A photographic portrait is a picture of someone who knows he is being photographed
Most of our modern portrait painters are doomed to absolute oblivion. They never paint what they see. They paint what the public sees, and the public never sees anything.
The explanation of the propensity of the English people to portrait painting is to be found in their relish for a Fact. Let a man do the grandest things, fight the greatest battles, or be distinguished by the most brilliant personal heroism, yet the English people would prefer his portrait to a painting of the great deed. The likeness they can judge of; his existence is a Fact. But the truth of the picture of his deeds they cannot judge of, for they have no imagination.
I do not paint a portrait to look like the subject, rather does the person grow to look like his portrait.
I would wish my portraits to be of the people, not like them. Not having a look of the sitter, being them.
Sir Joshua would have been glad to take her portrait; and he would have had an easier task than the historian at least in this, that he would not have had to represent the truth of change - only to give stability to one beautiful moment.
I have always noticed that in portraits of really great writers the mouth is always firmly closed.
It is for the artist... in portrait painting to put on canvas something more than the face the model wears for that one day; to paint the man, in short, as well as his features.
Every man's work, whether it be literature, or music or pictures or architecture or anything else, is always a portrait of himself.
I hate to paint portraits! I hope never to paint another portrait in my life. Portraiture may be all right for a man in his youth, but after forty I believe that manual dexterity deserts one, and, besides, the color-sense is less acute. Youth can better stand the exactions of a personal kind that are inseparable from portraiture. I have had enough of it.
There is nothing that special to see when looking at me.
I have always loved the amateur side of photography, automatic photographs, accidental photographs with uncentered compositions, heads cut off, whatever. I incite people to make their self-portraits. I see myself as their walking photo booth.
A letter is the portrait of the soul.
I still find doing portraits a terrific challenge, but even though I've done hundreds of them, I've never stopped questioning the very nature of portraiture because it deals exclusively with appearances. I've never believed people are what they look like and think it's impossible to really know what people are.
Portrait The world spreads out on either side no farther than the heart is wide.
The smiling portrait of you is still hanging on my frowning wall.
Sometimes I spit on my mother's portrait for pleasure.
When you do not like human beings, you cannot make good portraits.
The diagram of the house is a portrait of the family, a true portrait, whether it's sad or happy.
A window covered with raindrops interests me more than a photograph of a famous person.
Life wanted faces that would express what we wanted to tell. Not just the unusual or striking face, but the face that would speak out the message from the printed page. I am always looking for some typical person or face that will tie the picture essay together in a human way.
Great portrait photographers are great mythologists.
The portrait is one of the most curious art forms. It demands special qualities in the artist, and an almost total kinship with the model.
Obviously a drawing of a person is not a real person, but a drawing of a line is a real line.
A Portrait of the Artist as a Young Man is in fact the gestation of a soul.
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