Chord progression is progression of emotions; storytelling - taking one person from one mood to the next. We are doing the same thing within a DJ set.
The whole analogy of natural operations furnishes so complete and crushing an argument against the intervention of any but what are termed secondary causes, in the production of all the phenomena of the universe; that, in view of the intimate relations between Man and the rest of the living world; and between the forces exerted by the latter and all other forces, I can see no excuse for doubting that all are co-ordinated terms of Nature's great progression, from the formless to the formed from the inorganic to the organic from blind force to conscious intellect and will.
Law grows, and though the principles of law remain unchanged, yet (and it is one of the advantages of the common law) their application is to be changed with the changing circumstances of the times. Some persons may call this retrogression, I call it progression of human opinion.
Inconsistency is a great door for the change and for the progression! Never hesitate to be inconsistent!
Life, to be worthy of a rational being, must be always in progression; we must always purpose to do more or better than in time past.
One of the most encouraging things is to see that so many of these young musicians and worship leaders are really concerned with doing a good job representing the truth of Jesus in their songs, and not just concerned with creative and musical progression.
The historic transition from Novice to Proficient to Adept was said to be accomplished virtually overnight by the progression from marijuana to peyote to lysergic acid. Instant mysticism had arrived. Before the court of law, hippies demanded freedom for LSD the way early Christians demanded freedom for the Eucharist.
A lot of it is just waking up and putting one foot in front of the other and going where I just go, a natural progression. The other thing is I do have a lot of ideas. TV seems to be where it happens faster, quicker. You are trying to get a movie off the ground, and it's very difficult. One movie takes two years to make
Sometimes, I actually end up doing three or four different versions of one song, and sometimes, those versions can be done very differently. They can be very laid back, downtempo, or sometimes the same song can be quite uptempo. But it is always the same melody and chord progressions.
I can't trace thematic similarities between Then We Came To The End and The Unnamed to a life event; I think it's more just a natural progression as a writer. Everything changes in the second book - tonally, character-wise, situationally - and on top of that, I think I wanted a challenge. I wanted to see if I could do it.
I figured out I wanted to tell stories in college. I'm an only child who moved around a lot growing up, and I really feel like it prepared me to be a storyteller - to make up stories and pretend to be every hero from every movie and TV show as a kid. So it was a natural progression.
The whole entire album is about Cry Baby, you know, being super insecure and kind of like going through her emotions until she finally realizes that she's comfortable with how crazy and insane she is and I think that I've made the exact same kind of progression , and the growth...and I don't know, like I feel like I've definitely grown into who I am and, like, I think Cry Baby is just me.
It's the most natural progression for me to becoming a singing sensation next. And so many people have offered to be on it. Eddie Van Halen... and Prince, Madonna and Cyndi Lauper will probably be a backup trio.
The only thing going on is the progression of words and sentences across page after page and so suddenly we see this immersive kind of very attentive thinking, whether you are paying attention to a story or to an argument, or whatever. And what we know about the brain is the brain adapts to these types of tools.
When I got a little bit older I wanted to play piano - that's all I wanted to do. I remember learning how to play a blues progression on the xylophone in music class and thinking "This is the greatest thing I've ever learned."
You get what I call the natural progression, the three Is. The innovators, the imitators, and the idiots.
I started getting seriously into music when I was a kid. 1978 was my big year. It just hit home. That was before real metal. There was Black Sabbath and that kind of stuff, but the real underground, hard stuff wasn't even around yet. It was cool to watch that happen and latch onto the next edge of things every time that progression happened.
I've always seen process of crafting as part of the thinking process. It really forms the gestation of the work. I'll get an idea; I want to express this idea, sometimes I'll start it, but during the process of making the object - if it's an object or a painting - it changes. It never goes in a linear progression from A to Zed. It's always this kind of circuitous, stumbling, groping in the dark kind of process of evolving.
Progression is important. I'm always going to play music in the general vein of rock'n'roll, but when I started I was very much associated with the West Coast lo-fi thing and I didn't want to get anchored in with anything that was just in vogue for the time being.
For me, most comedy scripts fail in the mechanical playing-out of the setup. They'll pay lip service to a moral lesson or a psychological progression.
I went to high school directly across the street from Carnegie Mellon, actually, and I knew people that were a couple of years older than me that went there. I was able to see shows in the drama department, and hang out there little bit, and it just felt like a natural progression. It was at the top of my list.
I never really wondered about getting from London to Lahaul. It all seemed such a natural progression. In London I felt I was in the wrong place and wanted to leave. I'd thought about going to Australia or New Zealand. It's nothing against England, but I knew I wasn't meant to be there.
I think the important thing about staying creative and staying sharp and original is not to look back too much, and to kind of look to where your vision is going now. But I have felt over the years a definite progression or arc from feeling guilty about what I had done with the first one, because certainly there was all that fundamentalist guilt that came pouring back in. Feeling like I'd done something horrible, "I'm a despicable person and I'm perverse," and all these things, to a sense of the power and the necessity, in a sense, of horror films and dealing with dark material.
It's just a natural progression. You're a player, then you're a coach, then you're general manager for the team, and then the next logical step for me and you would be [to become] team owner.
Show me a satisfied man, and I'll show you a failure.
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