With my sunglasses on, I'm Jack Nicholson. Without them, I'm fat and 60.
New Jersey is a great place to live. And we have given some of the best talent to the world, from Jack Nicholson, John Travolta, to Jerry Lewis to Bon Jovi to Frank Sinatra.
I've had people appear in my life that have helped me. I had more fun. I approached it thinking how would Jack Nicholson, "How would he do it?" So that's really what I did was I created this Gremlin character. So now people come up and they say 'Oh The Exorcist!'.. and I'm like "Did you see Repossessed?" They say either no or yes or whatever, and I say look at this, have a laugh, and then go back and look at a masterpiece.
Living and working for four decades in a Bologna apartment and studio he shared with his unwed sisters, Morandi painted little but bottles, boxes, jars, and vases. Yet like that of Chardin and the underappreciated William Nicholson, Morandi's work seems to slow down time and show you things you've never seen before.
These self-appointed deacons in the Church of Latter-Day American Literature seem to regard generosity (of words) with suspicion, texture with dislike, and any broad literary stroke with outright hate. The result is a strange and arid literary climate where a meaningless little fingernail paring like Nicholson Baker's Vox becomes an object of fascinated debate and dissection, and a truly ambitious American novel like Matthew's Heart of the Country is all but ignored.
My dad is a Jack Nicholson lookalike and a frustrated performer, my mother's into reading and poetry. I suppose the thing I owe them most is my confidence.
I met Jack Nicholson when I was about 10 at a party of my uncles, and it wasnt so much that I knew his films because I was small, but he wore sunglasses inside at night and I thought that must mean he was very important and was suitably star struck by his charismatic presence.
I'm a big fan of all the great movie devils, from Walter Huston to Ray Walston to Al Pacino to Jack Nicholson.
I was never really a character actor - I was a leading man who was always cast as a character. I wanted to be Jack Nicholson or Jean Gabin.
I remember hearing a good story about Jack Nicholson working with Stanley Kubrick on The Shining [1980]. Nicholson was saying that, as an actor, you always want to try to make things real. And believable. When he was working with Kubrick, he finished a take and said, "I feel like that was real." And Kubrick said, "Yes, it's real, but it's not interesting".
It was also great shooting in London at Pinewood Studios because of all its history. So many of the 007 movies were filmed there, as well as classics by everyone from Marilyn Monroe to Jack Nicholson to Martin Scorcese. It's like working on hallowed ground. So, I felt a responsibility to make sure I did as good a job as I possibly could.
Roger [Corman] didn't actually hire me, though. I was hired by AIP [American International Pictures], the studio that made the picture, which was Sam Arkoff and Jim Nicholson. It was a great learning experience for me, because not only did I work on the script, but they hired me back to go on location when they were making the movie, to write new scenes and so forth.
My first job was a show called The Others. I had, like, three lines. Julianne Nicholson was in it, and Gabriel [Macht]. I remember Gabriel wasn't there the day I was, but he sent a note, because he went to Carnegie Mellon as well, so we knew each other a little bit through that, and he was so sweet and generous. It was meant to be a recurring role that would evolve on the show, but the show only lasted a little while and I ended up only doing that one episode.
I want to keep on progressing. I definitely think acting is a long process to be one of the greats like Morgan Freeman or Jack Nicholson.
I was selling real estate at the time, in Pacific Palisades, California, so imagine that: getting a note and a bottle of champagne from Jack Nicholson when I'd barely made a dime as an actor. It really kept me going.
Every country is like a particular type of person. America is like a belligerent, adolescent boy, Canada is like an intelligent, 35 year old woman. Australia is like Jack Nicholson.
I really like the way that Jack Nicholson [acts] in particular works. I like the fact that he takes enormous risks. He's an enormously disciplined actor who seems to be totally capable of dealing with the business as a business and yet drop it totally when he's working.
Michael [Douglas] was just leaving the TV series The Streets of San Francisco and he said, 'Dad, let me try it.' I thought, 'Well, if I couldn't make it...' So, I gave it to him and he got the money, the director and the cast. The biggest disappointment for me, I always wanted to play McMurphy. They got a young actor, Jack Nicholson. I thought, 'Oh God. He will be terrible.' Then I saw the picture and, of course, he was great in it! That was my biggest disappointment that turned out to be one of the things I'm most proud of because my son Michael did it. I couldn't do it, but Michael did it.
Brad [Dourif] would tell himself that he was not intentionally trying to mimic Jack Nicholson in any way. I think that actually bothers him a little bit. I just think maybe they have similar voices.
Having said that, I'm a huge Jack Nicholson fan because he just goes nuts in everything he does. Having Jack in his heyday would also be a dream come true.
I don't believe in having to show anybody anything. I just do my work. You know, making a living as an actor is such a rarity on earth. It's like making a living as a painter. So I look at different opportunities in the same way as Jack Nicholson, who said once, "Keep popping up in different holes. That's what you want to do: Just keep popping up in different holes." That made a lot of sense to me.
In fact, when they wake up in the morning, they're Jack Nicholson or Robert De Niro or Josh Brolin. And it's built-in, but they think it's all this other stuff. But it's not. They'd be great if they didn't think about their part or if they did think about it.
I have always had the deepest respect for Bill Nicholson as a person and as a manager. The Spurs boss is an honest Yorkshireman and you will go a long way before finding a straighter character than that. Bill has never wavered in his determination to give White Hart Lane fans the best.
I've worked with Jack Nicholson and Robert De Niro and Tom Hanks. I've worked with some really good directors: Woody Allen, Paul Schrader... My God, I've really worked with a lot of people. But I'm intimidated by them, and I'm always thinking, "Oh, my God, he's not going to like me, and I'm going to get fired."
Certain comedians work with certain actors; like Adam Sandler worked with Jack Nicholson.
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