When you travel with the president, especially when you are traveling to foreign countries, the people that you travel with really become your family pretty quick. ... Most of the people who travel with me, they knew when I would get a stomachache.
Being a slave meant never having the stability of knowing your family would be together as many years as God designed it to be. It meant you could come back from picking cotton in a field to find that your children are gone, your husband's gone, your mother's gone. It meant knowing you are property that could be sold to the highest bidder, of value only to continue to support the plantation economy.
I admire people who find that what fulfills them is their art or their work, but what fulfills both me and my husband is our family. Knowing that, everything else comes second. We've each given up stuff we loved in order to not work at the same time.
Roles that involved, whether it be training, whether it be physicality, getting skinny, there's some investment. There are roles that you do like that and sometimes there are roles that you do to make sure your family doesn't starve, but then you have to still say, "Is there something I can do with this? Can I do something with this that will be fair to the people watching it and fair to my time as well?" I'm at the point where that luxury of choice is getting more and more for me, absolutely, but it's more primarily roles that are more demanding of me in every way.
I've met people I wished I hadn't met. But Al Pacino was not one of them. For a guy who's old enough to be my father I feel like we're kindred spirits. We have a lot in common. Our families and our history with our families is very similar. Our relationships with our families is very similar. We had a lot more in common than I thought.
I think that the invasion of suburbia, our homes and our families, by this indefatigable, unstoppable force like zombies is frightening and personal. And it's so much more frightening than a national park like Disneyland being invaded by Martians. I think that's the enduring appeal of zombies.
When you come from nothing, you're basically just trying to get escape velocity, which means you and your family don't have to worry about being broke and that's all I ever cared about.
Sometimes I'll fall off the wagon, but you learn that there's a time and a place. I'm young and I wanna have fun and go crazy, but then you go home and you're a mom and you have to give all that time to your family. It's just finding out when to do what and where.
I don't know that I would have the courage to come over to a new country where the religion is different, the language is different, where I don't have any money. The thought of starting over like that in the way that many refugee families have to start all over again - that's an incredible thing to think about. One of the things I tell about Refugee is that unless you're Native American or a descendant of slaves, your family immigrated to this country - whether they came over on the Mayflower or whether they came over on a raft last year.
The only way out of the Scientology church is rip the Band-Aid off and know that your eternity is not at stake and know that you're doing the right thing and know that you're involved in a damaging, hurtful cult. Just look outside, don't listen to Scientology. They are not saving the world. Don't give up your lives, don't give up your families, don't give up your friends for something that turns its back on you and is ultimately a lie. What's Scientology's selling is a lie.
My brothers are so much a part of who I am, and such a large part of my heart and my drive. I've never had a kid, but I understand that whole, "I would kill for my family" kind of thing. I understood it, it resonated with me. It's a very primal, animal thing that you feel for your family.
As a man and as a sports figure, you have to set limits and set boundaries on what can and cannot happen. Once you do that, your family will start to respect you. 'OK, I get it, he's all about football and handling his business,' and that's what I've done. In the past, when I was a young man - a younger man - it was hard for me to say no. Since I'm older, wiser, I know how to handle people, know how to say no, know when something is right and something wrong. I use proper judgment.
Me and my sisters were taught that if our eyes worked and our legs worked, we were beautiful. We had so many kids in our family that if we all got in front of the mirror and were ashamed of browns and golds and yellows and whites, and we believed what society told us - that the darker people were less attractive and the lighter ones were prettier - we would have had sibling murders. My family, being half-rural and half-military, just came from a different place.
The idea of having dinner together every day with your family removes the pressure from trying to explain everything. You tell us the good parts about your day, but you also tell us the bad parts about your day. And at the end of that, because you're in a ritual, you remove the pressure of admitting you had a failure that day. And it also takes the wind out of having a great day. I mean, it makes you a little bit more normal all the time. That moment of therapeutic sharing is something that happens in food, that doesn't necessarily happen when you're watching TV.
The worst part is the difficult moments when suddenly you are away from your friends and your family, and you can't be close to them because you are working. And sometimes there are birthdays or Mother's Days or some problems at home when you can't be there. So, it becomes a difficult thing.
You only have so much time in the day. At the end of the day, you don't want to see the thing that suffers be your family, or your kids, or your home life. It's hard to balance, but that's not anything unique to us and that's probably true for most busy, active, working parents. You know, it's just about finding time, it's about balance, it's about walking the line and making sure you're keeping your priorities in order.
Anybody who tells you that being married and having kids is a walk in the park - it's a beautiful thing. It's the best thing I've ever done in my life - but it's definitely work. You have to work at it like you do anything else you care about in life. It takes commitment and it takes work, and that's all part of it, but in the end there's nothing more worthwhile than working on your family. It's just the best thing in the world.
A centerpiece for any kind of progressive social and economic program needs to be full employment with decent wages and working conditions. The reasons are starting with money. Does someone in your family have a job and, if so, how much does it pay? For the overwhelming majority of the world's population, how one answers these two questions determines, more than anything else, what one's living standard will be. But beyond just money, your job is also crucial for establishing your ability to raise a family, and your chances to participate in the life of your community.
During the Reagan eighties, the idea that money was a good thing - it was good to be rich; that wealth was a reflection of your character. We see this today in perceptions of Donald Trump: the idea that money is an expression of success and even goodness. I compare that with my dad's generation, where the American Dream was about giving your kids a better life, but not just in material terms. The American Dream was also about doing something good in the world. The home was at the center of the dream, but home also represented community, shelter, and stability for your family.
The dinner table is a rite of civilization and we need to participate in that to keep our families together, to keep our communities together.
I feel so blessed that I have a job where I can spend long periods of time with my family. Most moms don't have that choice. But wearing so many hats - mother, wife, actress - does take hard work; you always have to be thinking about your family's best interests.
If your family or your people are looking over your shoulder, change your seat or push them away.
Most of the bio men on earth were born to women, so it's pretty ordinary! But I think because I had come from a matriarchy - my father died when I was young, and I only have a sister and a stepsister - when I told my mom and my sister that I was having a boy, they were both like, "That does not compute within our family relation!" It was like, "Girls only here!" Now that all seems very strange to me.
Taste is a phenomenon. Most of taste is unconscious - it comes from your upbringing, from your family, from your society, your gender, your race; it's a melange of all those things.
The role you've been ascribed in childhood can twist or break apart or seem outgrown, especially when you have your own family and begin to see your own childhood from a different angle. You remember. You reassess. I think that was the kernel of the novel for me. This idea that you change but that your family, the people you were born into, might find that change hard to accept. You no longer fit the mold you've always been ascribed. When the adult children in the book converge back on their small family home there's a sense that they don't fit there anymore.
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