I think I've been a bit misunderstood; the first record was more timid than I wanted it to be. I don't like getting pinned down by sex or how I sound like because it's not who I am or what I want to be.
I want to do a stripped-down album. That style is actually where my heart is - storytelling and just letting the voice and the lyrics talk for themselves. I still want to write the perfect song and sing it in the most honest, undressed way. But I feel like I have to gather more experiences and more layers in my voice. I have to live more to be able to tell this tale. So I'm saving my folk record. I have a feeling nobody will understand it.
I'm a girl from Sweden. I took a lot of risks and went to New York by myself when I was 19 just because I read about it in a few books. I came here knowing nobody, having no money, and now I'm doing all these things like making records and videos every day.
What really changed my life was watching the movie Juice and the opening scene - just hearing that record rotate. When I heard that I started getting serious about DJing and making beats and recording myself on the four-track.
I am a true believer that a record should not be a bunch of songs that sound exactly the same.
My favorite record of all time is Fleetwood Mac's Tusk. It's made up of a bunch of songs that don't really sound the same, but they all go really well together.
I was really obsessed with age. I kept saying it was a record about trying to age gracefully.
I definitely hope to continue to release records at an accelerated pace.
The more you release records, in some ways it takes pressure off you.
If you wait four or five years between records, it better be a masterpiece, you know? And if you keep putting them out, you're saying, 'Hey, here's 10 more songs'.
I've done quite a few records now, and I look back and think of them as documents of my musical journey.
I think the most important thing for me is putting out records that document ideas.
So many people I was at school with have all ended up being musicians and putting records out.
When I first heard bands like Tortoise, it seemed to come off the back of that world, like let's make a record with three vibraphones and release it on a seven-inch with black-and-white artwork.
Make a record in your bedroom on a cheap computer, play it on pirate radio, and that's what's it's all about. You can do something really exciting and you don't need any record companies. The way I do everything comes from that, the impact of those two things.
People hear your records in order, and they think of you as progressing in some direction, but it's not really like that.
If you're not Jay-Z, a record leaking isn't going to affect you.
I want to move away from sampling records and just have it be quite minimal. I don't want any more hip-hop beats in there.
I think Nouveau Gloaming is a classic black metal record and I would hate to be a band that kept trying to recapture the same essence, but failing, for the rest of its days.
Before the 90s, black metal wasn't a selling tool [and didn't] have money behind it. Then it became a pop sensation. Now that the record industry has collapsed and started to rot, things are livening up a bit again.
Bands are more willing to take risks and we don't need this big label over us anymore telling us what it means to sell records and get into magazines.
Actually, my experience over the past couple of years hasn't necessarily been something that would be interesting, were it committed to record.
No one wants to be some guy who puts records out about how good it is. That seems quite arrogant.
Twitter and Facebook and all of this stuff is, to me, I mean it's, for some reason - I'm probably not the youngest person using it. But for some reason, it works very well. I'm setting records.
Personally, I think that Hillary was one of the worst, if not the worst, I mean if you look at the record, secretary of States ever, ever in this country. I think that's the bigger problem that she's got. I don't think Benghazi is as big a problem for her as her past and what's happened. The world blew up around her.
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