they can record the tune, but they have to pay you royalties.
Anyway, yes, telephones but not mobile phones, fish and chips still wrapped in actual newspaper and still with some kind of flavour, people visiting each other without having to consult their appointment diaries, not being able to record anything from the television; if you missed it you missed it - these were all the kinds of thing that made up the normality of the seventies.
Four times Hillary Clinton has lost the presidency in eight years, a modern American record.
In Britain, what we've done is say to 485 million people, 'You can all come, every one of you. You're unemployed? You've got a criminal record? Please come. You've got 19 children? Please come.' We've lost any sense of perspective on this.
That moment when Kanye West secretly records your phone call, then Kim [Kardashian] posts it on the internet.
Because U.K. artists aren't compensated when their music is played on U.S. radio stations, U.S. artists aren't compensated when their records are played on U.K. stations based on the fact that there's no reciprocity. If that income came in, our artists would be paying income taxes on it. So if we can get a lot of policy on the radar, that may have some positive influence.
We know about General John Kelly's military experience and his record there and being a decorated veteran of combat over in Iraq in particular. In fact, that's where I first met him was when Ramadi was shot to shambles during the surge era. We took a ride around there, even a minaret was shot in half and he pointed to that and said we were taking fire from that minaret. My son took that down with a 20 milimeter cannon. That's my first impression of John Kelly.
When I was doing theater in the 1950's, 60's and 70's we weren't allowed to film any of the shows that I did, it was against union rules. It was a stupid law, because so much is lost. We now have no record of these famous stage plays, so it turned out to be very narrow-minded thinking.
We now have no record of these famous stage plays, so it turned out to be very narrow-minded thinking.
Every play is so important. It's a record of what life was like at the time you wrote that play or that book.
I think that poets can say, "What we want is for everybody on earth to wake up free from fear and with access to medicine and clean water and education." But I don't think poets have any special insight on how to get there. And the 20th century is a pretty good record of that because so many of the great poets were Stalinists: Vallejo, Neruda, Eluard, Aragon, etc. They wrote their odes to Lenin and Stalin. They glorified some of the most violent and grotesque dictatorships of the 20th century. And a lot of the ones who were not Stalinists were fascists or fascist sympathizers.
Today on social media, you can release anything and everybody will hear it. Back in the day, that was your only outlet, getting a deal with a record company and them distributing it around the world.
My process is always the same. Maybe that's why I stay so consistent, it really doesn't change. I only know one way to record and do things.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: