We're living in post-nuance online times.
We've kind of grown up in a post-Star Wars era, and what Star Wars did to cinema, in terms of an explosion of that kind of blockbuster culture. It's thrown up a generation of geeks. With the evolution of computer games and the Internet, that's all impacted on us as a generation, and affected the creative element of that generation enormously. So whereas the different schools of filmmaking...
I haven't sworn off Facebook. I'm on Facebook. There's a fan page on Facebook that I will update, but I'm on there myself under a pseudonym, because there were a lot of people able to private-message me on Facebook, and it was getting really weird. And then with MySpace, I just don't read messages. I delete everything, and I just post updates every now and then.
I would say that the evocative qualities of music are usually put there in post-production in the reverb. It's really not much about the musicians as the engineering. It's post-production that's being done by the musician at the time.
It's traumatic to meditate on the availability of information through the Internet, or the way we perceive the world as a result. People don't experience things totally or viscerally anymore. It's all through representation, be it a record on YouTube or a post on a blog.
My gut feeling is that SF as we know it today is actually a heavily propagandized field that grew out of a specific set of cultural trends running in the USA and Europe between 1918 and 1950, during the post-imperial modernization period.
It is a sin to judge any man by his post
P. G. Wodehouse... used, when in town, to solve the problem of the long walk to the post-office by the simple expedient of tossing his letters out of his window: his belief that the average human, finding a stamped and addressed envelope on the pavement, would naturally pop it into the nearest pillar-box was never once, in decades, shown to be unfounded.
I have realized that my real self is a greater entity than any possible post or title.
The ideal love affair should be conducted by post.
A poet is a poet, whether he rides in a Ford or on a donkey; a sage is a sage, whether he plays golf in New Jersey or bathes in the Ganges, or prays in the desert; and a fool is a fool, whether he be a maharaja or a president of a post-war republic.
You need to update your blog a couple of times a week. You need to post a Twitter here and there. It feels so dumb to say that stuff, but it's important for me to keep that presence going.
What's interesting is that when you get into the post-war period, many of the narratives in books and movies conclude that if you killed Hitler, you're actually going to make history worse.
I definitely find the technical aspects of post-production generally quite overwhelming.
It's hard to see potential in a rough cut - especially with comedy, which is hit or miss. This is where my lack of experience hurt me - not in the execution of the final product, but with my expectations for it in the early stages of post.
Across Africa there is what I call a colonialist mentality or orthodoxy. Orthodoxy in the sense that a lot of things have gone wrong in Africa in the post-colonial period. And time and time again, any time something went wrong, the leadership claims that it was never their fault.
Comedians, such as yourself, Jon Stewart and others, are a valuable supplement, and here's why: Good journalism at its best frequently speaks truth to power. What's happened with journalists - again, I don't except myself from this criticism - in some ways we've lost our guts. We need a spine transplant. What's happened is comedians, in their own way, speak truth to power and fill that vacuum that we in journalism have too often left, particularly post 9/11.
This is how the great post-partisan, post-racial, New Politics presidency ends - not with a bang, not with a whimper, but with a desperate election-eve plea for ethnic retribution.
He who holds balance...has attained the highest post in the world.
I'm very interested in clans and the way people group together, and there's a lot of group shots. There's a lot of people in positions that people feel like they're in attack mode, kind of pointed at each other in the frame. I'm not a big fan of shooting something that looks like it could belong in any movie, I'm not a fan of okay, "wide shot, wide shot, medium shot, close-up, close-up, we'll figure it out in post." I hate that.
You take a picture of yourself in some exceptional situation - skydiving or whatever. People always post those photos because it works - you're saying something about yourself that begs a conversation and that's what the users are there for.
African cinema doesn't have an African industry at all and that's where our problem arises. We come to all of these initiatives with a lot of suspicion because we're so inhabited by the notion of being colonized, the post-colonial thought that someone wants us to do something that is their interest and not ours and even it's not true, there's the suspicion of it like where is this going?
Another factor is the post-9/11 security mentality, which views sunlight as toxic and imagines that somehow bin Laden is dependent upon our government documents, a "fact" that has never, ever been supported to my knowledge. So, that's the second factor.
And fourthly there is a major shift in public opinion and attitude to accommodate to the post-9/11 mentality and the Bush administration's penchant for secrecy. I think the public has simply become increasingly accustomed to being turned away from vital information and is protesting less and less. You have some squeaky wheels out there, but I don't think they're representative of the population at large.
Parents' work has shifted markedly around the world - and that goes for every region. Men in particular have been moving away from farmed-based work, and into industrial and post-industrial work - so they've moved away from the home. Women, likewise, have moved into the paid labor force and away from the home.
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