The subject of a novel is not the plot. Who remembers what happened to Lucien de Rebempre in the end?
As a matter of writing philosophy, if there is one, I try not to ever plot a story. I try to write it from the character's point of view and see where it goes.
Most of us live in a fog. It's like life is a movie we arrived to 20 minutes late. You know something important seems to be going on. But we can't figure out the story. We don't know what part we're supposed to play or what the plot is.
There are few films where you have women really driving the plot.
Essentially and most simply put, plot is what the characters do to deal with the situation they are in. It is a logical sequence of events that grow from an initial incident that alters the status quo of the characters.
I've learned that in the theater the story is everything. Every lyric, every line and every musical gesture has to propel the journey of a given character or the overall plot.
He that seeketh to be eminent amongst able men hath a great task; but that is ever good for the public. But he that plots to be the only figure amongst ciphers is the decay of a whole age.
He that plots to be the only figure among ciphers [zeros], is the decay of the whole age.
The romance is the primary plot in a story that has two plots. The second plot is not a subplot, but one that is interwoven with the romance plot (if that makes sense.) A story needs compelling characters in a compelling plot.
I think people got in touch with me either knowing my work, or probably more frequently just knowing a plot or sort of buzz about something I did and sort of saying, "Get that guy that writes the crazy stuff in here."
I wanted to make a film about anorexia. I thought about it for a long time, but then gave up on this idea as I felt that this theme would be so hermetic and closed that it would not reach an audience. However, the plot about the character of Olga and the idea that a body has a lot of different meanings were still present in my mind.
I thought I could rely on the plot in the novel and fill in the colour between the lines, but I made a mistake with that assumption. It was really, really hard because you pull a few things apart and then you realise how everything relies on everything else and it can all fall apart.
The books people are writing today, they're too long. You get a little bit of plot, and then pages and pages of Creative Writing. They teach classes in how to do this. They should teach classes in how to stop!
The fantastic thing about the theatre is that it can make something be seen that's invisible, and that's where my interest in theatre is- that you can be watching this thing happening with actors and costumes and light and set and language, and even plot, and something emerges from beyond that, and that's the image part that I'm looking for, that sort of added dimension.
I always feel funny when I don't reveal things, especially to you [the press], who have supported us so much and are really the big reason we're here. But, we hold back information about the plot because we want to reward the fans for sticking with us, and that's so much fun. That's the funnest part of it.
I suspected learning a language would be both useful and enjoyable (I love memorising lists of things), and would get rid of the embarrassment of being monolingual at 21. I'd been obsessed with reading for as long as I could remember, the only thing I'd ever thought I might want to be was a writer, but I was much better at crafting sentences than at stringing plots together.
I like writing non-fiction - and when you pick a [non-fiction] subject, it saves you the hassle of coming up with a plot.
I think I was annoyed going through the '90s just as a guy who loves music. There wasn't a lot of music for me. Everything was groove driven. We lost the plot with the melody. There's no more melody.
If, technologically, it is possible to make an impenetrable device or system where the encryption is so strong that there's no key - there's no door at all - then how do we apprehend the child pornographer? How do we solve or disrupt a terrorist plot?
My supporters and family have limited resources, very limited resources; but the FBI has the unlimited resources of the most powerful government in the world today. It's amazing that they haven't successfully had me assassinated since I have been in here. There have been plots uncovered in the past that I know of to have me killed.
What terrifies me? When I read about plots of evil taking over the world and obliterating women's hard-won rights.
It's like low-budget filmmaking - a focus on dialogue and relationships over plot. Quirky. Improv.
I consider myself to be an inverse paranoid. I always operate as if everything is part of a universal plot to enhance my well-being.
Listen to these words of [apostle] Paul: "We war not against flesh and blood, but against principalities and powers, and the rulers of the darkness of this world and spiritual wickedness that's in high places." It's in "high places" that the plot against Black and Brown, and poor White is going on; it's spiritual wickedness that's way up in the ruling classes of religious people who don't want to see the little man rise. It's the principalities and the powers.
One of the stories that dominates our family literature was the fact that my maternal grandfather contracted for - I don't know under what terms - but, for a large section of the old slave plantation. He established himself - sisters and brothers, cousins, etc. on fifty- and sixty-acre plots.
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