Every time I open Facebook, I see a post with something like, "We must forgive or be prisoners of our own bitterness and hate." People think that forgiveness is all-or-nothing, but this myth hurts people. You can forgive 10, 97, or 14 percent. Forgiveness is complicated.
Sellars's "myth of Jones" is deployed against what Sellars calls "the myth of the categorial Given": the idea that to be aware of something is to be aware of it as something. This short circuit between "awareness of" and "awareness as" inhibits the project of self-understanding because it perpetuates the assumption that there is a point where being and knowing coincide.
After listening to the radio, I learned what the North Korean government had been telling us about the war was not true. This myth allowed the North to hold the South responsible for the war.
Something you discover as a writer is that actresses who are successful are incredibly smart. For some reason, there's this myth that if you're a beautiful actress, you're not bright, you're a puppet. But it's completely the opposite. These are people with a finely tuned sense of story, and who are also strong and articulate. You have to be, to be a woman holding your own on TV and film sets.
Sciences have the view of looking at the world as individual pieces and this has been going on now for about 300 years. Then we have the Darwinian myths that life is a struggle to survive. However all life is not about competition but about striving for wholeness. When we compete we are weak, and when we work together we are strong. My hope is that this will become common knowledge someday because this will transcend religion as we know it. We just need to start focusing on the commonalities of religion.
When we come back to fantasy, I think we're actually coming back to the real bedrock of storytelling. Our national or international genre really is fantasy, if you think about the worldwide myths and legends and stories that we all know, whether we're talking about Little Red Riding Hood or the Arabian Nights or Noah's Ark or Hercules. These are stories that cross many cultures in much the same way that dragons cross many cultures.
The biggest myth about fatherhood that you get given a direct phone number to talk to Santa and tell him how your kid has been behaving. Absolute bullshit. I got an email address and it's just giving me an out of office reply.
I have traveled to Florida, I have traveled to Georgia, I have traveled to California, you and I both know that there are millions of undocumented workers that work hard, sweat soil every day to put the food we eat on our table. That's not a myth, that's a reality. Why don't we let them come with visas to this country so that then we don't have people using that border.
I've always really been interested in the Pygmalion myth and both what it has to say about creativity and what it has to say about relationships between men and women. I'd been thinking about what I would want to do with that if I was going to write on that theme, and one morning I woke up and Calvin and Ruby Sparks were in my head.
I think the older you get, you start to break down the myth and you get to the dirt of it - and if you still love the dirt, then I think you should stay on board.
I think a lot of kids do dream in their own way, except 25, 30 years later legend happens because some of us have become quite well known. So the myth becomes magical. So I tend to sort of see it very practical for me. When I go out for a drink, Bono can buy the pints because he has more money than me. We're the same guys, do you know what I mean.
I do believe in the myth of San Francisco and there is a force, a magical kind of thing there. That feeling of like, I've never been to another place like it. It doesn't even feel Californian. Even how it's laid out physically, it's very strange. Like, the weather patterns don't make sense. They do scientifically, but in a practical way it doesn't make any sense. And that weirdness, it really creates some weird thing in the air. But it is you know, on a practical level, it's very expensive, and it's a very business-oriented place, too, and there's a lot of that stuff going on.
I actually met a producer of Stanley Kubrick's who told me that Kubrick had never even thought about doing Perfume: The Story Of A Murderer. He just read it and didn't want to do it - that's it. There's a myth around that he said it's not filmable. But he never wanted to film it.
The balanced life is a goal, but for us it is mostly a myth.
The reason I wouldn't dare to write a Western is simply because that seems to be so much a part of American culture. Maybe if I want to write a Western enough I should try to overcome that fear, but I'll certainly feel like I'm trespassing. I feel that that is so much a part of American foundation myth, it's part of the myth of America, the American vision of what America is, which people have glorified and then challenged and then vilified.
There's a reason why trainspotters are not girls, there's a reason why there's the myth of the slightly autistic male genius, there's a reason why Gertrude Stein believed that her self-presentation was male. One could argue that was Susan Sontag also. The things that we associate with femaleness are not the single-minded, exclusive pursuit of a vocation, whether it be art or anything else. It is not a model that is widespread in our culture, it's not something we think of for women.
I've been reading The Feminine Mystique by Betty Friedan, which is obviously very dated now but still relevant. It's so interesting to see how far we've come and how far we haven't come with all these myths that people put onto women.
One of our continuing myths was summed up in Huckleberry Finn: Our escape, what we think of as our escape, is that we can always light out for the territories. Well, we really can't, not anymore, but that's part of the American character - that belief that at any moment, I could just drop the coffee cup and disappear. And it makes for a different self-image and a different story, in a way.
A lot of politics plays at the level of myth, and if you understand that, then you feel like you have access to the secret language of politics. People respond to political characters in archetypal ways. A fun game is to think of a politician and ask, "Which god is that? Are they like Aries? Are they like Athena?".
Shamefully, Mexico isn't a country that provides opportunities equally and democratically to everyone. Although there is a myth as well about that, because if you have something to tell, you will find a way to do it. You might get frustrated doing it but hey, that's the country we live in. I want the chance to live and experience the country that I come from. I keep struggling and fighting against these very seductive offers that require that I live somewhere else. It is a shame that it has to be like that. But you are young. If you don't have a family then there's no excuse. Try, at least.
I sometimes wonder if our memories are a myth. We think we remember, but we are remembering the story and not the actual event?
With apologies to the green movement, "sustainability" is a myth. History and archaeology show that societies are always moving to the edge of crisis, "falling forward" through growth, but then responding often successfully to the problems created. What we can hope for is that with a somewhat more controlled level of growth, and with longer-term preparations for change, we can keep responding to the inevitable smaller crises, as they arise, and continue to postpone until later and later the, perhaps ultimately inevitable, end of our civilization.
I consider myself a progressive, so my answer would be that we need to be progressive. For some reason the people in power in Mississippi still seem to be invested in these very American myths."The individual is alone." "We pull ourselves up by our bootstraps." "We create success for ourselves, and if we work hard enough then we will succeed and have success beyond our wildest dreams." I think that we need to do away with that kind of thinking and be more aware of history and how the history of this place bears in the present and how it affects people.
I think that we're just too invested in that myth that we are not connected, and are all potential millionaires if only we put in the work. I think that's destructive and ignores history and is one of the reasons we as a state are consistently at the bottom of all the lists because we handicap ourselves.
Characters work really well when they're reflective of the times that they're operating in. To keep these characters static - like Superman was invented in the '30s, Wonder Woman in the '40s - if they were still operating under those kinds of constraints, they'd die. These pop cultures, just like Greek myths, they have to reflect the time their stories are being told. That's what makes them relevant.
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