I continue to get further away from the usual painter's tools such as easel, palette, brushes, etc.
I much prefer playing the bad guys. I think they are always the most interesting characters. I liken it to painting: if you're playing the good guy, you get three colors: red, white and blue. But if you're the bad guy, you get the whole palette.
I looked along the San Juan Islands and the coast of California, but I couldn't find the palette of green, granite, and dark blue that you can only find in Maine.
Jazz vision for me is seeing my art in musical term. It offers me an visual expressions in an ever-changing musical palette.
When people start writing songs for award shows, there's a very limited palette you can use. You end up not sounding like you. You end up sounding like somebody else. You end up getting what the record company thinks they can market.
And I feel that we in our society should not be held by any such myth; that we should do everything we can to gain a delight and joy in our society with all the available parts of the palette.
Black is the absence of all color. White is the presence of all colors. I suppose life must be one or the other. On the whole, though, I think I would prefer color to its absence. But then black does add depth and texture to color. Perhaps certain shades of gray are necessary to a complete palette. Even unrelieved black. Ah, a deep philosophical question. Is black necessary to life, even a happy life? Could we ever be happy if we did not at least occasionally experience misery?
Progress in painting, there's no such thing! ...One day I went and changed the yellow on my palette. Well, the result was, I floundered for ten years!
Most art students are generous till it comes to squeezing their colour on the palette... Many pictures haven't become works of art simply because the artist tried to save a nickel's worth of colour.
The thing I've learned is it's good to restrict your palette somewhat. I will try and, say, use two or three instruments on one track. You learn, after a while, they're all good at certain things and other things fall outside of the natural areas they work well in, so I tend to stick with what they do best.
Usually I'm thinking about the palette. I'm thinking about the color for the most part, then I'll start thinking about composition and movement.
Telling yourself you have all the time in the world, all the colors in the palette, that just kills creativity.
I use those expectations as a color on my palette, a certain temperature in the room. You can use those expectations for the great punchline, but also for a great painting, in society.
Winter's palette is clear and spare, restrictive enough to curb the excesses of even the most daring gardeners.
I was pillaging a lot of music that had nothing to do with guitar playing, using a lot of strange tunings and voicings and chord structures that aren't really that natural to the guitar; I ended up developing a harmonic palette that's not particularly natural to the guitar because I was always trying to make my guitar sound like something else.
We're doing all the shows as an eight-piece band. There's so many different kinds of palettes for each film that we've had to find a balance of musicians who can shift from one instrument to another to make all those sounds for us come to life.
It takes time and devotion to learn the language of color and lighting in the garden. Your tastes are sure to change over time, reflecting your inner evolution. Seeing the garden as a canvas for your celebration of Nature's palette is a wonderful expression of the soul's love of beauty and artistry. Your own inner intuition, however, is often your best teacher, but don't forget that Mother Nature will always have a few surprises up Her sleeve as well.
The [palette] fantasy is always to get what you want, what you wear, and to be able to take it with you, so you don't have to bring all the other stuff. I just started digging through my drawers of my favorites, and I asked myself what is it that I cant live without?
I think Americans such as Leviathan have done a lot to expand the sonic palette of black metal.
In the studio, it took me a long time to work out how to make paintings that had the intensity that I was able to create by painting whole rooms. There is a very limited number of colours but there are many variations. I decided to use the purest palette that I could.
I will not allow anyone to take anything off my palette but if I do then within that, I can be creative.
I am a slave to the rhythm. I am a palette. I just go with the moment. You've got to do it that way because if you're thinking, you're dead. Performing is not about thinking; it's about feeling.
I have a passion for words. I love words. And I'm just learning and developing my skills for words. I do books and I do journalism and plays. I have a broad palette. I don't have a great eye for direction. I love working with actors and I work very well with them because I appreciate what they bring to the table. I'd never say never, of course, but I look at it and don't really fancy it. I want to try and master the word side of it first.
I love movies and I love to watch movies and being a part of the whole film experience. Being a filmgoer is a unique experience, and it can affect you on so many levels. But being an actor in movies you often have a very narrow palette for expressing yourself.
The statement is that I’m not one icon. I’m every icon. I’m an icon that is made out of all the colors on the palette at every time.
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