Black people have this thing about calling themselves apes and monkeys I know they get real (whatever) and I don't blame em'. But I feel like I'm a brute. I am, but I'm smart though. I'm not a dummy.
People should not rush to change religions. There is real value in finding the spiritual resources you need in your home religion. Even secular humanism has great spiritual resources; it is almost like a religion to me.
For Tibetans, the real strength of our struggle is truth - not size, money, or expertise. China is much bigger, richer, more powerful militarily, and has much better skill in diplomacy. They outdo us in every field. But they have no justice. We have placed our whole faith in truth and in justice. We have nothing else, in principle and in practice.
One of the crazy things about our job is that we get taught these insane skills that we could never use in real life.
The thing about the Oscars is real life doesn't stop. You have to get back to planet Earth the following morning. The rubbish needs taking out. The kids will be crying. They'll need feeding. Kids do not care whether you've been to the Oscars!
When it's real world rules, it will not matter how big you are? When a bullet hits you in the head, you die. It all becomes about how much heart you have when you go into a world that is so scary, that assesses you and finds you either as an asset or full of crap.
There's something very cool as an actor when you have an opportunity to play somebody who's real, whether they're still alive or not, but who has lived a life.
Playing somebody who's real, you can bring all kind of nuances and things to him that you get from source material and things like that, but the more popular or known the person is, the more impossible it is. To get it right, that is the goal.
Real life, raising kids and trying to raise them to be good people takes a lot of work. It's all about (appearing) effortless, yet there's so much effort. You do it the best you can.
When I started acting in the film industry when I was 16 years old, in 1980, I was going to all the revival theaters in Los Angeles. They were playing mostly films from the '60s and '70s, some from the early '20s and '30s, before that Hays commission. Those films did question things a lot, and there definitely was a switch in 1934. You can see very distinctly in 1934, it's harder to understand what the real culture was. Films made before 1934, you can really kind of see the racism, sexism, drug use, etc. that was going on at that time. And then it was all stopped.
I love art and I find myself at the MoMA all the time. Museums are a real refuge for me. I go to a museum for any break that I have, and I'm very inspired by art.
It is propaganda that people, who had lived a full life of heterosexuality, were married and had children, were denying their real sexuality all that time. There is historic evidence that entire populations can convert to homosexuality under certain conditions.
I've know Jeezy before he was Jeezy. I've been down with Cash Money from back in the day. So these are real relationships. I'm there for them and they're there for me. And they know if I'm going to make a record with somebody, I'm gonna hit a home run.
I think we've produced a stronger prohibition on real racism, while maintaining freedom of speech in ordinary public discussion. So I'm very comfortable with where we're at. We're not dogmatic or impervious to a further argument, that's why we released it as an exposure draft rather than simply releasing it straight into the parliament.
It's been really important to me to create moments where there's a breath or moments where there's a laugh or moments where there's real life that's allowed to seep in through the cracks of whatever melodrama is happening, because that's what does happen in life.
The life of the mind is always more interesting than the real. The idea is often more interesting than the actual.
I'm focused on doing what makes me happiest and on how I can make real improvements and contributions to my immediate niche, i.e. my family, friends, and local community.
There's no real outlet for making Hip-Hop in Alabama. You need to travel to get heard. You really need to be working though. You need to be going at it every day and getting yourself seen, getting yourself out there on the road, doing shows, making music. It's all about being on your grind.
I guess there are no real strict rules [in comedy], but I just learn to apply my philosophy about comedy which is, it's a serious business and the result needs to be funny, not the process.
We spend our lives hurrying away from the real, as though it were deadly to us. It must be somewhere up there on the horizon, we think. And all the time it is in the soil, right beneath our feet.
I have always deeply desired to be an honest man who said it when I struggled, stumbled and worried. I longed to be a man with real friends - friends who knew me at my worst and loved me.
You're learning things. As you get older, you're experiencing them. You learn about what it means to be sacrificial. Then, you get married or something like that and you think, "Oh, wow! This is the real deal."
Some of my friends became gangsters. You became a gangster depending upon how fast you wanted a suit. Gangsters weren't the stereotypes you see in the movies. I knew the real ones, and the real ones were out for big money.
I went to art school for about a year. I was born and raised in the Willamette Valley in Oregon into a middle-class family who didn't have the funds to say, "Here, kid. Here's your money for school." So I worked real hard during the summer and saved money and was able to go to school for a year and borrowed a little money which I paid back after that first year.
The only real politics I knew was that if a guy liked Hitler, I'd beat the stuffing out of him and that would be it.
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