My sympathies go out to the young performers today because they are under a microscope in a way I wasn't. Now everybody's got a camera phone and can record at will or take pictures of you. It's just a different world. I don't know how I would have fared back then.
What we saw with both Donald Trump and Marco Rubio, that their response, whenever you point to anything in their record, is just to yell, "Liar, liar, liar," and to get very personal and to make direct character attacks. And my approach, from the very beginning of this President's campaign, starting a year ago in 2015, is that I will not respond in kind. I do not intend to insult any of the candidates.
I will sing their praises, I'll sing Donald's [Trump] praises and Marco's [Rubio] praises and everybody else's praises. But I'm going to keep the focus on substance and records. And there's a reason why they scream "Liar." Because when you point to their own records, their own voting records, their own words, they don't like their records because their records are inconsistent with what they're running on.
Jeb Bush is conservative governor,his record as governor is more conservative than any current republican governor in the country.
Once you get a couple of records in, you kinda vibe out then you see what a full length is.
If you can stand on stage and perform a record, you should be able to stand on stage and captivate the audience without the rhyme. You should be a master of ceremonies.
I know when my father [Donald Trump] puts his mind to something he's going to do a phenomenal job with it. He's a great businessman. He has an incredible track record. And I know he understands what this country needs and what it wants.
I'm not a singer, a walking instrument like Aretha Franklin. When you get an Iggy Pop record, you don't get "Iggy Sings." I am also a style of music, an approach.
Ultimately, these fans that we're blessed enough to have, the ones who pay money for tickets to come see us live, that's the bread and butter. That's the basis of what this is. Before I ever had the chance to record an album, the live show is what it's been about.
I really tried to push every genre that I could into this record. I wanted every song to have this feel, where as soon as the listener tunes in, they say "That's CoJo, that's Cody right there." That being said, it is a little different. There's Americana, there's Bluegrass, there's some rock, there's some really George Jones-style stuff on it, slow-style Ray Price country elements, there's some modern country, a little of this and a little of that. We tried to push a lot for show versatility, because I grew up with a lot of versatility in my music.
Under [Tim] Cook, Apple has a new product line with the Apple Watch, but it hasn't generated the kind of excitement that the iPod, iPhone or iPad did. Still, Cook can't be called a failure. Under his leadership, the company released a larger version of the iPhone to record sales.
It wasn't just Willie and Waylon, there were a lot of influences there. The coolest thing about this, is after getting to listen back to all these mixes is realizing that this record is like a bag of Skittles; every time you pull something out, it's a different flavor. But they're all Skittles. They're all Cody Johnson.
Both Proust and Joyce record the ways in which human perspectives can be transformed. In Portrait, Stephen Dedalus is constantly undergoing epiphanies, but their effects are transitory: the new synthetic complex quickly falls apart. Proust's characters, by contrast, often achieve lasting changes of perspective.
Keeping this facility [Guantanamo prison] open is contrary to our values. It undermines our standing in the world. It is viewed as a stain on our broader record of upholding the highest standards of rule of law.
But the first time I had to stand up and sing with them was when we did the pre-record for the movie and it was that moment where I sort of said to myself: "S**t, now I actually have to do this and I have to stand up and do my stars in your eyes moment!" Wake Up and Make Love With Me was the first song and I thought: "Here we are with Chaz and all the boys..."
It is my hope that all of the Republicans who recognize that nominating a candidate who agrees with Hillary Clinton on a host of issues, who has a very similar record, is not the path to victory. And if we come together, if conservatives stand together, we're going to have a great night on Tuesday.
We talked a lot about Donald's [Trump] record on immigration. There is irony that he has made the center of his entire campaign immigration, given that he faced a $1 million court judgment for being part of a conspiracy to hire illegal aliens, given that news broke that he is hiring foreign workers at his fancy hotel in Florida.
I think that the most significant, guiding principle was that we wanted to return to a three-piece live form, whereas we became a four-piece for the last record because the songs had more extensive arrangements and we needed a keyboard player to pull off a lot of those songs. We missed the energy, and more push-and-pull of the three-piece.
I largely defer to the cognitive ethologists. I believe that the arguments that they make on this score are extremely persuasive. More than this, I do think as well that a priori objections by philosophers to successful research programs in the sciences have a very bad track record.
The fact that these scientific theories have a fine track record of successful prediction and explanation speaks for itself. (Which is not to say that I don't directly discuss the work of those philosophers who would disagree.) But even if we grant this, many will argue that scientific knowledge in humans, and, indeed, reflective knowledge in general, is quite different in kind from the knowledge we see in other animals.
I've been really fortunate to have Bridge Records interested in publishing my music for the past 25 years. Most of my music is available in their catalog.
I had been working my first record really hard and toured the heck out of it. I didn't have anything to write about so touring with The Decemberists was what I needed. I could work and take in the world again. You're just the side man and don't need all the info. You're also less busy than when your name is on the ticket, so I had days free to read, watch movies, and just look up.
When I first starting making beats, I didn't know samples were being used in any beats. I had no idea where producers were getting the real string sounds or the voices on their tracks. I knew nothing about loops or sampling off of records. So, by me knowing nothing about this it made me concentrate on my chords on the keyboard.
Albums aren't even selling anymore and there's a reason for that. Record companies are just signing single and ring tone deals and it doesn't seem like they're focusing on albums.
What I wanted was just to make music, and so, originally I just wanted to hide behind the album cover of the last record, and I wanted it to be almost anonymous.
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