I came up and was a first-round draft pick and there was a lot of hype and a lot of expectation, and I enjoyed that. Have I also seen the other side of that? Absolutely.
Being the number one pick was a great opportunity and meant a lot to me.
I was actually hoping the Royals would pick me. It was the main team I wanted to go to. Their colors are Royal blue and that's my favorite color.?
Being young and being first-round picks and everything, people look up to you and look for you to lead. It's something Brett and I are able to do, and we can use each other to help each other out.
When you're a first-round pick and you get to the big leagues at 22, there's almost a sense that you've got to mature.
As a 20th round pick nothing was handed to me in the minor leagues.
When we are youths in the Dominican, we pick up bats and balls because baseball is part of what we grow up with. The fun feeling you get playing keeps your head up when you encounter difficult times.
Above thought is the intellect, which still seeks: it goes about looking, spies out here and there, picks up and drops. But above the intellect that seeks is another intellect which does not seek but stays in its pure, simple being, which is embraced in that light.
I did most of my volunteer work when I was in college because I knew of more ways to get involved. In high school, we'd do things like, there was a homeless shelter near our hometown and our church group decorated one of the rooms. In college, I was in a sorority, and we did a lot of things, like pick up trash on the highway.
We've all got our own brand of problems. You can be pitiful or powerful. Take your pick.
Get off your sofa and pick your jawbones off the floor, that was a world-class save.
I love having ten times as much stuff to do as I can possibly find time to do. That way, I can pick the one-tenth that I want to do most. But if I only have enough to just occupy all my time, I'm stuck doing all of whatever stuff it happens to be.
I used to go into pubs and people would want to pick a fight with me. I would hear a group of girls say: 'Oh look, there's Pat Cash.' And then one of them would come up to me and say, 'You think you're so good,' and throw a drink in my face. That kind of reaction from people was a bit of a shock initially, and you don't ever really get used to it.
I try to keep my feet on the ground. Even though I appreciate the fame and adoration, I remember once I used to pick cotton, and I felt like even then I was somebody. I have the same feet, hands and heart like everyone else. I'm just also blessed with a good voice.
I use everything that I pick up in my memory, and everything that vibrates in my soul.
Everyone picks the best one when given a choice.
Here's the thing - you can't be careful about what you pick because what looks like on paper is going to be a great script has often turned out to be a disaster, so there's no way to know what's going to work or to pick the right thing.
People have different goals, when you start out making a movie. If the goal is darkness and destruction and despair, it's not like, "Hey, let's go to set, and then let's hit the bar afterwards. Let's jaunt into London and pick up some Chinese food." No, you go home from set and you go fight at the gym, and then you go to sleep. You stay in it. You never excuse yourself, you never take it easy on yourself, you never eat good food.
You don't know what's happening the next moment, in anybody's life, and you just have to pick up and move on and try to learn from the experience and make the best of it.
People get into relationships. They get married and have kids, and all of a sudden, you can't just pick up and go get coffee, or go away for the weekend together, or go to a costume party together. It becomes a thing you have to plan.
My own personal tastes don't really have an effect on whether song is a parody target or not. But having said that, I try to pick songs that I actually like because I realize that I have to live with these songs for a long time, from when I'm working on them in the studio to possibly playing them onstage for the rest of my life. So I try not to pick songs that I know would drive me crazy.
The Canon AE1 - a fully manual camera. [My mother] had a 50mm, which is a standard lens, and then I got a 28mm. Then I started a little punk magazine, a zine, when I was 14 or 15 years old. I was shooting my friends skateboarding and it was the beginning of the Macintosh. We wouldn't do layouts on the computer; we would pick the font and then type up a paragraph and then print it out and cut it up and put it in a little mock-up and Xerox it.
That's the thing about acting - it does have the feeling of downhill skiing. When it's really all going right, you know your lines, you know what's important to your character, you pick the strongest reactions possible to elements in the story. But then you let it all go and you're in the moment and stuff happens. It surprises you and it's super strong; it's like you're living life in a slightly heightened way in the time between "action" and "cut."
I can watch anybody all day long if they're really doing what they're doing. I have a fascination with human behavior, watching people talk, when they pick at their face or how they hold their hand or if they're listening to you, if they're not listening to you.
I tend to not have to handle things that are probably gonna end up being irrelevant, that aren't gonna have much to do with the film. I have probably a better understanding of really what does matter, when to pick my battles and when to kind of let them go.
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