A good friend will always stab you in the front.
Have you ever been so melancholy, that you wanted to fit in the palm of your beloved's hand? And lie there, for fortnights, or decades, or the length of time between stars? In complete silence?
Progress is impossible without change; and those who cannot change their minds cannot change anything.
The soul is born old but grows young. That is the comedy of life.
America's founding Ideal was the principle of individual rights. Nothing more - and nothing less.
If you have a good idea, open your mouth and say something else.
Most people are other people. Their thoughts are someone else's opinions, their lives a mimicry, their passions a quotation.
Only those who will risk going too far can possibly find out how far one can go.
Logic, like whiskey, loses its beneficial effect when taken in too large quantities.
To thine own self be true, and it must follow, as the night the day, thou canst not then be false to any man.
As lovers, the difference between men and women is that women can love all day long, but men only at times.
I ended up becoming a playwright because you can be grammatically incorrect: people speaking in bad poetry or people attempting to speak well and sometimes succeeding and sometimes failing. The whole imperfection of it suddenly felt freeing to me.
I took a page from [the playwright] Wendy Wasserstein's book. She said 'I'm not a feminist, I'm a humanist.'
If the playwright knew every little thing about his play, why bother? There must be discovery all the time, otherwise why bother to do it?
One of the things he liked about playwriting as to any other kind of writing is that a playwright is a w-r-i-g-h-t, not a w-r-i-t-e; in other words, that a playwright is more of a craftsman than an artist of the big novel.
We are not the playwright, we are not the producer, we are not even the audience. We are on the stage.
It's a very tough time for the playwright. Broadway has become almost a musical comedy theme park with all these long-running shows.
It only takes 20 years for a liberal to become a conservative without changing a single idea.
Three grand essentials to happiness in this life are something to do, something to love, and something to hope for.
I never travel without my diary. One should always have something sensational to read in the train.
I can resist everything except temptation.
To love oneself is the beginning of a lifelong romance.
An excess of development can undermine the most ephemeral but distinctive tool a writer possesses: authorial voice. A writer's voice is as individual and marked as a thumbprint, and is a playwright's truest imprimatur. It is as innate as breathing, and can be as unique as any genetic code. By its very singular nature, it is seldom born in the act of collaboration. True authorial voice always pre-dates the first rehearsal of a text. And it is - and will always be - an author's most distinguishing and valuable feature.
People ask me when I decided to become a playwright, and I tell them I decide to do it every day. Most days it's very hard because I'm frightened - not frightened of writing a bad play, although that happens often with me. I'm frightened of encountering the wilderness of my own spirit, which is always , no matter how many plays I write, a new and uncharted place. Every day when I sit down to write, I can't remember how it's done.
It's the function of a playwright to write. Some playwrights write a large number of plays, some write a small number.
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