Novels tend to end as the Paternoster begins: with the kingdom of God on earth.
Expand the definition of 'reading' to include non-fiction, humor, graphic novels, magazines, action adventure, and, yes, even websites. It's the pleasure of reading that counts; the focus will naturally broaden. A boy won't read shark books forever.
Continuous present is all we have, and stream of consciousness - which in a novel is arguably just as artificial as the stilted dialogue that you get in most conventional novels. They're all stratagems to try to get closer to the texture of lived life.
Many of my works fall into the category of "Zeitgeist novels." Yet I hope that they aren't only reportage, but also attempts to convey the sense of the present to the future.
I spent many years of my life as an economist and demographer. I was finally distracted by writing my novels and poetry. I'm enormously happy that was the case. I feel that with writing I have found my metier.
When you write a movie, you have a hundred collaborators. But when you write a novel, it's yours.
I think that's because believable action is based on authenticity, and accuracy is very important to me. I always spend time researching my novels, exploring the customs and attitudes of the county I'm using for their setting.
For all the social changes in China can be traced to their early beginnings in the days when the new tools or vehicles of commerce and locomotion first brought the Chinese people into unavoidable contact with the strange ways and novel goods of the Western peoples.
Another thing I learned is that novels, even those from apparently distant times and places, remain current and enlightening, and also comforting.
Oh, that sound? I'm in the hot tub, reading a novel.
Somehow, knowing that Alzheimer's is coming mocks all one's aspirations - to tell stories, to think through certain issues as only a novel can do, to be recognised for one's accomplishments and hard work - in a way that old familiar death does not.
Before I write a novel, images float around in my head that work like icons - they are meaningless in themselves, but serve as reminders.
If to live is to progress, if you are lucky, from foolishness to wisdom, then to write novels is to broadcast the various stages of your foolishness.
'Ape House' is an ambitious novel in several ways, for which it is to be admired, and it is certainly an easy read, but because Gruen is not quite prepared for the philosophical implications of her subject, it is not as deeply involving emotionally or as interesting thematically as it could be.
In the traditional urban novel, there is only survival or not. The suburban idea, the conformist idea, that agony can be seen to and cured by doctors or psychoanalysis or self-knowledge is nowhere to be found in the city. Talking is a way of life, but it is not a cure. Same with religion.
Novelists of a conservative or more purely aesthetic bent hold up better on the surface, but their novels go in and out of fashion according to relevance or irrelevance.
When 'The Awakening' was published it was considered so scandalous it was banned in the author's home-town library, and she herself was barred from the Fine Arts Club in the same city. What the novel has to offer, among other things, is honesty.
After you've read a novel, you only retain a vague memory of its contents. You remember the atmosphere, the odd image or phrase or vivid cameo.
When I was young, I knew William Burroughs really well. And William's secret desire, which he never quite did, was to write a straightforward detective novel.
My first novel was rejected by some of the most eminent publishers in the world. Starting again was a real wrench.
All novels attempt to cut neural routes through the brain, to convince us that down this road the true future of the novel lies.
All my books are made up of other books. They're all deeply structured on other fiction, because I was a student in fiction and I didn't have much actual living to draw on. I suspect a lot of other people's novels are like that, too, though they might be slower to talk about it.
English writing tends to fall into two categories - the big, baggy epic novel or the fairly controlled, tidy novel. For a long time, I was a fan of the big, baggy novel, but there's definitely an advantage to having a little bit more control.
I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury.
Novels are not about expressing yourself, they're about something beautiful, funny, clever and organic. Self-expression ? Go and ring a bell in a yard if you want to express yourself.
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