The majority of photographers still seek artistic effects, imitating other mediums of graphic expression. The result is a hybrid product that does not succeed in giving their work the most valuable characteristic it should have, - photographic quality.
Market growth alone doesn't give you enough tailwind. You have to create your own. The way to do that is by designing products for consumers that wow them.
If you have a good product. You don't need to advertise. You've done drugs? Did you ever see them advertised?
Even if, as is generally the case, everything that the ad says about the product is scrupulously honest, or at any rate scrupulously avoids outright dishonesty, the implication of the direct address of most commercials - that the announcer speaks with the viewer's welfare at heart - is fraudulent.
The effectiveness of advertising depends on the amount and kind of product information available to consumers... advertising will be more successful the more impoverished the consumer's information environment.
I was my own Peeping Tom. Because of the absence of people I could do anything, and if it wasn't good I could destroy it without damaging myself in the presence of others. In that sense I was my own clay. I formulated myself, I mated with myself, and I gave birth to myself. And my real self was the product - the polaroids.
My friend goes, 'If you're going to use Rogaine, just put it somewhere you're going to remember to use it everyday.' So I put it right next to my Prozac. But now it just feels really pathetic using both of these products at the same time, 'cause if either one works, I don't really need the other one.
Because we've become so ecologically minded now, they have developed a product called Rapidly Dissolving Toilet Paper. Just how rapidly are we talking? 'Cause I don't want to have to play Beat the Clock in the thicket.
Walgreens, Rite Aid, CVS and Wal-Mart have all figured out the evolution of life and they grabbed all the products that are necessary for a life. And they stuck them in one aisle and they put them in order according to how you mess up... First thing you're going to see: condoms. Next to that: lubricant. Next to that: pregnancy test. Next to that: Pampers. Next to that: formula. And at the end of the aisle they sell beer.
All television is an advertisement - that's why it exists. It wasn't the art-form first and then the commerce - it was that they could put on entertainment long enough to distract people into looking at products. It's for focusing people on advertising and separating you from money in some way. Some people forget that. The side product is that we get some great eye candy. TV is the best it has ever been right now. I don't have a problem with that since it's what keep us employed.
I am a product... I'm a comedian. I'm not curing cancer. In the end, I tell jokes. I make people laugh. I make sense out of ridiculous situations, but in the end, it's all about laughter. It's all about your cheek hurting, your stomach hurting.
From an egotistical point of view, I'm always interested in roles that push me as a person. I'm interested in humans as animals and as products of society.
[I enjoy] working with yeast, tempering chocolate and figuring out why an end product is successful or not.
Corporations can't have it both ways. They can't tell Americans how much they want us to buy their products, but then run abroad to avoid taxes or hire cheap labor. American corporations should pay their fair share of taxes and create decent-paying jobs here - not in China.
Merchandisers, by embedding subliminal trigger devices in media, are able to evoke a strong emotional relationship between, say, a product perceived in an advertisement weeks before and the strongest of all emotional stimuli - love (sex) and death.
Photography is, and has been since its conception, a fabulously broad church. Contemporary practice demonstrates that the medium can be a prompt, a process, a vehicle, a collective pursuit, and not just the physical end product of solitary artists' endeavors.
Photography is a mechanical device; photomontage is a piece of work done with the products of photography. This entire process forms one whole... If I assemble documents and juxtapose them with intelligence and skill, the effect of agitation and propaganda on the masses will be enormous.
Fine-art photography is a very small world associated with galleries, museums, and university art programs. It's not like rock music; the products of this world have never been widely seen because the artists are often exploring things that are not already coded in general consciousness. It's not that photographers don't want to be famous, it's just that very few of the views from the edges of culture make the mainstream. Ansel Adams was an exception.
Photography, as an invention, was both art and science. The view it gave us of the world was in some measure acceptable because it was a product of our vision of the world; and it did so as part of the same process which seemed to impart 'truth': science.
Although I get a lot of ideas from things that have happened in my life, I see the final product as a place where my imagination meets my experience. What I love about photography is that nothing is really as it seems.
A nation's greatness is measured not just by its gross national product or military power, but by the strength of its devotion to the principles and values that bind its people and define their character.
The product of a true, growing, gospel-centered nature is often gentleness.
We're not products of our environments, we're products of our expectations.
Secret courts making secret rulings on secret laws, and companies flagrantly lying to consumers about the insecurity of their products and services, undermine the very foundations of our society.
The alternative to intellectual property is straightforward: intellectual products should not be owned, as in the case of everyday language. That means not owned by individuals, corporations, governments, or the community as common property. It means that ideas are available to be used by anyone who wants to.
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