When I was younger, I loved graveyards. They weren't spooky so much as mysterious. Each tombstone another story to uncover. Another life to learn about. Now that I'm older - I won't say how old - I hate graveyards. The only life - or rather death - I see in the tombstones is my own.
What if Park realized that all the things he thought were so mysterious and intriguing about her were actually just … bleak?
Through art, mysterious bonds of understanding and of knowledge are established among men. They are the bonds of a great Brotherhood. Those who are of the Brotherhood know each other, and time and space cannot separate them.
It is through this mysterious power that we too have our being, and we therefore yield to our neighbors, even to our animal neighbors, the same right as ourselves to inhabit this vast land.
You think you've made something really great, but there's a reason why it's not resonating the way some previous work did. But it's not that easy to just replicate. Some people think, "Oh, just go do that thing you used to do before." But it just doesn't work like that. It's a lot more mysterious or slippery.
I think that writing is a process that tells you what you think. You sometimes actually don't know what your opinion is until you hear yourself trying to piece it out and have it make sense to you. The process itself is so bizarre and mysterious that you never know what it's going to tell you.
The visual world has blown up, the world of writing has blown up; there's so much text online. Anyone and everyone can express themselves. It's a lot to think about as an artist. Also, that the persona of the artist might actually be of some importance. When I came of age, it was important to be quiet and hang back and be mysterious. I knew artists who didn't even want to show up at their own openings. They never wanted to have their picture taken, didn't want to autograph a book, didn't want to answer a question. I came of age in a world where it was "Let the work speak for itself."
I've always believed that poetry must speak of realities as least as complicated as those spoken of in prose. I've read books of poems, even single poems, which are, for me, at least the equivalent of a short story or a novel. Martin Amis, in an interview with Saul Bellow in the early eighties, quotes Bellow asking, "Why not address 'the mysterious circumstance of being', say what it's like to be alive at this time, on this planet?" This has been and still is my ambition.
I cannot tell you that I am 100-percent comfortable, but for sure I am more confident of my goals, because I know what I can expect from this kind of event. At the beginning, everything was a mysterious, far-from-me world, and now it's more accessible. Of course, exposing myself is always very difficult. I cannot say that I'm a shy person, but I don't see myself as a superstar. I will never see myself like that.
A book, at the same time, also has to do with what I call a buzz in the head. It's a certain kind of music that I start hearing. It's the music of the language, but it's also the music of the story. I have to live with that music for a while before I can put any words on the page. I think that's because I have to get my body as much as my mind accustomed to the music of writing that particular book. It really is a mysterious feeling.
L.A. is a strange town at night. Everyone in L.A. goes to sleep really early, because they have to get up to exercise or call the East Coast in the morning or whatever, so what happens there at night is really mysterious.
In London I'm out and about all the time. I walk everywhere, so people do recognise me and they've probably seen me before so they're not bothered anymore. But I think that's a good thing because if you try and remain mysterious people are surprised when they see you. With me, I think they're just bored of seeing me - but that suits me just fine because I like to live as much of a normal life as I can. That's why I love living in London. People are very respectful of your privacy. If they see you having a coffee in a coffee shop, they're not going to interrupt you.
My father collected turtles when he was young. My parent's wedding album, there's two pictures of them getting married and the rest are just pictures of turtles. I remember they had Galapagos tortoises that they had somehow imported illegally and a bunch of other turtles too. I like the animals themselves. They're so self-possessed and self-contained and there's something wise and mysterious about them. I also like that they are prehistoric animals.
I think there are some people who have taken on fame in extraordinary ways, like Madonna, David Bowie, and Michael Jackson. There are other people who have taken it on in a completely different way, like Prince - who is just as famous and has achieved just as much - but is still unbelievably mysterious, which I guess Bowie managed to hold as well. There are different ways of dealing with it, and for some people I think it becomes an art form of how you put yourself out there, and for other people it's literally a way of life, it's who you are, you act like a celebrity.
RIHANNA IS TODAY'S MOST FASCINATING PERFORMER, A MYSTERIOUS AMALGAM OF AMIABLE WARMTH AND GLITTERING CHARISMA. WITH HER KEEN CREATIVE EYE FOR LINE AND COLOR, SHE HAS BECOME A FASHION ICON, LIKE AUDREY HEPBURN. YET SHE IS A TEMPESTUOUS WILD CHILD AND INTERNATIONAL ADVENTURESS, LIKE AVA GARDNER. MOST IMPORTANTLY, AS AN ARTIST IN THIS OVERMECHANIZED AGE, SHE BRAVELY DRAWS ON DEEP WELLS OF PURE EMOTION, ENDEARING HER TO MILLIONS OF FANS WORLDWIDE.
I was a huge fan of this band called Sparks. It was a pretty good inauguration to music since their music is quite complex. They were a little glammy, and me - being a kid and not really understanding the complexity of grown-up lyrics - I took the best out of it. But at the same time, it was mysterious enough and too far away from me for me to really be able to reach it. But they were my first love affair in the world of music. I loved that band.
Most people define "street smarts" as some innate ability to make savvy decisions, or one that has developed as a result of a person being confronted with very challenging circumstances in the past. I think another common term that is used is one who has amazing "business acumen." But, whatever we call it, it is always associated with some mysterious ability, only a few possess, that allow them to make better decisions than the rest of us.
The work is never finished because women forever will be eternally mysterious to me - and I will always find that point where people are lost in thought, observed but lacking self-consciousness, the most beautiful.
The Mona Lisa, to me, is the greatest emotional painting ever done. The way the smile flickers makes it a work of both art and science, because Leonardo understood optics, and the muscles of the lips, and how light strikes the eye - all of it goes into making the Mona Lisa's smile so mysterious and elusive.
I'm inspired by the fragrance because it is feminine and elegant but not too sophisticated. There's something very simple at the bottom of it but it remains mysterious, it's got different facets. Just like the roles that I love to play, it conveys differing degrees of intensity, lightness and depth... I like to be spontaneous and this fragrance is very spontaneous too.
Syd Barrett of Pink Floyd was the first person in rock I had seen with makeup on. He wore black nail polish and lots of mascara and black eye shadow, and he was so mysterious. It was this androgynous thing I found absolutely fascinating.
Mexico is a very complex, mysterious country. I will never understand it fully, and that's why I write so much about it, in order to try to understand it.
It's not surprising to me that books ended up playing a central role in my life, but it is somewhat mysterious that poetry did.
Thank god we don't know a lot about William Shakespeare or Moses or Homer or Lautréamont. These are the best guys we got, and their art is powerful because they're mysterious. Once biographical information contaminates your consciousness, it's impossible to erase it and look at someone's work the same way again.
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