What Martin Shkreli will end up if he does wind up going to prison. I think that`s I think what shocks a lot of people, that this is perfectly legal.
I love making people sing. I love group singing, sacred harp singing, choral singing, recordings of people singing sea shanties, work songs, prison songs - how people just sang to get through things.
University presidents should be loud and forceful in defending the university as a social good, essential to the democratic culture and economy of a nation. They should be criticizing the prioritizing of funds for military and prison expenditures over funds for higher education. And this argument should be made as a defense of education, as a crucial public good, and it should be taken seriously. But they aren't making these arguments.
I don't believe anyone can go through the prison experience without being changed by it. The experience becomes part of your identity forever.
I was already a wreck when I went in, and prison nearly destroyed what little was left of me. I was worse when I came out than I was when I went in, and was not positively changed in any way.
My friends in prison were mostly women more like myself: not historical figures who I did not relate to as peers, but hookers and addicts.
My husband regarded my prison past as a dirty secret and never asked me one single question about it. But what I had experienced and witnessed was eating at me and I needed to "tell somebody."
The only thing I remember writing in prison is a couple of poems for an inmate magazine they did once a year.
The Bureau of Justice reports that one in three black male babies born this century will go to jail or prison - that is an absolutely astonishing statistic. And it ought to be terrorizing to not just to people of color, but to all of us.
Legalized drugs would cause dislocations in the US economy - the prison industry for example and tens of billions spent annually on drug enforcement. But because the US economy is so large, this would be a minor blow, hardly as severe as the ultimate nightmare for the US economy, global peace, which would shutter its death industry commonly called the military/industrial complex.
All the children in the world, when they go to school, have the right to study in their mother tongue. But we go to school and run into literary Arabic as children. It sounds like a foreign language. The words for "house" or "table" or "lamp" are not the same as the words we use at home, and most of the other words are alien to children at school. Classical Arabic is one of the prisons of the Arab world.
I used to teach writing in a federal prison, and for my students' benefit, I would liken the narrative use of this highly personal point of view to a boxer's getting in close to his opponent.
I've spent a lot of time in prisons, first doing legal work and later, teaching.
One story I've been trying to write for years, and haven't been able to finish, is about a face I saw, just a glimpse of a face, in a max security prison in North Carolina. I'm still trying to understand what I saw in that guy's face.
There are hundreds of prisons - sexual, political, cultural. But being a prisoner also gives you impetus.
You can just imagine the restrictions of shooting in a prison, but I just decided I'm going to embrace those restrictions sometimes when you don't have many choices you can make the best choices.
Some of the folks we see are in for defending themselves against their abusers, or drug charges that, because of the California state prison system, they have mandatory sentencing and life in prison for three counts of simple drug possession, or whatever. I find it not only helpful but, I think, necessary in maintaining my grounding and my perspective. Because music is such an unrealistic job to have. It's a really lucky job to have, but it's also very unrealistic.
Many people live in a self-imposed prison and don't even know it.
But then you say, Well, who makes the decision? Does the government make the decision? The reason this is such a national dispute and moral issue for people is because it occurs inside the body of a woman. That makes it really complicated. What are you going to do? Put women in prison? How much do we want the government to intrude on this?
There's this great Ron Carlson story, "A Note on the Type," and it's about this guy who keeps escaping from prison. He's really good at escaping, but he gets caught all the time, because he can't stop writing his name on underpasses where he's running from the law. And there's this whole beautiful paragraph about how to run is to write. And, you know, it's obviously about the writer's life.
In prison I had the opportunity to debate and discuss people that had subscribed to all forms of Islamism.
I had the assassins of the former president of Egypt, the leader of the Muslim Brotherhood was with me in prison, the leaders of my own former group Hizb ut-Tahrir were with me in prison and so by the time I was released at the age of 28, I wasn't the man who went in at 24.
The occupation is really terrible on a variety of levels. It's terrible on the "shooting people and torturing people in prison" level. But I think the thing that is very hard to convey is that it's also this bureaucratic grinding-down and daily humiliation that I think would probably be as horrible as the spectacular violence.
The thing is, Guantánamo is also a naval base, and they're under the delusion - especially the people on the naval side who are not dealing with the prison - that they can just pretend this is an ordinary Caribbean naval base. For them, it's: "Why are you making such a big deal out of the most notorious prison in the world?" It's like if people living near Buchenwald said they wanted to talk about the other lovely things in the region besides the camp.
Galway Kinnell came out with that wonderful big, breathy, hollow voice of his and read, for the first time in public, "The Bear." That poem impressed me so much that I memorized it. I used it for years when I taught in prisons. It's a powerful extended metaphor for what the writing life is really all about. It's a uniquely powerful poem about self-transformation, and that's what we're asking, really, beyond even our objection to the war. We're asking people to look at themselves and think about what might be possible with a little self-transformation.
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