When I emerge from filming I feel slightly out of synch with real life, but it's also a relief.
Personally I'm hoping to spend the last years of my life plugged into a real life MMORPG simulation that makes me think and feel like I'm 18 again while my 90 year old body lies in a tube somewhere getting fed thru an IV. Be a great way to finish up a life.
I think in real life most of us don't know how to communicate our deepest feelings very well.
For everyone, there are those moments when you have great days with someone you wouldn't expect to. Then you have to go back to your real lives, but it makes an impression on you.
The best place to find material is in real life. I've always maintained that it's not until the mid-20s that you have enough of a life to draw from. There's nothing better for a comic than to go through some bad stuff - and some good stuff, like getting married.
I don't feel drawn to lightness, I need something more. I feel that - oh, I hate saying this, it sounds so wanky - but I feel a real urge to give voices to people we don't usually hear from in real life.
In real life, I am alarmingly boring.
In real life, I don't fall in love with the guy who wines and dines me, I fall in love with the flaws and the humanity.
Gee, I certainly hope I'm not a scary person in real life. It's not like people run from me when they see me. People are usually pretty nice when they meet me. If they're scared, they keep their shuddering to themselves.
Because I killed a guy in real life, and because my character kills a guy onstage, they said I could never do anything this great again. I resented that.
I'm very shy in real life; I can't really hit on girls.
In the real life-process, willing, feeling, and thinking are only different aspects.
Eyes Wide Open' took shape from two real life events straight from my own past. One was the sad suicide of my young nephew, a troubled kid, who was found at the bottom of a landmark cliff in central California. The second was a chance encounter forty years ago with none other than, ahem, Charles Manson!
I've played so many jobs where I'm fearless, but it's far from me. I wish I were like that in real life.
In real life, people fumble their words. They repeat themselves and stare blankly off into space and don't listen properly to what other people are saying. I find that kind of speech fascinating but screenwriters never write dialogue like that because it doesn't look good on the page.
I really became convinced I wanted to tell the story of the real-life model for the Degas sculpture 'Little Dancer Aged 14,' which was unveiled in 1881, the Belle Epoque.
Often real life is boring and problematic. I love the edited version of it.
Why should I ever get fed up talking about my father? He was a brilliant, colorful man who left us with thousands of memories. Most people remember his films, but I've got anecdotes and advice and episodes of real life tucked away inside my head.
I'm the least sexy person in real life.
I think that if writers don't speak about real life, it's because they don't know it.
I spend plenty of time in London and it doesn't scare me, but it's a lonely place, even if you've got friends there. My job takes me all around the world, meeting lots of interesting people. But I think if I couldn't get home, if I couldn't get back to what I consider my real life I'd be frightened.
The image you see of me out in public is really different from who I am in real life.
I don't think people would climb mountains or jump off bridges with parachutes or kayak Class V rapids if those things didn't offer the brief and horrible illusion of imminent death. They would just be complicated, time-consuming endeavors that we'd steer well clear of because they got in the way of real life.
One thing I was thinking about is that they probably get their come-uppance about the same percentage that people in real life do. Basically, stealing for all practical purposes might as well be legal in New York.
In my stories, I controlled what happened in a way I couldn't in real life. My characters lived through the horror and degradation of the cruelty of others and they not only survived, they thrived. They gave me hope and laughter, and they kept me going in spite of everything else. They were my heroes.
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