For the record, I have ZERO investments in Russia.
I leaned too early. I was running, I looked across, I realised I was going to win - the thought I was on for a world record entered my mind - I reached for the line when I should have stayed straight.
[Wayne Rooney] has to be viewed as a great England striker if he breaks Sir Bobby Charlton's record. Scoring goals at international level is much more difficult than it was a few years back because even the lesser teams are well organised and don't concede too many goals these days.
I thought I would break the scoring record when I got to 40 goals by the age of 27 or 28, but then Fabio Capello took over and he never picked me again.
I was trying to see if I could produce an episode - completely write it and research it and record it and edit it - all by myself in a week.
Corporations have steered the industry into what it wants, and a lot of times they will make artists record what it wants or to make songs talk to who they want to talk to. But sometimes the heart and the head have to be able to talk and deal with a situation that's evident.
Rap music and rap records used to always be like this: we get one or two shots to a piece cause it was a singles marketplace and when the major record companies saw that it could also handle the sales of the albums then they started to force everybody to expand their topics from 1 to about 10 and you gotta deliver 12 songs, so a lot of times if you took a person who wasn't really developed, and the diversity of trying say 12 different things, you know the companies were like "Cool! Say the same thing 12 different ways."
A visit to the hood through a record, or through a video, or through a film, is a lot safer than actually visiting the people in real life. It became a business model. It became a revenue engine that, you know, you can get to the hood without ever going there.
I do these records. All of these ideas that I have, that I put out there, that inspire me to write, are a purging in a lot of ways. I have to expel them in order for myself to walk around and actually smile and be a regular, or a living, person.
The goal for me is, I build the record that I put out as one individual song. Even though it's broken up into tracks, to me it's like one hour-long piece of music. In assembling the whole thing, I'm really thinking, okay, it's gonna end here, it's gonna start here, and I kind of have the idea of the journey.
I want the material I make to be mine; that's always the goal of the record and of the show.
When you're young, you're not really worried too much about what people think. You're just in this beautiful, natural place with creativity, and it's just flowing through you, whereas after a few years and a few records, you have all these pressures starting to build on your back.
There's a bunch of songs that I call B-sides on the record that you could argue could maybe have some potential commercial success with another artist, but for me, they just felt really whack.
In fact, on a side note, after the success of the first record, I got asked to write for some pop artists, as everybody does, and I did a couple songs for some of these massive stars and the review that I got back was, "This artist likes the song but it's too POP-y for them." I was like, "What do you mean, I thought I was writing for a pop star."
I kind of rely on my artist friends to make my physical music worth buying by having them all come together and create beautiful artwork that everyone is gonna want to own to support my record.
Comparing yourself to the people like you, comparing yourself to the people who aren't like you, looking at how many records you've sold, looking at the venue size you're selling out. None of that can even remotely measure how happy you are.
Rob McElhenney who runs 'It's Always Sunny in Philadelphia.' That show absolutely kills me and I am stunned by the consistency of greatness it has maintained over what is now a record breaking amount of seasons ... How do you do that for so many years? My 14-year-old daughter and I watch it together and we both laugh crazy hard.
We felt that the Gates Foundation looked at our track record and our publications and decided that "this is persuasive; this needs to be done. Let's see what they can do."
You don't need a record deal. You'll have the industry begging for you, when you build your buzz.
I signed Jay-Z because he was on fire. I wasn't a genius. The record was great. I put it on The Nutty Professor soundtrack and we signed him.
Signing with Hollywood Records was a dream come true. I am so blessed to get to do the things that I love to do every day of my life. My fans can expect to be blown away with the music I'm writing.
I have a great family that loves me, a record deal at 14, and I get to do what I love every day.
I would probably creepily follow my kids around, see how they act, see what they talk about. I record my daughter just talking because the things she says are so funny. I could watch her talk all day.
I'm very proud of all the bluegrass-oriented albums. It just reminded me and my fans that I should always record acoustic music and country records, along with anything else that I might want to do.
There was an analyst who came out the other day who's had a long track record of projecting presidential campaigns based on the economy and other kind of factors. And he said if [Donald] Trump stays about where he is right now, he'll win at about 51 or 52 percent. If Trump actually gets his act together in a disciplined way, he could win by as much as 66 percent.
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