I bless / all knowledge of love, all ways of publishing it.
[On working with James Joyce:] So, either you run your publishing business far away, where your writer can't get at it, or you publish right alongside of him - and have much more fun - and much more expense.
What with the reviews of critics, the sarcasms of one's friends, the reproaches of one's own taste, there's precious little peace after publishing a book.
I didn't really start publishing books until I was 40 because I was busy being a McDonald's employee. So there's always a sense of trying to make up for lost time.
People have proven over and over that they will read if they are given something they like. The problem with reading is not reading, its that almost everything out there sucks. For so long, publishing has been run by a cartel of snobby pseudo-intellectual failed writers, and the resulting output has reflected not what the market wants, but what they think people are supposed to read.
It [eBook] is like introducing the machine gun to a revolutionary war. It changes everything. If you can reach your fans directly without having to go through a middle man, the entire economics of the publishing business changes.
I wish that the act of publishing a book was less of a nerve-wracking experience.
I feel very discouraged with the state of gay and lesbian publishing because I don't feel like we're really welcome in the mainstream and then you get ghettoized and put on some lesbian book club reading list where you don't want to be either.
I'm trying to stay open to the idea that the Internet is not the evil foe of publishing but the handmaiden that will turn out to be a blessing for poets and writers.
After I started publishing poetry I got to teach creative writing. Eventually I was promoted and even got tenure. But then I felt compelled to drop everything and move. But I've been teaching for a long time. More than four decades.
This is what happens when the discourse of publishing, defined and driven by spoken and written language, is talked about in exactly the same vocabulary and syntax as any widgetmaking industry. Books are reformulated as 'product' - like screwdrivers or flea-bombs or soap - and the majority of writers are perceived as typists with bad attitudes.
When I was young, there was an amazing publication called The Whole Earth Catalog, which was one of the bibles of my generation. It was created by a fellow named Stewart Brand not far from here in Menlo Park, and he brought it to life with his poetic touch. This was in the late 1960's, before personal computers and desktop publishing, so it was all made with typewriters, scissors, and polaroid cameras. It was sort of like Google in paperback form, 35 years before Google came along: it was idealistic, and overflowing with neat tools and great notions.
When I was 16 I started publishing all kinds of things in school magazines. My main feedback came from my English teacher, Miss Bessie B. Billings, who said, 'I can't understand this at all, dear, so it must be good.
The journalist should be on his guard against publishing what is false in taste or exceptionable in morals.
North Carolina Senator Jesse Helms has signed a deal with Random House to write his memoirs. Scholars will no doubt benefit from the reflections of a man who was wrong on every major issue for 40 years. Helms' aides say the proceeds from the book will be donated to the non-profit Jesse Helms Center where they apparently have more experience burning than publishing them.
The Thieves of Manhattan is a sly and cutting riff on the book-publishing world that is quite funny unless you happen to be an author, in which case the novel will make you consider a more sensible profession-like being a rodeo clown, for example, or a crab-fisherman in the Bering Sea.
Every time I start off a book or a story I feel like I'm developing a new style or approach for that individual story alone, and it sometimes feels as if readers are looking for the same style/approach from the same writer over and over again, which hasn't helped me in the publishing biz.
With writing and publishing, my only aim is to live in the aesthetic pleasure dome.
For years, we in publishing have been hearing from Catholic readers that they really yearn for Catholic fiction.
Of course, people say maybe there are some self-published books out there that shouldn't be out there. Well, it's the same with conventional publishing.
I knew people were independently publishing, and I buy books on Amazon. I began seriously considering it when Amanda Hocking was in the news about her self-publishing success.
At heart, Pearson is in the intellectual property business, be it through publishing books or the Financial Times.
Johnson Publishing offered me an opportunity to build back iconic brands like Ebony and Jet magazines.
I did a lot of freelance desk publishing jobs when I graduated from college. I sort of earned a living doing that while I was writing plays, which was what I wanted to do. My hope was to become a playwright.
Seeing Pretty Little Liars fans adapt and create their own stories is both exciting and flattering and I think what Amazon Publishing is offering through Kindle Worlds is a great way to reward their ingenuity.
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