Beauty is a harmonious relation between something in our nature and the quality of the object which delights us.
My plan of instruction is extremely simple and limited. They learn, on week-days, such coarse works as may fit them for servants. I allow of no writing for the poor. My object is not to make fanatics, but to train up the lower classes in habits of industry and piety.
I avoid talking before the youth of the age as I would dancing before them: for if one's tongue don't move in the steps of the day, and thinks to please by its old graces, it is only an object of ridicule.
The contemplation of truth and beauty is the proper object for which we were created, which calls forth the most intense desires of the soul, and of which it never tires.
A man with a talent does what is expected of him, makes his way, constructs, is an engineer, a composer, a builder of bridges. It's the natural order of things that he construct objects outside himself and his family. The woman who does so is aberrant. We have to expiate for this cursed talent someone handed out to us, by mistake, in the black mystery of genetics.
As the war was just in its origin and necessary and noble in its objects, we can reflect with a proud satisfaction that in carrying it on no principle of justice or honor, no usage of civilized nations, no precept of courtesy or humanity, have been infringed.
A modest woman, dressed out in all her finery, is the most tremendous object of the whole creation.
I strongly object to the fact that so many newspapers have given the American public and the world the impression that I have only two alternatives in taking this stand: either I go to jail or go to the Army. There is another alternative and that alternative is justice. If justice prevails, if my Constitutional rights are upheld, I will be forced to go neither to the Army nor jail. In the end I am confident that justice will come my way for the truth must eventually prevail.
The trite objects of human efforts-possessions, superficial success, luxury-have always seemed contemptible to me.
It is good to come to a country you know practically nothing about. Your thoughts grow still, useless. Everything must be rebuilt. In a country you know nothing about, there is no reference point. You struggle to associate colors, smells, dim memories. You live a little like a child, or an animal. Objects and events may bring things to mind, but in the end they remain no more than what they are in fact. They begin only when you experience them, vanish when others follow.
I imagined that if the surface of the package imitated the colour and texture of the fruit skin, then the object would reproduce the feeling of the real skin.
People shouldn't really have to think about an object when they are using it. Not having to think about it makes the relationship between a person and an object run more smoothly.
It's one of those magical acts that is so poly-sensorial and culturally enriching that as a designer one is naturally drawn to the cult of the object
A ceiling fixture that places a floating assembly of large pebbles below a simple modern aluminum disc. These in turn reflect each other, bouncing light between their taught bio-morphic surfaces and reflecting the environment around them. During the day, the piece acts as a sculptural object reflecting the dynamics of natural light and movement of people around them.
When listening to the sound material, we metamorphose the inside into an outside. This notion of metamorphosis is one of the principles that leads the course of the musical suite, reflecting changes (fluidsolid passages: water/ice/fire) or movements (ebb/flow/wave, inspiration/expiration) or inside-outside passages (door/individual/crowd). Thus, the perceived object is not entirely what we would have liked it to be. Our music brings us closer to some while it takes us away from others: each with their own inside.
Every individual is a potential gold buyer, although he may not need the gold. It may be added to the store of personal wealth, and passed from generation to generation as an object of family wealth. There is no other economic good as marketable as gold.
I've found that all weak people share a basic obsession - they fixate on the idea of satisfaction. Anywhere you go men and women are like crows drawn by shiny objects. For some folks, the shiny objects are other people, and you'd be better off developing a drug habit.
I like suggesting that ‘we are slaves to the objects around us,’ that ‘plenty should be enough,’ or that the ‘buyer should beware,’ within the context of conventional selling space.
You can say no. You can not be the object of ridicule.
My biggest fear? My biggest fear would be turning into an inanimate object.
I don't want to be the ingenue anymore. It's nice to be glamorous, but I don't want to always be an object of desire. Because it doesn't last.
A lot of critics object to what I do, but I got into comedy to make people laugh, and I've always worked hard.
I limited myself to introduce a change in my way of thinking and the way I see things. When I look at my child, I do it in a different way then when Im contemplating a chair. They are different... the child is a living being, and the chair is an object.
History is but the record of the public and official acts of human beings. It is our object, therefore, to humanize our history and deal with people past and present; people who ate and possibly drank; people who were born, flourished and died; not grave tragedians, posing perpetually for their photographs.
There are certain times I don't want my picture taken. If my wife's stepping out of a car and it looks like it's going to come out an indecent picture, don't I have a right to object?
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