I'm just always trying to be positive. Negative things happen to everybody. Everyone has to face obstacles. Everybody has to face hurdles. It's what you do with those that determines how successful you're going to be.
I feel like if we stopped pushing people away in trying to get to the top, we could work together. My goal is to start with my family and my friends, progressively get better and create opportunities for them to express themselves and become happy people, then have them affect the people they're around. [I want to] create this growing effect of positivity and inspired a willingness to overcome any obstacles that are in front of you, whether it be from our government or from our daily lives.
Modern acting is method acting, most of it. And there are sort of different schools, so I guess I'm not really from one school or another. I had a number of different teachers but they were all kind of drawing from the same pool, which is - What do you want? What are you doing to get what you want? And, what is in the way? These are basic acting questions. Knowing the answers to those questions. So you're talking about objectives and actions and obstacles. That's a sort of shorthand that gives you a language.
Movies are so hard to get made - every step of the way of making a movie has obstacles. If you don't have that passion, if you don't have that vision, if you don't believe it's a piece of art worth making, then you probably won't get it made - you won't have a chance for it to be something special.
When I was starting out, conceptual photography had become something that had to be amateur - like, that had to be black-and-white, or photocopied, or really not an object in order to be taken seriously. It had to work against technical mastery, and so on. So I think that my work is full of obstacles in the sense that it does look highly familiar and accessible. It does look like it's already "solved at first sight." It does look like it's part of a larger industry.
I like to write about love plus an obstacle. Not a really big obstacle; not too serious and not too funny. Just somewhere nicely in between - a combination of the two.
Everyone's path is completely different. I could give an aspiring artist my timeline and every phone number and contact person along the way, but their experience would be carved out in a different way. It's the diligence to keep going in the face of obstacles that is your best ally. It's also important to know why you are doing this... attention, money, or because you got something to say, or at least in what order those things matter.
In my experience, some of the biggest obstacles to becoming a successful entrepreneur aren't financial or structural - they are internal and psychological. It's important for dreamers to believe in themselves and their ideas, to fend off the skeptics and find others who will share in their dreams. Once you understand that being called "crazy" is a compliment, you realize that you can get beyond other people's opinions and zig when others zag.
We frequently hear how essential it is for someone to think "outside the box," but what actually determines one's facility for doing so? In other words, what skills make someone a creative thinker? Typically, creative thinkers can view issues from multiple perspectives, define problems in several different ways, and anticipate likely obstacles. Someone's aptitude for these skills determines how well he or she will perform as a creative thinker.
Perseverance is what I tell my students. It's important that you keep your dream alive, because you're going to encounter a lot of obstacles, and no one is going to dream big for you. You have to have the fortitude and the resilience to stick with your own dreams. That can be hard.
Because I frequently encountered obstacles such as old, entrenched ideas, ongoing power struggles, or the lack of staff and money, I also learned to develop patience and detachment.
If you've got a desire to achieve something, then keep going until you achieve it. It's not always possible and things might change - circumstances may change or adversity or obstacles may come your way - but keep trying. I feel that I've tried to do that in my life and it's something that I've tried to pass on to my children as well.
The violent portraits of God in Scripture have become one of the biggest obstacles to believers coming to faith. When we can show how these portraits bear witness not to a violent God, but to the non-violent loving God revealed on Calvary, these obstacles to believing in the inspiration of Scripture become one of the most compelling reasons for believing in the inspiration of Scripture.
Yes I can list all sorts of organizational forms and cultural issues that can get in the way of our accessing our inner creativity and bringing it out in our world. And we can use all kinds of approaches that can transform the organization. But unless we have developed a sense of our Self (who we are at core, at our highest) and our Work (the purpose of our existence, the gift that we have to give to the world) and use that to deal with the inner obstacle, we can't sustain creativity in the face of the chaos of the world.
The difference between "winners" and "losers" is not whether they face obstacles and setbacks - we all do, and it is inevitable that plans do not unfold exactly as imagined or that unexpected events surprise us or that a few mistakes happen. The real difference is that "winners" bounce back from a fumble or a loss by refusing to panic, analyzing the situation and looking for positive actions they can take to correct the problem, and then go on to resume winning.
We know desire is rooted in absence and yearning. What you don't have is often ten times richer than what you actually experience. An affair is a perfect erotic plot because it fits the erotic equation of psychotherapist Jack Morin: "Attraction plus obstacle equals excitement.".
Unfortunately, some scientists behave like preachers, delivering sermons to people. What this approach ignores is the fact that there are many threats in our world that must be weighed against one another. If I'm driving my car and find myself speeding toward an obstacle, I can't simple yank the wheel to the side without first checking to see if I'll instead be driving straight into a crowd of people. Climate researchers cannot and should not take this process of weighing different factors out of the hands of politics and society.
I have a scenario but almost always it's entwined with at least one person to begin with. Then I sort of expand from there and I'm thinking about books novels. I've got these scrolls of paper that I hang up in my office and this is my idea room, my nightmare factory, and I have a big title at the top of the scroll and on the left hand side I have these character sketches on the characters, and then once I figure out who they are I can figure out what they want and once I figure out what they want I'm able to put obstacles in the way of that desire, and that's where plot springs from.
Often, everywhere we look, we seem to find obstacles and facades and smokescreens, so it was really nice to find things in the world that actually spoke to me. And I felt like Eastern thought really spoke to me. Because it isn't trying to cover up the pain in life; it's trying to deal with it and overcome it in an intelligent way. I think the reason I love Eastern thought so much, and mysticism in general - but especially Buddhism - is because it seems to me an attempt to look life squarely in the face, as it is.
There are the obstacles of your position as an actor, not being a commodity enough to be hired by the big directors for projects that have some kind of integrity, because the successful actors who've been in the game for a while want those roles. So there's more competition, so you have to work harder and be right for it.
While the fictional realm as such allows for the obstacles of present-day politics to be altered, neglected, and negotiated at will, sci-fi seems to embody ideals, expectations, and fears of the future that are quite adequate for describing the Palestinian predicament. Somehow managing to fuse nostalgia and hopes for a better and more efficient future, sci-fi seems to lend itself to capturing the decades of Palestinian yearning for a utopia that almost seems dated by now.
Purpose needs to be nurtured. It gains resolve when faced with adversity. The ability to overcome obstacles and challenges is daunting but when accomplished gives us a great feeling of achievement. At the same time we need to nurture purpose by exposing ourselves to new opportunities. We need to learn continuously and we need to teach what we learn to others. Such things like that, and many more, help shape and develop the sense of a leader's purpose so that he or she can provide greater service to the organization.
From the hindsight of history George Washington seems larger than life, more statuesque than man. Too bad! Washington's greatness as a leader was courage under fire and persistence in the face of obstacles. Yet even he at times doubted himself. But he put those doubts aside and forged ahead, convinced of his noble purpose.
The Internet is the best and worst thing to happen to writing. It makes it so easy to quickly satisfy a lot of curiosity but it dampens curiosity for the same reason. It removes the obstacles that used to make hunting for knowledge sexy. I don't have Internet at home, so that helps. I try not to peek at the Internet through my phone when writing, but I don't have very good stamina.
Your ego can become an obstacle to your work. If you start believing in your greatness, it is the death of your creativity.
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