I still believe nonfiction is the most important literature to come out of the second half of the 20th century.
It's the technique, I think, of writing a novel that is difficult for a nonfiction writer.
Writing nonfiction is more like sculpture, a matter of shaping the research into the finished thing.
You can tell a more over-the-top incredible story if you use a nonfiction form.
In fiction, when you paint yourself into a corner, you can write a pair of suction cups onto the bottoms of your shoes and walk up the wall and out the skylight and see the sun breaking through the clouds. In nonfiction, you don't have that luxury.
People respect nonfiction but they read novels.
In nonfiction, you have that limitation, that constraint, of telling the truth.
I don't read for amusement, I read for enlightenment. I do a lot of reviewing, so I have a steady assignment of reading. I'm also a judge for the Anisfield-Wolf Book Awards, which gives awards to literature and nonfiction.
In this time of the Internet and nonfiction, to be on an actual bookshelf in an actual bookstore is exciting in itself.
the challenge of nonfiction is to marry art and truth.
I think the goal with any writing, but especially narrative nonfiction, is to put the blockade of putting your thoughts in this unnatural medium of print and then trying to reach through that and actually convey what's going on, what you think, and make people laugh and recognize themselves while doing it. Definitely the laughing thing.
My platform has been to reach reluctant readers. And one of the best ways I found to motivate them is to connect them with reading that interests them, to expand the definition of reading to include humor, science fiction/fantasy, nonfiction, graphic novels, wordless books, audio books and comic books.
Nonfiction speaks to the head. Fiction speaks to the heart. Poetry speaks to the soul. It's the essence of beauty. The essence of pain. It pleases the eye and the ear.
I come from a little island with the Caribbean Sea on one side and the Atlantic Ocean on the other. I come from, really, nowhere, and for me, the fiction and the nonfiction, creative or otherwise, all come from the same place.
I am consumed, or I have been consumed, with these issues of motherhood and the way we act out societal expectations and roles. So both my nonfiction and my fiction have been pretty much exclusively about that.
There is always a certain leap of faith that editors have made with their nonfiction writers. If the trust is broken, things can get very embarrassing for the writers and the publisher.
But with nonfiction, the task is very straightforward: Do the research, tell the story
To me, the moment you're talking about nonfiction you're talking about reality.
With nonfiction, I go in trying to be really honest about what my preconceptions are.
There is no longer any such thing as fiction or nonfiction; there's only narrative.
Every time I write a nonfiction book I get sued.
I used to distinguish between my fiction and nonfiction in terms of superiority or inferiority.
Ironically, in today's marketplace successful nonfiction has to be unbelievable, while successful fiction must be believable.
Ah, well, I have no talent for nonfiction, that's my problem.
I've written six novels and four pieces of nonfiction, so I don't really have a genre these days.
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