Trust that little voice in your head that says 'Wouldn't it be interesting if...'; And then do it.
It is no accident that you are reading this. I am making black marks on white paper. These marks are my thoughts, and although I do not know who you are reading this...the lines of our lives have intersected. For the length of these few sentences, we meet here. It is no accident that you are reading this. This moment has been waiting for you, I have been waiting for you. Remember me.
I believe in the imagination. What I cannot see is infinitely more important than what I can see.
I am an expressionist and by that I mean that I'm not a photographer or a writer or a painter or a tap dancer, but rather someone who expresses himself according to his needs.
Don’t try to be an artist. Find the thing within you that needs to be expressed. You might find it is art.
I believe in the invisible. I do not believe in the definitive reality of things around us. For me, reality is the intuition and the imagination and the quiet voice inside my head that says: isn't that extraordinary? The things in our lives are the shadows of reality, just as we ourselves are shadows.
Taking photographs and writing is my way of saying I was here, I saw this, I felt this, I heard this.
I think photographs should be provocative and not tell you what you already know. It takes no great powers or magic to reproduce somebody's face in a photograph. The magic is in seeing people in new ways.
How foolish of me to believe that it would be that easy. I had confused the appearance of trees and automobiles, and people with a reality itself, and believed that a photograph of these appearances to be a photograph of it. It is a melancholy truth that I will never be able to photograph it and can only fail. I am a reflection photographing other reflections within a reflection. To photograph reality is to photograph nothing.
Art is really whispering, not shouting.
Photographers tend not to photograph what they can’t see, which is the very reason one should try to attempt it. Otherwise we’re going to go on forever just photographing more faces and more rooms and more places. Photography has to transcend description. It has to go beyond description to bring insight into the subject, or reveal the subject, not as it looks, but how does it feel?
Photography does deal with 'truth' or a kind of superficial reality better than any of the other arts, but it never questions the nature of reality - it simply reproduces reality. And what good is that when the things of real value in life are invisible?
We live in a culture where the one who shouts the loudest gets the most attention. It's not in the vulgar, it's not in the shock that one finds art. And it's not the excessively beautiful. It's in between; it's in nuance.
Photography deals exquisitely with appearances, but nothing is what it appears to be.
I write in order to express what the photo itself cannot say. A photograph of my father doesn't tell me what I thought of him, which for me is much more important than what the man looked like.
Even in the deepest love relationship - when lovers say 'I love you' to each other - we don't really know what we're saying, because language isn't equal to the complexity of human emotions.
Most portraits are lies. People are rarely what they appear to be, especially in front of a camera. You might know me your entire lifetime and never reveal yourself to me. To interpret wrinkles as character is insult not insight.
A photograph of a woman crying tells me nothing about grief. Or a photograph of a woman ecstatic tells me nothing about ecstasy. What is the nature of these emotions? The problem with photography is that it only deals with appearances.
In the West, people tend to look at life as spectators, but in the East, people are the thing.
I am interested in the nature of things. The nature of something is quite different from the way it looks.
Photography is essentially an act of recognition by street photographers, not an act of invention. Photographers might respond to an old man’s face, or an Arbus freak, or the way light hits a building—and then they move on. Whereas in all the other art forms, take William Blake, everything that came to that paper never existed before. It’s the idea of alchemy, of making something from nothing.
And in not learning the rules, I was free. I always say, you're either defined by the medium or you redefine the medium in terms of your needs.
Art is not fashionable. That's why fashion and art are two different things. Fashion can never be art because fashion deals with whim, what is temporary, what changes, what is transient, what is now and not now. Art has to deal with issues that are timeless, that never change.
The question of truth is forever in the air, and people look for it with particular fervor in art.
I never went to a photography school, which was my saving grace.
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