Real life is crazier than fiction.
It's the problem with fairy tales. From far away, they seem so perfect. But up close, they're just as complicated as real life.
Awareness of having better things to do with their lives is the secret to immunizing our children against false values--whether presented on television or in "real life." The child who finds fulfillment in music or reading or cooking or swimming or writing or drawing is not as easily convinced that he needs recognition or power or some "high" to feel worthwhile.
It's been such a struggle to learn all that I have; I wouldn't want to give any of that knowledge up. That's why I've always loved acting; as a kid, I didn't necessarily like my real life, so I could escape into these other characters and experience a life completely different from my own.
I try to show the children how every lesson I teach them is going to be something they use in their real life. That's why my kids work so hard, not because I'm so cool. They're working for themselves.
I think everyone has been annoyed at school or in their life, that's a type of bullying. So, you can take those feelings and make them bigger. But I try not to use too much from my real life, because you'll be stuck with that all day.
No role is more challenging, rewarding and inspiring than my real-life role as a mom and a wife.
In all my songs, I take on roles and play characters. It's a unique way to explore ideas and decisions I might not think or make in real life.
My first on-screen kiss was lame: Nickelodeon. But my first real-life kiss was super cute and nice, but still very awkward. It was with this hot skateboarder with dreadlocks. He was my little Rasta man.
Being and having in our society teaches us how to take possession of things, when it should rather initiate us in the art of letting go. For there is neither freedom nor real life without an apprenticeship in letting go.
If I had my life to live over again, I would have waxed less and listened more. ... I would have cried and laughed less while watching television ... and more while watching real life. ... But mostly, given another shot at life, I would seize every minute of it ... look at it and really see it ... try it on ... live it ... exhaust it ... and never give the minute back until there was nothing left of it.
I don't want to live in real life. It's too harsh, too brutal.
For most problems found in mathematics textbooks, mathematical reasoning is quite useful. But how often do people find textbook problems in real life? At work or in daily life, factors other than strict reasoning are often more important. Sometimes intuition and instinct provide better guides; sometimes computer simulations are more convenient or more reliable; sometimes rules of thumb or back-of-the-envelope estimates are all that is needed.
It is never, never too late, in a story or in real life, to correct.
Films are dreams. Many, many critics say to me that my films are not good because they are too unbelievable, but this is my style. I tell stories like they are dreams. This is my imagination. For me, it would be impossible to do a film that is so precise, that resembles real life.
I like solving problems, and science provides a logical way of solving real-life problems.
I took an estimated two thousand years of high school French, and when I finally got to France, I discovered that I didn't know one single phrase that was actually useful in a real-life French situation.
Biography is the mesh through which real life escapes.
In a funny way, acting, to me, is all make-believe, even if the film has unicorns in it or is a normal movie that can be set in real-life time. I'm still imagining that I'm a different character, so it's all, in a funny way, like fantasy.
I think it's more normal to make a movie dealing with love, sexual or not, than to make movies about bank robberies, which very rarely happen in real life. So I would say the problem is not what some people feel is normal, I would say the problem is why this whole industry is far more obsessed with filming scenes of dominance, guns, invasion.
This medium that we're working in - film and television - for an audience, it's like you live through these characters because it's things you can't do in real life. Places you're not prepared to go in real life as a decent human being, anyway. Because if you're a conscientious person, so you live kind of vicariously through these people.
When your characters are not white hats or black hats but something in between, you do have to be very careful about your details. So, that takes a while. I'm not interested in white hats and black hats. I don't think that's how people are in real life.
It's no good saying, 'hold it' to a moment in real life.
I think you've really got to cling to what makes sense to you. Obviously, I'm not a serial murderer in my real life, so that's where you have to delve into and do all the research. But, you have to find something likable in the character.
It just seems to me that the world's kind of a mess, and the more messy it gets, the more interested I am in escapist fare. Having a good time is something that isn't about the war in Iraq or the Asian flu or the Kyoto protocol - things that are horribly depressing to consider in our real lives. I'm eager to get away from them.
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