I started by writing, with my partner Ed Simmons, a monologue for Danny Thomas, that he performed at Ciro's nightclub in Los Angeles.
Visually I've always liked the 20s 30s for film. I do these because I like the music. I like the clothes. I like the way the women and the guys look. There are soldiers and sailors and gangsters with the machine guns in their violin cases. It's a very colorful era of New York, full of great theater and great nightclubs and great jazz.
I was a snowboard instructor, I was a bouncer in a nightclub, I was a whitewater river guide for many years. I worked as a teacher. I make no apologies for a very varied set of life experiences.
You know, I run the Vegas Deluxe website and that really is 24 hours a day, seven days a week. And we have more stars going through this city with shows. We have more disc jockeys playing in nightclubs here, we have more parties, more of everything than any other city in the world. So it's non-stop.
Many nightclubs from this era were very loud and very dark. Plus some of the best ones were incredibly crowded. To begin with, I could seldom get back far enough to get people into frame from head to foot and when I could, people would be constantly walking in front of me all the time. Then I bought a 24-mm lens and only had to be four or five feet away.
I worked nightclubs all through my 20s, and I was a teetotaler.
I advise treating the studio audience like a nightclub audience because that's the reason you're doing television - to get them to come see you in a nightclub.
For a long time I thought I knew for sure who I was. I grew up in New Orleans and became a comedian. And there was everything that came along with that. The nightclubs. The smoking. The drinking. Then I turned 13.
Every American has the right to feel safe in their schools, in their churches, in their movie theaters, and in their nightclubs.
There are still many questions about how law enforcement responded to the shooting at the Pulse nightclub in Orlando.To get some answers, media organizations, including NPR, have asked for tapes of the 911 calls and other recordings. So far, authorities have not released that audio, only edited transcripts. Doing more, they say, would re-victimize the survivors.
If I go to a nightclub, even if the music is good, if the sound system is not, I don't stay.
We're all driven to premieres or nightclubs and seen the rope separating those who can enter and those who can't. Well, there's also velvet rope we have inside of us, keeping others from knowing our feelings.
I needed to get into a nightclub and stand up and present the material that way. I needed to present it live.
I feel that if your soul was branded by the sixties, you never lost the brand. It's like going into a nightclub and having your hand stamped so that you don't have to come back but you can come back.
I met Paul in 1967, Ringo in 1985, and I saw George Harrison in a nightclub somewhere in L. A. I never met John.
I don't go out anywhere. I don't go to nightclubs, so meeting somebody in the nightclub is out of question.
I love David Bowie and Cher and Diana Ross. I wanted to follow in their footsteps. So I set out to do that in a rock-'n'-roll band in Atlanta, Georgia. That led me to nightclubs and to the sort of Andy Warhol experience of creating a personality.
I'm the sort of person who takes a camera to dinner or a nightclub because I enjoy taking pictures of people. I tweet all my pictures, which is bad.
I had been asked to open a nightclub in Atlantic City. They offered me a ridiculous amount of money. They literally overpaid me. So I did one show a night. Then they asked me back by popular demand. So I went back. Then I said, "To hell with this." I was only doing it for the money, and I was doing easy routines. It's just too much work to get up every day and practice.
I realized a lot of my friends were going to nightclubs and listening to house music. I was hanging out with them and going to clubs as well but I didn't really understand that kind of music. I was listening to country music and was heavily into Hank Williams, bluegrass, and Bob Dylan. So I just decided I really needed to understand what this music I was hearing in the clubs was all about.
You walk into my bedroom at night, it looks like a nightclub. There's all kinds of lighting effects, there's all kinds of music. I want them to feel like they're in for a show. I believe in romance.
I am fine with 'Puppy Love.' I hated it for a while. But I still sing it. I have a country version, a sexy version and a cheesy nightclub version. I am trying to infuse it with maturity. I will never escape that song. I will always be Mr. 'Puppy Love.'
In New York we have streets exploding and innocent Buddhist girls being stabbed in the neck and cabdrivers refusing to help her. If we happen into a nightclub by mistake, when we leave the doorman will be lying in the street surrounded by police.
I can play characters who sing, but I don't like singing in a nightclub or something. It's not my metier.
Usability is not everything. If usability engineers designed a nightclub, it would be clean, quiet, brightly lit, with lots of places to sit down, plenty of bartenders, menus written in 18-point sans-serif, and easy-to-find bathrooms. But nobody would be there. They would all be down the street at Coyote Ugly pouring beer on each other.
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