I was always a natural performer. It was easy for me. I danced and I sang, and all that stuff. I felt like I'd be something in the arts, but it vacillated between being a dancer and a singer, or whatever.
Miss Dietrich is not so much a performer as a one-woman environment.
The jokes now, it's just more stories and personal experiences. And just talking about things that really happened. It's just becoming more comfortable as a performer, sharing my opinions on things, or things that've happened to me. That's where it's really going.
I learned from Ethel Waters, Duke Ellington, Adelaide Hall, the Nicholas Brothers, the whole thing, the whole schmear. [The Cotton Club] was a great place because it hired us, for one thing, at a time when it was really rough [for Black performers].
Christmas was really where I started coming into my own as a performer because I did all this stuff on my own, all this performing on my own. When other kids were outside playing, I was in my room conjuring characters and impressions and things like that.
I was a street performer for two years.
Because I'm the only performer who comes out and says I've had plastic surgery, I've become the plastic surgery poster girl, which is hilarious, because everybody has done it and they all deny it. They stand there, like the Bride of Frankenstein, they've all got stitches, and they all say, 'I've done nothing.' I talk about it.
When you're a performer, you have to please a large audience. And when you're in politics, you have to please a large audience, too.
Somehow, I landed The Walking Dead and it's great because it stretches and works different muscles for me, and it really lets me stretch myself as a performer. Now, I'm really excited to flex my comedy muscle. Hopefully, I'll get some opportunities to do that.
(The) process of acting is no different to conventional screen acting, in that it's providing a perfect interface between the director and the performer. So there's no sort of long way around a viral committee of animators.
I think when black performers performed in blackface, they were kind of taking back slave songs, but it was still a little bit iffy because they were performing, a lot of times, for white audiences who found it hilarious.
I've always loved the rock & roll element to live shows, because whatever else I do, I'm basically a rock/pop performer, and that's what I like.
I think most performers are just lazy.
I definitely wouldn't be the performer I am today if the gay audience had not been so supportive of me as a complete unknown.
The visual side of being a performer or in a band is, to me, as important as the music. I know not everyone shares that same opinion, but when I'm writing songs or working on lyrics or coming up with an idea, I think about videos as I'm in the studio. If I had all the money in the world, I would have the most amazing videos ever, you know? You're saying grandiose, and big; if the song warrants it, I try to push the visuals as far as I can.
When I look at great singers like Sinatra, Bennett and (Tom) Jones, I see great performers that can really move an audience. I really consider myself a troubadour privately and a song-plugger publicly.
I went to high school right outside Dallas, and (songwriter and performer) Michael Martin Murphey was a senior there when I was a sophomore or junior, really into folk and acoustic music. Larry Gross, who's the host of "Mountain Stage" on public radio, and B.W. Stevenson, also a musician, were there at the same time, too. Michael was a big inspiration -- through him I discovered Woody Guthrie, Dylan, Jimmy Rogers. Then I ran into Jerry Jeff Walker there in Dallas back when he was just a folk singer. Those are my earliest influences.
Ordinary performers have giant TVs. Extraordinary performers have huge libraries.
When you have performers, there's the uniqueness of live performance and what performers do in concerts.
The role of an orchestra in the 21st century isn't just playing, it's about developing future audiences and performers.
I'm not a natural born performer.
Arrogant S.O.B.s run the world. A performer can never have too much self-confidence. The best in every field are likely to strike most people as irrationally confident, but that's how they got to the top.
In no other sport is the connection between performer and observer so intimate, so frequently painful, so unresolved
Playing music well is difficult, yet the world has an abundance of fine performers. Explaining a little about music is easier, yet few do it well. Those who can do both supremely form a tiny club, whose honorary chairman is the conductor Michael Tilson Thomas.
I'm honored to be in a position to have young girls or performers look up to me.
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